Having just obtained this classic film in a Criterion DVD, I am now able to appreciate it fully.
For those that have read my previous thread on the film, please disregard it. I just reread it, and I don’t remember saying any of those things, nor do I believe them. I am completely baffled by my comments.:eek:
A very tightly plotted thriller with an excellent Hecht script, I can’t help but agree (and disagree) with Wood and Truffaut that this is the ultimate representation of Hitchock’s art. I believe that this ranks near the penultimate representation. The ultimate representation, in my opinion, is Vertigo. I will get to that film later.
Sorry, lissener, but I think that this is a superior film than The Birds.
The graceful camera, the elegant suspense; all come together beautifully. Alicia approaching the Unica key, passing the key down her back. The crane shot at the party. The kiss. Konstantin’s introduction.
The beginning is a bit weak, but not too badly.
Dark, disturbing and emotional, it makes an interesting companion piece to The 39 steps.
Please excuse my OP, I am a bit out of it.