Heh. “Aren’t we fucking cosmopolitan?”
I thought it was a great movie and Pierce Brosnan’s best performance ever. The whole bit at the bullfight was hysterical.
My favourite part, though, was [spoiler]When buddy appeared at the scene of domestic bliss and the three of them were up until the “wee small hours of the morning.” So many different types of tension, but so much fun.
When the awkwardness of the “wife-swapping” suggestion was diffused with “You don’t have a wife, remember?” I just about peed.[/spoiler]
I’m curious as to how folks interpreted the last scene, though. The person I saw it with didn’t agree with the way I read it – but I think she’s almost exclusively literal-minded. On the other hand I may have a tendency to overanalyze things.[spoiler]Julian left the travel pamphlet for the spot he was headed to on the windshield at the end. Do you think we are meant to think that Danny would seek him out, later?
It seems to me that the last shot communicated that that was the last time they ever saw each other: A careful composition, with Julian in the rear-view mirror of Danny’s car, and Bean and Danny in the background. (Not in the mirror, but in the actual scene.)
There’s only one similarly composed shot in the movie – in the form of the snapshot over Danny and Bean’s bed, which is a peculiar shot of their rear-view mirror reflecting the only glimpse we see of Danny and Bean with their son, as a happy, smiling, intact family.
To me, this seems like a pretty obvious visual metaphor. What appears in the rear-view mirror is receding into the past. Having that image over their bed (when they’re going through a perilous time) is a quiet comment on the state of their relationship.
The last shot recalls that, but this time, we see Julian in the rear-view, walking away. Ahead, we see Danny and Bean embracing. It seems like a marker for the end of a chaotic and uncertain time. All the loose ends are tied up, the marriage is on solid ground again, and that business with the lunatic hitman is now in the realm of nice safe anecdotes.[/spoiler]
Another visual thing that really impressed me about the The Matador was its art design. All those solid fields of vibrant colour. Wow!