I actually did see the thread before I saw your e-mail. Not too inundate you with recommendations, but some other people are on the ball here. Derek is a big Wayne Shorter fan, they’ve covered some of his stuff. They used to gig a song named for Elvin Jones, too.
Just a quick note to say that 'trane’s stuff seems to have a reasonably clear arc -
- his sideman work - straight jazz, with his angular solos a hint at what’s to come (I still get a kick hearing him juxtaposed with Cannonball Adderly - same basic instrument; completely different approaches)
- Blue Train - more straight up jazz
- My Favorite Things - starting to head out - solos taking more chances
… - Giant Steps - pretty far out - not Ornette Coleman “Free” - but definitely out there - the type of music than makes jazz noob’s look at me and say “see? I told you it was weird”
With A Love Supreme somehow wrapping it all up. So, twickster, it really depends what you want to focus on - the Miles stuff you mention is closer to Giant Steps than it is his sideman work…
If you want to explore a bit more “out there” type stuff, you might try Eric Dolphy - the guys’ a monster player…and not afraid to head out there…
They sent us home early from work today, so I was able to swing by the library on my way home – picked up John Coltrane: Standards and The Best of Miles Davis & John Coltrane (1955-1961) and they’ve been loaded into the home player.
Again, thanks all for the info and advice!
Hey! Watch me tapdance about architecture!
Update: Been listening quite a bit. I now “get” Kind of Blue way more than I did a couple of years ago, which is the last time I listened to it. Also listening to Giant Steps, which I like but don’t love. Coltrane’s Standards is pretty good – but the one I’ve fallen madly in love with is Best of Miles Davis and John Coltrane – their “Bye Bye Blackbird” has become a delightful earworm.
Again, many thanks to all for your recommendations – I’ll continue working my way through the list.
I saw Coltrane once at the Wichita Jazz Festival. I was in the front row, it was about 2 am and I had been there since 11 am. I got Count Basie’s autograph earlier that day as well.
Seeing Coltrane made me feel like Moses talking to the burning bush.
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I am not worthy!
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