Songs from Broadway musicals that became radio hits

What are some songs that originated in Broadway musicals and became hits on the radio? Define “hits” as you will - Top 40, Top 100, etc. I can think of a few.

From Grease, we have both the Title Theme, and You’re The One That I Want, both of which continue to get airplay today.

From Evita (the 1996 theatrical version) we have Madonna’s Don’t Cry For Me Argentina, which I’m pretty sure was a Top 10, if not Top 40, hit c. 1996.

And from Chess, we have possibly the most niche and esoteric song to ever be a radio hit, One Night In Bangkok

As an Honorable Mention, I’ll throw out It’s a Hard Knock Life, from Annie (the 1982 film), which gets sampled pretty heavily in Jay-Z’s song of the same name.

What are some others?

Day by Day,” from Godspell, reached #13 on the U.S. Billboard chart in 1972.

You’ve Got Possibilities from It’s A Bird, It’s A Plane, It’s Superman, charted at #36, as recorded by Peggy Lee.

The number one song from my birth year. Age of Aquarius/Let The Sun Shine in from Hair by The Fifth Dimension.

#1 in UK was I Know Him So Well (from Chess).

People by Barbara Streisand in Funny Girl.

A nitpick here: those two songs, as well as the other hit, “Hopelessly Devoted to You,” were specifically written for the film version, and weren’t in the Broadway production.

Jesus Christ Superstar ~ I Don’t Know How to Love Him
Hair - Hair, Aquarius, Easy to Be Hard, Good Morning Starshine

Memory from Cats.
People from Funny Girl

Not exactly the way described in the OP - Puttin’ on the Ritz first appeared in a film of the same name in 1930, which was a story about a Broadway musical. Later it became a hit in 1982 in a rendition by Taco, then in 2007 was featured in the Broadway version of Young Frankenstein.

“Send in the Clowns” from A Little Night Music.

Going back a ways (and to one of my favorite musicals), “Till There Was You,” from The Music Man (1957), reached #30 on the Billboard chart and #14 on the Cashbox chart.

“Hello, Dolly”, the title song from the musical, was a #1 Billboard hit for Louis Armstrong in 1964.

And later was covered by the Beatles, though it never was a single and thus no hit. As a kid, I had it on a compilation named “And Now: The Beatles”, and I thought it was the lamest song they ever had done, grown-up/parents music to my ears.

If we want to be really pedantic — and I’m sure nobody here wants that, right? — we should distinguish between a recording of a song from a cast album, where the actors in a stage production record their songs in a studio to be released in connection with (or shortly after) the opening of the live performance run, and the unusual thing that “One Night in Bangkok” is.

See, as they were conceptualizing the show, they knew it was going to be expensive to produce on stage. So they recruited some performers and made a concept album out of the songs they had at the time, in order to drum up interest and publicity, and attract investment. The song that became the radio hit is from this concept album.

So the pedantic distinction is this: “One Night in Bangkok” is, indeed, a song from the musical Chess. But at the time it exploded in popularity, it was not yet, technically, a musical, because it hadn’t been mounted yet. Indeed, it wasn’t even done. After the success of the album (and the song), they did further work, writing the book and some new music, and changing a few of the songs, and then they finally produced the show in London, with some (but not all) of the same performers they used on the concept album. (And the additional changes they made between London and the New York premiere are a whole nother post by themselves.)

So, yes, “One Night in Bangkok” is a song from the musical Chess, and it was a radio hit. But… when it was a radio hit, is it better described as a song from a musical, or a song from a proposed musical, still in progress?

Any Dream Will Do from Joseph and the Amazing Technicolor Dreamcoat was a chart hit more than once

Roger Williams’ instrumental version of “Sunrise, Sunset” from Fiddler on the Roof charted at #84.

Sammy Davis, Jr.’s recording of “What Kind of Fool Am I?” from Stop the World - I Want to Get Off made it to #17.

Looks like I’ll Never Fall In Love Again made it to Broadway thanks to “Promises, Promises” in ‘68, before Dionne Warwick’s ‘69 recording then hit #6 on the charts.

“Try to Remember” is from The Fantasticks (1960) and was originally sung by Jerry Orbach (yes, the same guy from Law & Order). The song has charted in the U.S. several times, with covers by Ed Ames, Roger Williams, The Brothers Four, and Gladys Knight & the Pips (as a medley with The Way We Were).

At least two numbers from Hamilton made it into the Rolling Stone Top 100: “Alexander Hamilton” and “You’ll Be Back.”

“Somewhere” from West Side Story has charted in various countries via covers by Barbara Streisand, Phil Collins, Pet Shop Boys, and others.

Technically the Beatles version was NOT a cover. McCartney learned it from a Peggy Lee album. It wasn’t until many years later that he figured out it was originally from The Music Man.