I’m not particularly enamored of QT as a director. I thought his first few films (Reservoir Dogs, Pulp Fiction, and Jackie Brown) were stylish and interesting, as was Inglourious Basterds, but the *Kill Bill *films were horrible, and I didn’t see Django Unchained.
WRT artistic achievement, The Hateful Eight is far from his best film, IMO. I didn’t go in expecting to enjoy it much, and it lived up to those expectations. (I mainly went to see 70mm in a multiplex for probably the last time.) The story mainly seemed to be a setup for a bunch of bloody shootouts. In that sense, it was extremely predictable that everyone dies at the end. *Reservoir Dogs *did it better.
A nitpick: the Lincoln letter used the word “hopefully” in the modern (and some say incorrect) sense: “Hopefully, sometime we can meet…” or words to that effect, which a writer in the late 1800s – Lincoln or Major Warren – probably wouldn’t have done. There were a few other modern idioms (e.g. “not so much”) that I found jarring for the period, too.
I admire the devotion to film and 70mm in particular, but Quentin, buddy, if you’re going to go to all the trouble of shooting and showing 70mm, FFS, go out and get some grand vistas and tell an epic story, like Lean did for Lawrence of Arabia, Kubrick did with 2001, and Wyler did in Ben Hur. The snowy scenes in *The Hateful Eight *are about the worst possible use of a large format negative, because there is so little visible detail. Only a couple of sunny shots of mountains began to use the format well. The interiors had nice contrast, but 35mm or today’s digital cameras could probably done just about as well.
It’s really a shame that what is almost certainly the last film to have its initial release in 70mm was such a poor example of the format’s capabilities. It could have been an opportunity to show the world what it was losing.
One final point: a few posters here or in the other H8 thread seem to be under the impression that you can’t do special effects if you shoot (or release, I’m not sure what they thought) in 70mm. Not true. It is entirely possible to incorporate digital effects into a movie shot and released on film, regardless of format. To be sure, you have to master at a higher resolution to maintain the image quality when you output to film, but it can be done. And probably was in this film: ISTR visual effects companies listed in the credits.