“Sweet Home Alabama” will never die. At least not in my home town. It’s not a bad song – say what you like, those guys could play – but lord the sentiment is anachronistic.
That song moved from “racist” into the category of “hilariously awful” once I read someone’s online spoof about it, which included the line, “I’m an ‘Indian outlaw’, got brains made of cole slaw”. I mean, there was a lot to work with in the song lyrics to start with, but that just sent me over the edge and into fits of giggles. Of course the damn song was on heavy rotation in Jacksonville, and I couldn’t escape it, so I’d be left snickering madly when it played, and couldn’t tell anyone why.
Excellent one! Yeah, it is hilarious to hear “DUN Dun Dun Dun Dun DUN DUN” chanted at games. I heard an NPR piece, I think where they say it started in Belgium of all places…
This is an example of a whole category of songs that fit the OP – songs so bad that they are forever referenced as the worst, cheesiest songs of all time. I’d have to put *Billy, Don’t Be a Hero *at the top of that pile. Pile of what – you decide.
My understanding is that the tune that goes
Dah dah dah dha dah, dha dha dha dha dha dha dha…
(That kids sing “There’s a planet Mars, where the ladies smoke cigars…”)
was Little Egypt’s theme song, and was written for her for the Worlds fair of…
never mind I just looked it up:
I don’t think you understand what a micro-aggression is.
I’m not actually familiar with this song, but I’m playing it now, and it’s…a pop song about an actual historical atrocity. That pronunciation is just his accent. The music just pretty much sounds like 1960’s pop music to my ears.
Maybe you want to go throw slime at Cher for “Gypsies, Tramps, and Thieves” now?
Interesting…this song was playing on the jukebox between sets at my gig last night; our bassist (not born in the US) commented on the anthemic, albeit frightening, nature of the tune and its general interpretation - as opposed to its intent, saying it will live on long past anyone’s reasonable expectations.
Given a second thought, the jock jams, the parodies and the novelty songs’ collective longevity isn’t really that surprising.
The only one that’s coming to mind for me is Eminence_Front, the 2nd single (“Athena” was the first) off the very mediocre “It’s Hard”, from a band that was considered way past their prime. Great tune with a very cool riff, but its thought-provoking lyrics seem way out of step with the normal pablum.
“Turn the Page” was one of those songs used by “classic rock” stations to disguise the fact that their playlist is basically four Led Zeppelin albums. It’s not a bad song, just very of its time, like so much of “classic rock.”
I don’t think Ben E. King’s “Stand By Me” will ever die. (But I wish it would.)
Same goes for Etta James’s “At Last”
And Leonard Cohen’s “Hallelujah” is beginning to wear thin too.
I just heard a new Japanese/English version the other day. Still sounds fresh, fun and it does not annoy me. Funny. I bet the writer has made a killing over the years.
I was in a punk new wave band in Tampa that opened for them. They were very nice guys.
I have a 14yo daughter who has a record player and Frank’s This is Sinatra!, and she plays it regularly with her friends. So it must be your young people, because, musically, the kids around here consider anything fair game, regardless of when it was made.