BST’s second album begins (and ends) with an interpretation of “Trois Gymnopedies”; both the first and last track are listed as such, or approximately so. After the first portion of the first track, however (at about 1:25), there is a minute-long piece played by the brass section—a very moving piece, touching on threnodic during a few portions.
I was wondering if any of you who know of what I speak knew who wrote this; was it Satie, or was it BST’s doing? Is there an intended significance as to this piece? Any other viable information as to this piece you might be able to share? Thanks loads.