I just wanted to say that yes, Vibrato IS an indication of a trained singer. When the vocal folds are working properly, a vibrato will appear naturally. To sing a “straight tone” or a tone without vibrato is to sing without proper formants, or overtones. This is a tone which is devoid of any beautifying effects, and is a flat, lifeless sound. A good singer CAN sing without vibrato, but why would they want to?
"I was dreaming of tomorrow so I sacrificed today and it sure was a grand waste of time. "
-Billy Joel
The assertion that vibrato sound is somehow less lifeless than non-vibrato sound is one of taste. Compare, by example, the sound of a piano (no vibrato) with that of a violin played with quavering (where the pitch is changed rapidly back and forth over a very short range during longer notes), with a vibrato singer. I doubt many would consider the piano “lifeless” in tone.
I agree, a piano does not have a “lifeless” tone. But a piano also has built in overtones which make the sound beautiful in a different way. It is a different sound. I will conceid that some people may prefer a vibrato-less voice. But generally not.
"I was dreaming of tomorrow so I sacrificed today and it sure was a grand waste of time. "
-Billy Joel
You are absolutely correct to point out that vibrato vs. non-vibrato (as far as what people like to hear) is a matter of taste in singing.
Perhaps I could put a new spin on KJ’s comments.
Vibrato itself does not add anything to singing, except an oscillation of pitch and intensity. However, when the singing voice is used in a way that allows for vibrato (as opposed to forcing the issue and adding vibrato on purpose), the resulting sound is almost always richer in overtones and more complex.
The absence of vibrato does not mean that a voice is uninteresting–that’s completely a matter of opinion. The actual sound, however, when broken into its spectral components is likely to be simpler.
And as to whether ‘most’ prefer a vibrato or vibrato-absent voice, I find that, among those whose musical knowledge and interest is limited to pop-rock, most of them can’t stand listening to operatic singing precisely because of the (as my kids described it once) “silly sound of the voice”.
Stylistic reasons. If it's done by a choir, it might be for a certain effect, or because the sopranos are getting out of hand (a joke. Mostly.) A soloist might be singing early music. Not that I really want to encourage non-vibrato singing, but when done very well, it is extremely effective.