Uh, yeah, topic. Something that’s been bugging me for a while. One Republic - Good Life, Green Day - Boulevard of Broken Dreams, Avril Lavigne - Girlfriend, that sorta thing.
The way I see it, cuss words are like cheat codes. (I’m talking the good stuff you get from a Game Genie or Codebreaker, not those pathetic in-game crumbs.) It’s absolute black and white…in for a penny, in for the whole dang mortgage payment…so if you’re gonna use them, use a lot of them. Crazy Town understood. So did Dead Kennedys. I don’t recall a single hip-hop band that ever skimped. I recall a Toad The Wet Sprocket song, Hold Her Down, that had two extremely incongruous F-bombs, but at least that song never made it to radio.
The thing that I find annoying about this is that in nearly every case, it seems completely thrown in. There’s absolutely no reason Good Life needed one. There’s gotta be at least five ways that sentiment could’ve been delivered without having to blank out four seconds on the radio edit. Hey, here’s an idea: “BS” Bee Ess! Same number of syllables, no muss, no fuss! If it’s good enough for Penn & Teller, it’s good enough for you! So what was the point, shock value? Since when does a mellow alt-pop outfit need that? NWA needed it. Hell, they wouldn’t have had any point without it.
I mean, why the hell did Green Day ever grumble about Wal-Mart censorship? Release something that doesn’t need to be censored! I have your music, you don’t seem to have a problem with this!
Kate Bush has used profanity in a song only once, and that rarity made it have some amount of power. “Don’t want your bullshit, just want your sexuality.” from "Song of Solomon.
“I Could Have Lied” - Red Hot Chili Peppers. Repeated in the chorus.
“You Oughta Know” - Alanis Morissette. A single “fuck”, referring to actual fucking.
They don’t censor the radio here, so the amount of profanity doesn’t bother me. They’re just words like any other.
We Will Fall Together:
I once knew a guy, obsessed with the afterlife
Oh what a terrible day that was, he realized he’d wasted all his time
Time was ticking by, and he’d been left behind
And as the clock tick-tocked his heart did stop and everything he had was fucked
Point/Counterpoint has a COMPLETELY random “fuck” in it:
So I waited by the phone but that phone never rang
And I sang so loud so I wouldn’t hear the bang
When the bang never came
And I never got the call: Fuck it! Thank you! I love you all!
There are other examples, and other than the Point/Counterpoint example I think they usually serve the song well, though. I think as a general rule if you’re trying to make a point a single, laser-guided F-bomb is much more effective than throwing curses all over the place.
Krusty: Here when you say “What I got, you gotta get it, put it in you”, how 'bout just “What I’d like is I’d like to hug and kiss you.”
Flea: Wow. That’s much better.
Arik: Everyone can enjoy that.
Oh, I don’t know, for example, I think the radio edit of I Write Sins, Not Tragedies by Panic! At the Disco is more interesting than the uncensored version.
mumford and sons have the song Little Lion Man that I’ve heard on the radio quite a bit with the word blanked out. Personally, I like that in there as I feel that it adds a lot to the song to say you fucked up the relationship as opposed to messing up or screwing up.