Hi, everyone - OP dropping in for a sec before I take off to tonight’s rehearsal.
One thing I feel I should briefly outline - the ‘legitimate’ use of a given online site/social media site versus the ‘undesirable’ use of an online/social media site.
Facebook - legitimate uses include staying in touch with directors, producers, presenters, colleagues, and fans. It all comes under the heading of ‘networking’, and the idea is to makes sure those people don’t forget about you.
Then, there’s the promotion, whether that’s of my album, my upcoming performances (in the hopes of getting people out to them), my past performances (to show people what they missed), or trying to enlarge my follower/fan base.
I’m trying not to post too much of my ‘official’ page content to my personal page, because the official page people tend to be fans rather than friends. People who’ve signed up follow me on my personal page tend to be friends first, fans second (if at all), and it causes bad feelings if you start to treat your friends like fans.
Unwanted Facebook use includes getting drawn in to political discussions, memes, following links to other sites - do I really have to elaborate on the FB rabbit holes that are out there?
Instagram - basically the same legitimate uses. Instagram has far greater potential for reaching people you’ve never met before, through the use of hashtags and mentions.
Unwanted uses of Instagram include the strange mix of ‘America’s Funniest Home Videos’ and soft-core porn that is reels. Again, I’m not sure I need to elaborate on the distraction factor of IG.
YouTube - Legitimate uses include the lifting of songs and monologues for auditions and performances. Musically, I prefer to have the actual sound file downloaded and run it through WavePad (really basic sound editing software) - with WavePad, I can slow the track down without changing the pitch, for example. YouTube is a distant second as a place to learn music, but you can still slow things down and learn them. And their library is extensive, and includes live performances where you can watch for the fingering.
Then, of course, there’s the management and promotion of my own videos, and the networking of liking/subscribing/commenting on colleagues videos.
On the downside, YouTube has an extensive library of everything distracting.
So that is my challenge - balancing the legitimate uses of these sites with the fact that these sites have been actively designed to suck me in and keep me ‘engaged’ on the site instead of getting work done. I’m getting better at it, but I have take it all one day at a time.
And I should also mention - it isn’t just a distraction from work, it’s a distraction from other things I enjoy doing, whether that’s reading, listening to music, physical exercise, practising (sometimes practising is work, and sometimes, it’s just idly noodling on the instrument or your voice while you daydream. Some of my best riffs and compositions come from the latter kind of ‘practice’.) and the list goes on.
And on a day when I’m procrastinating, it’s sooooo much worse! I may need a minute or two to think ‘what’s the best way to say this?’, but it’s totally different with the computer on and running! As I think I said somewhere upthread, if I’m going through a list of tasks for the day, I’m far better off to close the lappy when I finish something - that way, it’s far more likely that I will choose the next task, think about what it needs, and embark upon it. If I have the browser open while I think about ‘Should I write that e-mail to Maestro X, or should I edit that sound file? Or maybe this is when I should write out the ideas for the lyrics to that song I thought of yesterday? Oh, don’t forget you need to warm up and practice that passage - you need to leave the place fed and showered by 5pm’, that’s the kind of situation where I’m most susceptible to ‘I’ll just look at this thing that David sent me…’, and where I find myself unable to recount my train of thought for the last several minutes…
Thank you for all of your input - I’m fascinated to read other people’s stories on the question.