The best Christmas Carol...

No, I ain’t talkin’ music, but if you want to sing anyway, I won’t stop you.

I am quite fond of Charles Dickens’ story, “A Christmas Carol”. I own 11 or 12 versions of this story on tape (VHS)* and I even have a copy of the book, illustrated by Greg Hildebrandt.

I love that story.

The question is, which cinema version do you like the best? Which one do you think is a real stinker? Be honest. I’ll go first:

Best straightforward version: 1951 version starring Alastair Sim as Ebenezer Scrooge.

I like this one the most of any version. Scrooge is a more believable character throughout this production. He isn’t evil just because he likes being evil. He’s bad simply because he’s so deeply absorbed in his own business that he has forgotten the value of anything that does not directly impinge upon it.

Unlike many versions of this story, Scrooge doesn’t suddenly reform right at the end of the movie. Rather, almost from the very first visit of the Spirits he begins, bit by bit, to awaken to the richness of life he sacrificed on the altar of financial gain. What’s more, like any of us when made aware of our more odious habits, he initially resists, attempting to defend and rationialize what he’s become. He then gradually starts admitting he’d been wrong, but still drags his feet (“I’m too old to change”). The outcome (even if you know the story) is in doubt right until the last moment.

At the end of the movie, Scrooge does what he can to make amends, and shows true regret for all the opportunities he’s lost and the harm he’s done. Other versions simply have him hand cash to people he’s hurt, and they immediately smile and forgive him for being the unfeeling old s-o-b he was earlier in the movie.

This version of “A Christmas Carol” is not a simplistic movie about how being rich is bad in and of itself. It illustrates how one man’s pursuit of wealth has blinded him to, and cut him off from all the riches that money can’t buy. It’s less a parable of the evils of wealth than it is a story of redemtion. It’s not about changing a bad man into a good man, but how a man, lost and isolated from his fellow human beings, is brought back into the circle of human interaction.

A lot of people know this one as “The Original Version”, but there were many others produced before and after this one. While it doesn’t utilize every element of the book, it’s true to the spirit of the story.

Favorite scenes (two of many):[ul]When scrooge leaves his counting house to go home, a blind beggar’s dog sees him coming and almost yanks his master off his feet in his rush to get him out of scrooge’s path.

The morning of Scrooge’s redemtion, when his excitement at having changed before it’s too late, convinces his housekeeper, Mrs. Dilber that he’s gone mad.[/ul]I’m not the only one who thinks this is the best film version of this story. Check out the user comments at IMDB.
~~Baloo

*A Christmas Carol, (1951) (Alistair Sim)
A Flintstones Christmas Carol, (1994)
Mickey’s Christmas Carol (1983)
Bugs Bunny’s Christmas Carol (1979)
An American Christmas Carol (1979) (Henry Winkler – not a bad flick)
A Christmas Carol (1984) (George C. Scott)
Mr. Magoo’s Christmas Carol (1962) (Surprisingly true to the story for an animated adaption)
Muppet Christmas Carol, The (1992) (Michael Caine – superbly entertaining, respects the original without adhering on all points)
Scrooge (1970) (Albert Finney – excellent musical adaption)
Scrooge (1935)(Sir Seymour Hicks – only an hour long, but good despite this limitation)
A Christmas Carol, (1936) (Reginald Owen)
[sub]Okay, so it’s eleven. I still like the story.[/sub]

Baloo:

I agree with you (and everyone else, it seems) about the quality of the 1951 Alastair Sim version. I put the George C. Scott version in second. And I’ve always loved the Mr. MaGoo version.

But you left out the circa 1970 Chuck Jones-produced version. This one featured the voice of Alistar Sim. It also “animated” the original illustrations. I’ve never seen it, but want to.

I’ll tell you what ISN’T the best Christmas Carol. That one with Whitney Houston that is going to be played on VH-1, “A Diva’s Christmas Carol”. Gimme a friggin’ break!

Happy holidays!

Okay Baloo, maybe you are the one to answer this question for me. I don’t know how old you are–I’m old, oh lordy–but when I was a little kid (mid to late 70s), there was an animated version of ‘A Christmas Carol’ that I thought was fantastic. The thing I remember the most about it was how really creepy some of the people looked–just like they stepped out of a Dickens’ novel. I remember vividly the scene where Scrooge sees the people going through his things after his death. It was great.
Anybody remember this version? I’ve watched every year for its return–to no avail. Am I crackers? Thanks.

Struuter:

Please read my entry above.

Um…I don’t think I could feel any more idiotic. blush Sorry, Cal. Thanks sooo much. Chuck Jones, huh? Well, that would explain why it was so good. I’m a huge Chuck Jones fan.
I wish they’d air it again–forever and ever ‘God Rest Ye Merry Gentlemen’ will remind me of that story because they used it so effectively.
Thank you again for pointing out my misread with such grace. Very gentlemanly of you. Much appreciated.

Another vote for Alistar Sim’s version. I personally think “A Christmas Carol” has been done to death (especially since every TV show seems to use it as the basis for their Christmas episode at one time or another). Sim makes it all seem fresh. Other than that, I wouldn’t change the channel to see another version (the Chuck Jones is an exception, but I’ve never seen that, so my completion complex wins out).

Well, I will go ahead and say that I actually like the George C. Scott version best.

The Muppets, on the other hand, are pretty damned funny. It was about time, if you ask me, that Rizzo the Rat got a meatier role to sink his rodent teeth into, and I for one think that he handled it with all the dexterity and panache that one could expect from a little rat from Brooklyn.

Funny, I just went and saw a local theatre production of CC last night! It was very simplistic in the set design, and much darker in style & approach than the usual staged versions. I enjoyed it greatly. Especially at the end, when the cast comes out singing for the Curtain Call. The Ghost of Christmas Future was this 14ft tall black-coated thing with a skull. At the Curtain Call, it came out wearing a green wreath & red ribbon on its head and proceeded to conduct the caroling cast. It was quite humorous.

I usually avoid things that are too Christmasy, so I haven’t seen very many versions of the Carol. Though as far as movie versions go, I do like the Muppets the best.

I like the Alistair Sims version as well, but the Albert Finney musical is the one I remember first. I saw it at the theater when I was a kid, and I loved it! My favorite “remake” that nobody has mentioned is “Scrooged” with Bill Murray. It’s a wonderful take on the story. I always cry at the end when the little boy finally speaks and says “God bless us every one.” (But I cry at everything!)

Hey! Nobody’s voted for “Blackadder’s Christmas Carol?” They haven’t run it on TV for a couple of years, but I still get the giggles thinking of it.

My favorite version, though, is still Dickens’ itself . . .

One thing I liked about the Albert Finney musical version of “A Christmas Carol”:

Years ago Albert Finney starred in “Tom Jones”, a not-quite-ribald mobie about the adventures of a bastard in 18th-century England. The Ghost of Christmas Past is played by Edith Evans, a lovely old lady who projects sympathy and dignity simultaneously. Imagine Mrs. Howell with a sense of purpose.

~~Baloo

I gotta say, the Scott version, though well done, is just a shade too gloomy for my taste. It does really shine in the graveside scene and in Scrooge’s conversation with the kid in the street below his window about the goose ("A most excellent boy!).

I’ll go with the Alaister Sims version as the best straight version, but my personal favorite has to be the Muppets version. Sue me: I think Caine is the best Scrooge. He looks like he was born to play the part (think of him in the movie’s opening, sweeping along in that long, black, forbidding coat). He also has the rare ability to act with Muppets and not have it seem like he’s talking to a bunch of felt with someone’s fist inside (yes, I know Henson’s Creature Shop is much more sophisticated than that - I’m being allegorical). Decent songs, great commentary by Gonzo and Rizzo (“Don’t you think this is a little dark for the kiddies?” “Nah, it’s a classic!”), just enough in-jokes for Muppets fans, and the ending is just lovely. I was watching it yesterday, and I got a huge grin on my face watching Scrooge make good.

Okay, so I’m not Christian anymore and I still enjoy it. Sue me. :cool:

Oh, yeah, how about the version with Patrick Stewart? I just saw the commercial for this last night. I don’t think he was the right choice for the part. He’s too sexy!

I haven’t seen the George C. Scott version in years, but it left an indelible impression on me. I’m putting it up there just under the Sim one, although it’s more likely a tie since I’ve seen Sim most every year around Christmas and it does tend to wear on me, even if it’s good.

I like the Muppets, but I’m of the school of thought that they should stay the hell out of literary adaptations and stick with the straight humor.

And now, the latest Christmas novelty hit from “Right Said Eb”:

*I’m too grumpy for Miss Belle
Too grumpy for Miss Belle
She’s going to leave me
I’m too greedy for my nephew
Too greedy for my nephew
His wife annoys me
I’m too cheap to buy new clothes
Too cheap to buy new clothes
I don’t like Saville Row
I’m too uptight for your party
Too uptight for your party
I won’t play word games
I’m a miser, you know what I mean
I count my little pence from the cashbox
Yeah from the cashbox from the cashbox yeah
I count my little pence from the cashbox

I’m too foolish for my dad
Too foolish for my dad
I have to stay at school
I’m too mean for Tiny Tim
Too mean for Tiny Tim
Won’t help the little fool
I’m a miser, you know what I mean
I count my little pence from the cashbox
Yeah, from the cashbox, from the cashbox yeah
I count my pounds and pennies from the cashbox*