November, 1965. I’d drive a half-hour north from my (current) house and have dinner at the restaurant that Alice owned. (“Alice’s Restaurant” is not the name of the restaurant. That’s just the name of the song,)
For the purposes of this thread, I’m declaring the World’s Columbian Exposition to be an entertainment event. Also the Century of Progress Exposition.
I’ve heard that the opening day of Disneyland was kind of a mess, with a lot of the attractions not in working order yet, but I’d still like to witness it in person.
I’d like to see Joy Division perform before Curtis died. Any show of The Smiths. All of them. The Time-travellers’s wife was excretable yet the guy had the right idea. Go see The Smiths.
For The Beatles I’ve given this much thought over the years. Hamburg. The screaming girls would ruin the other shows.
That was my first thought - April 14, 1865. I would make it a point to be near the door to the Presidential box, and stop a certain Confederate-sympathizer actor before he did any mischief.
Shakespeare had two lost works that I’d love to covertly record. From Wiki:
*Love’s Labour’s Won – a late sixteenth-century writer, Francis Meres, and a bookseller’s list both list this title among Shakespeare’s recent works, but no play of this title has survived. It may have become lost, or it may represent an alternative title of one of the plays listed above, such as Much Ado About Nothing or All’s Well That Ends Well.
Cardenio – the original of a late play by Shakespeare and Fletcher, referred to in several documents, has not survived. It is believed to have re-worked a tale in Cervantes’ Don Quixote. In 1727, Lewis Theobald produced a play he called Double Falsehood, which he claimed to have adapted from three manuscripts of a lost play by Shakespeare that he did not name. Double Falsehood does re-work the Cardenio story, and modern scholarship generally agrees that Double Falsehood includes fragments of Shakespeare’s lost play.*