Supernatural: More violence! The creatures of the night should be bloodthirsty. And nudity for all! And Dean really should swear more.
You’ve seen this I’m sure.
Battlestar Galactica. Very fit cast–let’s see some T & A (though not Sol Tigh’s, please.)
Harkening back to the Sixties again: Star Trek (TOS), Get Smart and Batman would’ve benefited. Naked Alien babes, 99, Catwoman and Batgirl. Yowza!
To tell the truth, I’ve always wanted to see naked roller derby.
No, no, a thousand times no. Remember, the typical domestic sitcom has a shlub of a husband and a hot wife. TV does not need a nude Ray Romano or Jim Belushi.
What domestic sitcoms need is more viloence. You think The Honeymooners has been discussed to death over the last 50 years? Imagine the discussions if Ralph had actually sent Alice to the moon a few times.
To answer a silly question seriously, Xena: Warrior Princess. Obviously it was just chock full of violence, but two episodes in particular could have used more nudity: “The Ides of March,” and “Legacy.” I write that not from a desire to see comely female flesh uncovered, but because in both cases, the non-nudity of the characters is distracting. I’ll explain in a spoiler box:
In the former episode, after the leads are captured by the Romans and sentenced to be crucified. There is a commercial break, and when we rejoin our heroines they are dressed in rags. While I can buy that the Romans liked to heighten the humiliation of condemned prisoners by taking their clothes away before the execution, I cannot believe they’d get even a scrap of clothing back.
In the latter case, we see the cannibals quite literally basting Gabrielle in preparing to cook her. Why wouldn’t they take her clothes off? The scene is supposed to be incredibly creepy and terrifying (and Renee O’Connor does an excellent job of conveying her characters’ panic) but that little detail takes you out fo the moment.
Or perhaps go for something more urban and gritty like this. Maybe even get Martin Scorsese to direct an episode.
If you really want Muppet violence and gore, I direct you to my movie idea, posted here several times before;
The Muppet D&D Movie.
Directed by Quentin Tarantino.
Rated R, for violence and language.
The A Team, thousands of rounds fired but nobody ever got killed,explosions and the victims just looked a little dazed but were otherwise unhurt except that their truck/car always went over on its side/roof.
Star Trek in all its incarnations,it was so sanitised and fluffy I never once feared for the main characters and never once felt my flesh creep,unlike Dr.Who.
Friends
Keeping Up With The Kardashians
I see it only took 12 posts for some perv to say The Brady Bunch.
So let me be the first to say Full House.
:d&r:
Of course, they would be allowed knee and elbow pads and helmets.
WKRP in Cincinatti
I tried to get into the top ten…
Here’s my fantasy NC-17 version of I Dream of Jeannie: When Cpt. Nelson first finds Jeannie, she deliberately chooses the form that corresponds to his subconcious ideal woman (which we see full frontal). Jeannie isn’t exactly evil but she’s very willful and hates being enslaved to the holder of her bottle. So she tries to take advantage of an escape clause: if she can seduce her master, she’ll no longer be bound. So the whole series has as it’s running gag that Jeannie is fervently trying to seduce Nelson; and fearing the possible consequences of setting a djinn loose in the world, Nelson resists, not without a lot of frustration. It would explain why he never took advantage of Jeannie, other than having him be gay.
That…makes a disturbing amount of sense, actually. Your fantasy scanario actually makes that series a heck of a lot more plausible. Not to mention darker. Bravo ;).
Now you’ll have to work on reforming Bewitched :p.
High praise; thank you! 
Hmm, intriguing. Ok, how’s this:
Unknown millenia ago, some people stumbled into a vast source of occult power. Barring only a few boundaries that they’re forbidden to cross, the Witches and Warlocks have almost limitless power. And as we all know, absolute power corrupts absolutely. Having nearly boundless opportunity to gratify every selfish desire, very few witches or warlocks have more than a passing fondness for anyone else. The society of the Witches and Warlocks is like the Unseely Court: everything is about who has power over whom, everything is about the constant struggle to gain or keep position. In particular almost every marriage is arranged based on political considerations of alliance.
But one (relatively) young witch, Samantha, wants something more. Her researches lead her to discover that there is said to be a power beyond even magic- the power of True Love. If she can both truly love and be loved unselfishly, she will be free of any compulsion of the magical world. She leaves the realm of the magical and searches for a mortal man, one who will love her for herself and not for any consideration of power or wealth or status or pride. She finds such a man in Darrin Stevens, a modest New York ad agency man, who falls in love with her and they marry.
On their wedding night, Samantha confesses who and what she really is to him, for otherwise their love would be based on a fraud. He is a bit freaked to say the least but he still loves her and only says that he does not want power or wealth or anything else handed to him on a silver platter by magic, and asks her to be content with only what he can provide her. She agrees.
But the course of true love never runs smooth, and a major speed bump is hit when her parents find out. They are of course livid; yet cannot directly touch Darrin, for true love indeed protects him from almost everything (such as a hideous death) that they could do to Darrin. But what they can do is put Darrin to test after test after test, to try to shake his love for Samantha. So Samantha’s parents are constantly hoping to trip Darrin up, and Samantha is constantly working to counter them.
The Smurfs would have been hilarious if they had said real swears instead of masking it by saying “smurf” all the time.