I’ve recently started researching usb turntables. I want to convert my record collection.
I’m a little confused why they say the usb turntable uses your sound card. Isn’t the usb turntable transferring a digital data stream to your hard drive? Is it a wav file? Or do you capture it in Sound Forge and save as WAV? I don’t see where the sound card has a role, other than playback.
I’m concerned because I know there’s a big difference in sound cards. Some are 16 bit, 32 bit or even 64 bit. The new sound cards support multi channels and all kinds of crap I don’t care about. I have a cheap sound blaster card in my pc. I think it’s a AWE 32, it’s in my only ISA slot.
I do have sound forge for editing. I bought the software in 2005. It’s not a current version, but it shouldn’t matter.
You don’t really need a special USB turntable to do this. I play my regular old turntable directly into the line input port on my sound card, and capture it in digital editing software.
Of course, if you don’t currently own a standard turntable, the USB one might be the way to go…TRM
Audiophile nitpick… the line-in jack on internal sound cards are inherently noisy, due to their location inside the computer - surrounded by various interfering EM fields. Their signal-to-noise ratios are usually pretty terrible. That’s why most of the good sound interfaces (see M-Audio) provide the Analog->Digital conversion outside the machine, typically in a ‘break-out-box’, eliminating the excess interference. Since USB Turntables connect via USB, they are also performing the A->D conversion externally, and passing a purely digital signal back to the PC via USB. You’d just have to worry about the quality of it’s internal A->D circuitry. Read some reviews.
thanks! That M-Audio usb converter looks like what I need.
I do have a vintage Marantz direct drive turntable from the 1970’s. Back then, Marantz was still a respected name in the audio world. I’ve heard the brand slipped a lot in the past 15 years.
I guess I got lucky, then, as mine sounds fine. I do use a pre-amp between the turntable and the sound card, but I’ve done it without the amp as well…TRM
Go ahead and just record each side at once. When viewing the resulting wave file, you’ll easily pick out the track breaks.
Now if you’re going to end up converting to lossy mp3’s anyways, you might not want to bother with the high quality recording device. try it thru your line-in jack, and see what it sounds like…
Somebody’s missing a big piece here. Many phono cartridges do not have sufficient output to get useable audio directly into a computer line in. Receivers and amps (in the old days - geezer here) had a phono input that fed an internal pre-amp to boost the output to the main amplification stage. Also, the phono output frequency response is skewed to allow better noise/fidelity of the output and not damage the vinyl. This is called the RIAA Equalization - wiki is your friend. Some very high end phono cartridges used a moving coil design that had even less output and needed a pre-pre-amp to raise the signal level. The preamp stages also applied an inverse RIAA Equalization to the signal to get a flat respones output.
A lot of current home theater receivers no longer have a phono input to perform those tasks (pre-amplification and equalization) for you.
USB turntables provide the pre-amplification and RIAA equalization before outputting to the computer line input.
Some phono cartridges may have enough output to drive the computer and the audio software may provide the required RIAA equalization.
If you DO have ‘phono’ jacks on your receiver, and it’s located near the computer, you can use it as your preamp. I run my computer as ‘tape 2’ thru my receiver. That way, whatever source is selected on the receiver gets sent out the ‘tape 2 monitor’ output, into the computer for recording. You can live monitor the computer signal by turning on the ‘tape 2 monitor’ setting on your receiver (this can also work for real-time signal processing). This way, you can route any signal (phono, cd, tape, tuner, etc) from the receiver to your computer for recording. The receivers built-in phono reamps will boost the signal up to line-level volumes, enough for recording, however you won’t have the fine gain control you get with a better recording interface.