Whenever I hear the Eagles sing “Take it (very dramatic pause) to the limit one more time,” I just love that little silent pause. For me, it makes the whole song.
Similarly, when Men At Work sing “Who could it be bow?” and the horn kicks in the those five notes, I just love it.
When Bob Seeger sings the chorus to “Old Time Rock and Roll” and the drummer does that short drum roll, I go crazy. It sounds so cool.
You have any tiny, tiny parts of songs that you just love?
The “da-da-DA-da” at 28 seconds into “Springtime for Hitler,” and the big buildup to the chorus line at 1:38. The cutaways to Zero Mostel and Gene Wilder are hilarious!
Meat Loaf’s “I Would Do Anything for Love”: The dramatic drums interspersed with the chorus starting at 3:20 (link).
Thompson Square “Are You Going to Kiss Me or Not”: Through out the song, the line “Are you going to kiss me or not” is sung as a duet, except for at one point at 2:15 when only the male singer sings it. I’ve always loved that particular part of the song. (link)
That is one of my favorites as well. Not complicated, but just . . . one of my favorite drum fills/transitions. A highlight moment of the song.
That actually reminded me of another similar spot for me; the drum fill coming out of the instrumental solo back into the verse at the end of Dave Matthews’ Band’s “Ants Marching” (4:04-4:07)
In The Band’s “It Makes No Difference” from 3:50-3:55 out of the bridge and back into the chorus. The open-close hi-hat line and simple fill to the break when all the instruments stop except for the soaring echoy strings, and then the drum + vocal pickup into the harmony at the top of the chorus. Musical perfection.
There’s a part in “Tempted” by Squeeze where the drummer does something very different from what he has been doing up to that point that is my favorite part of that song.
I am also a huge fan of the second guitar solo in “Dogs” by Pink Floyd, possibly because that’s usually the part of the song I’d be hearing when I got back from the bathroom when I was a DJ in college.
Blues Traveler’s The Hook. The second time John Popper sings the last line of the chorus “…on that you can rely” and it’s this mini vocal gymnastic, I guess it qualifies as melisma, only it’s not annoying.