This is another aspect to the situation that I have mentioned during the earlier “War on Christmas” wars.
Looking at the public displays that are the most popular celebrations of Christmas in entertainment, repeated year after year, we find:
**+**Messiah (Oratorio), 1742: Not really a Christmas work, but now often performed at Christmas–Jesus mentioned frequently.
**-**A Visit from St. Nicholas, ca 1822: No mention of the Nativity or Jesus.
**-**A Christmas Carol, 1843, numerous movies and retellings; No mention of the Nativity or Jesus.
**?**The Gift of the Magi, 1906: One brief paragraph relating that the Magi brought gifts to “the Babe.”
**-**It’s a Wonderful Life, 1946: (Not fair, perhaps, since it only shows up at Christmas because it climaxes on Christmas Eve, but there is no mention of the Nativity or Jesus.)
**-**Miracle on 34th Street, 1947, 1959, 1973, 1994: No mention of the Nativity or Jesus.
**+**Amahl and the Night Visitors, 1951, 1963, 1978, 2002: Poor lame kid meets the three Magi on their way to Bethlehem.
**-**How the Grinch Stole Christmas, book, 1957, movies 1966, 2000: No mention of the Nativity or Jesus.
**+**A Charlie Brown Christmas , 1965: a brief Nativity reading from Luke by Linus, at the end.
**-**Rudolph, the Red-Nosed Reindeer, 1964: No mention of the Nativity or Jesus.
**+*The Little Drummer Boy, 1968: Shepherd kid falls in with Magi.
**-*Santa Claus Is Comin’ to Town, 1970: No mention of the Nativity or Jesus.
**?*The Homecoming: A Christmas Story, 1971: John-Boy mentions the Nativity story in a show otherwise devoted to hoping Pa gets home for dinner.
-'Twas the Night Before Christmas, 1974: No mention of the Nativity or Jesus.
**-*The Year Without a Santa Claus, 1974: No mention of the Nativity or Jesus.
**-*The Life & Adventures of Santa Claus, 1985: No mention of the Nativity or Jesus.
*(Rankin and Bass have over a dozen “Christmas” titles that flood the TV every year, and not one of them mentions the Nativity.)
And here I draw the line on the grounds that anything created in the last 20 years (Santa Clause, I & II, etc.) just might be considered part of the “War on Christmas.”
So what do we find? Very few of our traditional (as in, repeated), celebrations of Christmas in the arts have anything to do with a religious theme. Now, Amahl and the Night Visitors was hamstrung by Menotti’s refusal to let it be reproduced for a couple of years and its operatic presentation does not make it a favorite among American audiences. However, where are all the other works celebrating the Nativity? If there was a demand for such works, they would be out there. There have actually been nearly a dozen movies/TV specials produced that portrayed some aspect of the nativity, but they do not get the ratings to be repeated each year–or not repeated in Prime Time. And it would be incorrect to claim that the networks will not play them on TV. At Easter, we “get” to see King of Kings, The Robe, Quo Vadis, The Ten Commandments, Ben Hur, The Sign of the Cross, The Big Fisherman, and other movies related (sometimes tenuously, but with more direct association than How the Grinch Stole Christmas), to the Passover, the Crucifixion, or to early Christianity.
In other words, it is not some recent bogus “War” that has kept Christ out of Christmas entertainment, but the tastes of the American public that do not give ratings to shows with a Nativity theme so that they are not replayed every year.
Before Bricker was born, I was treated to annual appeals to “put Christ back into Christmas.” (“The reason for the season” had, thankfully, not yet been coined.) Yet looking at the choices made by the American public that have come down to the current time, it seems pretty clear that it has been our choices, and not some unlikely cabal of anti-Christian leftists and right-wing merchants, that has downplayed the Nativity in our society.