Poll to follow (Your patience requested - this will take a while). This will be a single option poll, as I am asking your opinion on who was the greatest - not just a list of your favourites.
Ponder as long as you wish. If you would like to debate criteria for ‘greatest-ness’, this would be a great place to do so.
In the meantime, here is a handy list of the entrants, all linked to their entries on the Fantastic Fiction website.
I think you need to define “greatest” – most prolific/well-known? I’d go for Agatha Christie. Did the most to invent/change/direct the genre? Conan Doyle. Best mystery writer whose works would be considered great just as literature (ignorning the fact that they’re mysteries)? Dorothy Sayers …
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I thought it was more interesting to leave the determination of what constitutes “greatest” to the individual voter. All of those things you mention are valid, but which is the most important to you?
It could also be based on body of work - Poe didn’t write that many mysteries, but they are outstanding classics of the genre. Agatha Christie wrote a lot of mysteries, but how many of them are outstanding classics, in your opinion? In my opinion, not that many.
All in all, I thought the discussion of ‘why X is the greatest?’ is as interesting, if not more interesting, than the results of the poll.
I voted for Agatha because she made an impact on the genre that no other author has or had.
I think that Ed McBain was excellent but in a different way and I loved his books before he jumped the shark.
Colin Dexter is superb also.
To be honest I didn’t recognise many of the names though I consider myself to be reasonably well read and was very surprised to see Enid Blytons name included as I know her only as a very good childrens author.
Well, the names all came from the ‘Nominations’ thread that ran last week.
I’m not certain how serious the nominator of Enid Blyton was, but on reflection the ‘…of adventure’ series and the ‘Famous Five’ were among the first mysteries I ever read, so I included her on the list.
I’m sorry about that - I would never have thought of him on my own, and yet, he certainly deserves a place on that list.
Bryan Ekers
I actually thought about Franklin W. Dixon and Carolyn Keene; they had been nominated (though, again, I don’t know how seriously the nomination was intended.) Certainly they were a huge influence on me and lots of other kids.
I finally decided against them because they were not just pen names of one author, they were pen names of the publishing house/editors and were in fact 7 or 8 different writers over the years.
Agatha Christie’s The Murder of Roger Ackroyd, Murder on the Orient Express, and *And Then There Were None *each have unforgettable ground-breaking plot twists which have become too recognisable to be imitated. In Asimov’s introduction to his mystery series Tales of the Black Widowers he states that he found it difficult to think of a plot twist since Agatha Christie had virtually used every possible variation already.
Interesting that most of the voters so far are supporting people who did most of their writing before 1960 or so. It’s early yet, but there’s already a bunch of votes for Christie, Doyle, Stout, Sayers, Tey.
I could be convinced on either Dame Agatha or Sir Arthur … but I voted for a current writer, Sharyn McCrumb. Her books are not as consistently great as I’d like, but when she’s on, she’s really something.
I don’t know how I can vote, so many of my favorites. I’m torn between Ed McBain, who has a truly awesome body of work, and whose police procedurals paved the way for NYPD Blue and so many other police shows. I’ve felt I actually knew his 87th Precinct cops. And the other is Ruth Rendell, also truly awesome (aka Barbara Vine). That is one. twisted. lady. who also has a respectable detective series. (I feel I know those characters, too.)…I realize Agatha Christie was the originator of many classic plotlines but I find her work dated and tedious…OK, I’m going to vote now…
Not to mention Mousetrap and The Mirror Crack’d (and a few personal faves such as Crooked House and Curtain). The writing isn’t stellar but oh, the twists.
Very tough to choose among Christie, Chandler, and Hammett, but I voted for Hammett, since of those three, he’s the one I go back and re-read most often. The Maltese Falcon, of course, stands as a pinnacle of the genre, but the Continental Op series and the Thin Man books are also very strong.
I’m gonna go with Robert Parker for singlehandedly reviving the tough-detective as something other than a retro retarded action hero with his Spenser novels. Smart, tough and witty along with pretty much invincible is a hard combo to beat, and frankly, I don’t think the other writers do. Rex Stout would have been my other choice … but Nero Wolfe was very much of his time, until the 1970s, anyway.