I never knew that, Arnold! That actually explains a lot. As a kid, I never got past Part 1, and only knew of one other girl my age who did. I got into Part 2 as a teenager, which seems right, as the events in Part 2 are more complex (and depressing).
— I don’t get the Amy-hate. I agree that the scenes with her and Teddy in Europe are touching, showing a genuine friendship that develops into a courtship. And don’t forget a) how he visited her so often when she was sequestered at Aunt March’s, b) the scene where she draws him “as you are,” [morose and slump-shouldered] as opposed to “as you were” [vital, reining in a spirited horse] and c) the scene where he arrives to escort her to a ball and is thunderstruck by the sight of her framed romantically by velvet drapes. And their proposal is every bit as touching as Jo and Bhaer’s. “How well we pull together!” “So well that I wish we might always pull in the same boat.”
— And Jo had already made it clear to Teddy that she did not love him in that way. If she had done a 180 after that, I would have flung the book with great force. And I adore Friedrich; he is such a gentle soul.
— I never really connected with Beth, to be honest. Didn’t cry when she died; the person I cried for was Jo, who had such a hard time moving on. But there is one scene that resonated with me: when she tells Jo how the neighbor’s baby died in her arms. One would think that fragile Beth would be the least well-equipped to deal with that, but on further reflection, she might be the most. She was certainly the most spiritual, after all.
— One of my high-school teachers told us an anecdote about the first year she was married, when she bought a few yards of velvet, sewed it into a dress, and showed it to her husband, who looked at her aghast and said, “You can’t do that! You’ve upset the budget!” I wanted to say, “That’s really interesting…almost as interesting as when I read it in Little Women.” Looking back, I probably should have.
— LMA was very egalitarian, but I did detect a tiny bit of snobbery in the scene where Amy gets caught with the pickled limes. Before hitting her hand with the ruler (and I think it was the palm, not the knuckles. Neither tickles, but I’d still take palm over knuckles.) the teacher also made her throw the limes out the window, to the great delight of the Irish children outside, who either did not go to school, or perhaps attended public school, and that was supposed to be an extra bit of humiliation. Still, LMA was a product of her times, and “OMG s/he’s Irish! Ack!” was quite prevalent in those days.
— Perhaps it’s because I’m looking at it from today’s perspective, but I thought Jo’s attachment to Meg in Part 1 was almost pathological. She hated John Brooke for no reason except that he was in love with Meg, and at one point even said, “I wish I could marry her myself and keep her in the family!” What was stopping her from wanting Meg to be happy, even if marriage did take her out of the house?
— And I actually thought it was a bit callous of whoever said Jo’s hair was “Your one beauty.” Like, with her hair short she makes children run screaming in terror?