Waited for years…
I’ve always liked the Talking Heads song “Heaven”, primarily because it makes Heaven sound like a terrible place (like off the Fear of Music album) or a wonderful place (like in the Stop Making Sense movie), depending on how you sang it.
And then f^cked up the post. :smack: :smack: :smack: :smack: :smack: :smack: :smack: :smack: :smack:
I can’t believe someone beat me to that. sigh Not that I expect to spend a whole lot of time in Heaven, but I’d like to play charades with Einstein and Ben Franklin.
Personally I liked the visions of both in What Dreams May Come.
Was that the one starring Tommy Chong and Christopher Reeve?
I used to work there, but I don’t remember anybody by that name.
I love Milton too, as best a gleeful, cackling obsessed enthusiast can.
Milton’s hell starts in the traditional fire lake, but it also inlcudes the frozen continent. Part of the torment of the fallen angels is burning burn/freezer burn/burning burn at regular intervals.
There’s only one edifice in Milton’s hell–Pandemonium. It’s probably best described as a single building, but as large as a city.
I read something recently that said that the rise of Pandemonium is essentially a fart–fill the molds (intestines) and “cells” and get an"exhalation" of something evil and horrific as from an “organ.” (I know y’all are really interested in long quotes from Paradise Lost, but what the hell.)
OTOH, I don’t think that Milton’s heaven or hell are particularly strong or interesting as mere places; it’s the characterizations and portrayal of human nature/vice which make it rock.
Hell isn’t mentioned, and Heaven is only alluded to, but I think the best treatment of Purgatory I’ve ever read is Tolkien’s short story “Leaf by Niggle”. The best quote I can remember of it is “Not pleasurable, exactly, but satisfying, like bread rather than jam”.
I also liked the stunning visuals in What Dreams may Come, but I thought it was a bit theologically weak. “Where’s God in all of this?”, indeed. Although I do appreciate the difficulties they would have had in incorporating God into it, as well.
And a rather… unconventional… afterlife was presented in one of Asimov’s short stories, although I unfortunately cannot remember the name. An atheist scientist dies and finds himself still conscious and existing, and God tells him that He saves all the brightest minds (for all the rest, oblivion: God is not cruel, but they’re of no further use to Him). The scientist’s task for eternity, as well as that of all the others saved, is to think, and to thereby try to expand the scope of God’s omniscience. Ultimately, God seeks to learnhow He Himself may cease to exist, since that is the one thing He cannot know, and desparately desires
The well-appointed sitting room which becomes Hell for Sartre’s three characters in No Exit comes to mind. A personal Hell, but Hell nonetheless.
I also enjoyed the Heaven and Hell depicted in the Preacher series by Garth Ennis. It seemed both were dominated by beings who were more like pernicious teenagers than learned immortals.
I agree, and I like Mike Nelson’s review of the film (from his book Mike Nelson’s Movie Megacheese): “It’s the theology of two guys doing bong hits.”
I’ve only browsed through it, but (Wayne Douglas) Barlowe’s Inferno looked pretty interesting. It included things like tormented souls being used as bricks in the architecture of Hell, and being used as clothing by demons.
One of the really facinating “Hells,” though? The one shown on an episode of Nickelodeon’s Rocko’s Modern Life.
No kidding.
[spoiler]In it, Rocko’s friend gluttonous Heffer goes clinically dead after choking on a chicken bone, and his spirit wakes up in a firely place called “Heck,” confronted by a robed and rather personable demon named “Peaches.” (Peaches stops Heffer from calling it “Hell” because of the censors)
But, within moments, Peaches waves away the firey caverns of Heck—they’re “just for tourists”—replacing it with a blank-white nothingness, containing only an old recliner and a TV.
On the screen was a video feed of Rocko—who’d tried to climb down Heffer’s throat to clear his airway, and ended up trapped in Heffer’s “labyrinthine gut.” Heffer’s punishment was to have been being forced to sit there, and watch Rocko slowly starve to death trying to save Heffer from his own appetite. And he’d have to watch it over and over again…for eternity.
[/spoiler]
:eek: Pretty dead-on chilling, for a kid’s show. And without any real religious content, either.
[spoiler]Another interesting bit came after Rocko managed to ressusitate Heffer in the real world, allowing him to escape from Heck. As his spirit ascended, Peaches started a dramatic “NOO! NOOOO!”, but then cut himself off with a dismissive “eh, go ahead.”
And really, why wouldn’t he? It was just one soul…there’d be plenty more like him, all the way to the end of time. No need to fight for souls when they’ll just come to you.[/spoiler]
I’ve always had a soft spot for that kind idea of “The Devil”—not arch-evil, he’s just the guy who runs Hades.
Didn’t Sarte say that Hell was other people? Or was that in the play “No Exit” - a frightening version of Hell itself.
The Book of Arda Viraf, in the Zoroastrian religion, has some of the most descriptive writings on heaven and hell in any religious texts I have read. This book is a Dante-esque recollection of Viraf’s journey to heaven and hell.
The description of Heaven takes up Chapters 10 through 15. Hell, being far more interesting of course, and its punishments are described in excruciating detail from chapters 16 through 100.
The crimes and punishments in The Book of Arda Viraf are far juicier and imaginative than anything in the Bible. Some of my favorite excerpts:
The punishment for a menstruating woman approaching fire or water
The punishment for walking barefoot
Wearing Make-up
Starving your own baby and selling your maternal milk for profit
Killing an otter
Oh, it’s a really fun read. You can’t help but think the Zoroastrians were a bit obsessed with punishment and menstruating women.
How about The Simpsons.
Being forcefed donuts throughout eternity.
Didn’t work on Homer though…
Job: A Comedy of Justice by Robert Heinlein has a very interesting, humerous take on Heaven, Hell, the rapture & armaggeddon, and the biblical story of Job as well. Well worth reading.
Don’t know about the most interesting, but I think the most accurate is CS Lewis’s Narnia VII:The Last Battle- in which Heaven is the world pristing & eternal & Hell is going into God’s Shadow & then wandering around in Heaven totally closed to its blessings, indeed experiencing them as tormenting.
Both. Sartre wrote “No Exit” and that was the denouement of the drama.
In case you weren’t aware of it, James Branch Cabell created that perspective on matters metaphysical in Jurgen (which is what I was going to offer in this thread before getting to your post); Heinlein merely “filed off the serial numbers and reused it” (his own comment).
And I agree; Heinlein’s Job is very worth reading.
For once I’m glad I didn’t listen to the warnings. Except for the ‘musical holes’ part :eek:
I think my favorite (aside from the ones already mentioned) is in the books Waiting for the Galactic Bus and The Snake Oil Wars by Parke Godwin. Heaven and Hell are both what you make of them, and the, ah, proprietors of each don’t interfere much except to keep everything organised, and provide furnishings where necessary.
I can’t believe I’ve spent the last hour reading a furry strip. No, scratch that: I can’t believe I’ve spent the last hour reading a furry strip that was actually interesting.
Anyway, I think the most interesting heaven was described by Kurt Vonnegut in God Bless You, Dr. Kevorkian. It’s a short and light read for Vonnegut, but it does paint an interesting picture of Heaven (from the front gate, anyway.)
And since nobody’s mentioned an afterlife from a video game; there’s Disgaea: Hour of Darkness. In Disgaea, Heaven and Hell are actual, factual, physical places. There’s evil in Heaven and virtue in Hell, every being is mortal, and when you die; you get to spend some time as an unstable penguin to atone before you get another ride on the Wheel.