Tom Lehrer dies at age 97

It’s my favorite!

When people find out I’m a teacher, one of the most common responses–especially from conservatives–is to ask what I think about “the way that they’re teaching math these days.”

I always smile brightly and tell them that there’s a great song, “New Math,” that makes fun of the newfangled ways of teaching math, instead of sticking to the classic method. Right as they’re about to agree with me, I add, “Thing is, it was written sixty years ago, making fun of the way we learned math when we were kids, because that was the new style then, and older people complained about it then.”

About half the time they pick up what I’m putting down. The other two thirds* they ignore it and launch into the rant they were planning on anyway.

RIP Tom Lehrer.

*in base eight

In my (bright) college days everyone I knew were huge fans; and even though I don’t think I’ve heard any of his works in 50 years his lyrics are still rattling around in my brain. I think my favorite is We’ll All Go Together When We Go.

When you attend a funeral
It’s sad to think that sooner or l-
ater the ones you love will do the same for you.

A friend of mine bought a bunch of his 10" while in college, and that was my introduction to him. Loved it.

Too true, and a bunch of his songs were indeed bitter (esp. against Germany). But then again, it was a different time, and sometimes the subject really does merit it.

I learned “new math”, in all its set-theoretical glory. And i loved that math. But i also love that song. I think it’s a fun description of how people look at basically the same algorithm in different ways.

When i tutor math, i always tell my students “there’s no one right way to do it”.

Absolutely! I tell kids my three cardinal rules of choosing a method to solve a problem. In decreasing order of priority, your method must:

  1. Get the right answer. If you get the wrong answer with the method, either you need to git gud, or you need to choose a different method.
  2. Be something you understand. If you don’t know why it works, you’re casting a magic spell, not doing math.
  3. Not take too long. You wanna solve the problem and move on, not be stuck working a problem for half an hour when a different method would get you the answer in thirty seconds.

The more methods you learn, the better chance you have of finding one that works for any problem.

Some time ago, I played The Elements for two cousins of mine; retired physics and mathematics teachers. They loved it, and wanted to get a copy…that is, until they heard Lehrer’s song, Smut. That changed their fundie-Christian minds, and they said, “Never mind.”

I doubt if they would appreciate New Math.

You simply must play I Got It From Agnes for them! Tom would have wanted it that way.

I suppose the answer to the question “How in galactic megacluster sized cognitive dissonance does a fundamentalist become a physics teacher???” will have to be in another thread.

This prediction held up

At least, i got a news alert from the NYT, which is basically today’s “front page”.

That whole thread is kinda worth reading with this one.

the Elements Song is one of Lehrer’s best, because it’s just so much fun, and (unlike,say, political satire) it is timeless. And appropriate for all ages.

So, in tribute to Mr. Lehrer, let’s all enjoy the
world’s cutest version of the Elements, sung by a three-year old

That time Tom Lehrer hid a song reference in an NSA document:

Opal: “With Tom Lehrer’s passing, I suppose this is a moment to share the story of the prank he played on the National Security Agency, and how it went undiscovered for nearly 60 years.” — Bluesky

And how sadly apt today is
I could tell you things about Peter Pan
And the Wizard of Oz (there’s a dirty old man)

That’s fucking great!

It occurs to me that there aren’t too many polymaths like Lehrer around anymore. (Well, there never was anyone quite like Lehrer, but you know what I mean). Genius mathemetician (went to Harvard at 15), teacher, gifted musician and performer, cutting satirist, Army veteran, and he apparently also worked for the NSA.

And he taught both math and musical theater. That has to be unusual.

Ah, you beat me to it. It’s a great story.

One of the things that has stuck with me were his thoughts on whether his political satire made any difference:

What he wanted was for people to be angry about what was going on, not just “titillated”.

I’ve often thought the same about The Daily Show - for all the lampooning of the political establishment (mostly but not entirely on the right), all they really do is entertain people already predisposed to agree with them.

This is possibly an interesting topic of its own, but I don’t think I entirely agree with Lehrer here. His standard of “We need a song like this, and that will really convert people. Then they’ll say, ‘Oh, I thought war was good, but now I realize war is bad.’” No, it’s not going to change much” is much too harsh. There is not one single thing/idea/book/speech/whatever in the world that can do that.

I think of satire kind of like a gateway drug, to use a somewhat negative simile. It does titillate in many cases, which can lead to a puncturing of the seriousness of certain weighty ideas and institutions, which in turn can lead to questioning those ideas and institutions (over a long time and through lots of other ideas and media). Satire is like Intro to Questioning.

ETA: Fixed typo

Wanna hear my stock picks?
He wasn’t in today’s print Times, but I suspect he’ll be in tomorrow.
There was a time when you could hardly understand the headlines in the Times without a good knowledge of Lehrer. The headline for a review of a book on homosexuality at Harvard was “invite the whole team up for tea.”

I forget when I first heard him, but everyone at MIT knew his songs well. I saw or saw a tape of him doing “Vatican Rag” for Channel 13, the PBS station, in New York. That’s mentioned in the Times obit.
“I got it from Agnes” - dirty even today - was on one of the collections. And I saw him do the “Boston Subway Song” on YouTube somewhere. The lyrics are in the beginning of vol. 2 of Asimov’s first autobiography.
I saw Tomfoolery in previews in NY. Previews because we went on my wife’s official due date for our first kid. “When are you due?” “Today.” That freaked out the other people at the table. The audience knew the words better than the performers did.

I was introduced to his songs at university. Inspired lyrics, flawless delivery. I was actually surprised to discover he was still alive recently. Sad to hear about his death, but 97 is a good age to reach.

Yeah, child prodigy, early retirement, long life, and i suspect he secured his legacy by putting his works in the public domain. A life well lived.

I want to put in a word for his music. The tunes he wrote were really quite subversive in their own way. I remember hearing “The Old Dope Peddler” at a very young age, and the melancholy tune just made me sad. Of course, I didn’t know what a “dope peddler” was, but the melody and words about an old guy from the past just filled me with a nostalgia that a seven-year-old had no business feeling.

He was awfully good at that. You could do an album of Lehrer with the words removed and it would work on a different level.

I didn’t hear Lehrer’s songs when they first came out. I was a kid, and, although some of my friends heard them, they couldn’t remember the songfs, so I only got badly garbled versions of them.

It wasn’t until I was in grad school that I was properly introduced to Lehrer by my advisor, a quintessential German professor (accent and beard and all), who gave me dubs of a couple of Lehrer’s albums on cassette. A pretty gutsy move considering how the Germans fared in Lehrer’s songs “The MLF Lullabye” and “Werner von Braun”. In any event, I played it over and over and eventually got his other albums.

I wrote up an essay on Lehrer tat still hasn’t been published, but I’d like to share the beginning with you: