The acoustic demo of “Train in the Distance”. Hauntingly beautiful. Also, the demo version of “Take Me to the Mardi Gras”. The studio version is much peppier - this one feels bittersweet, especially the bridge.
While “The Sound of Silence” isn’t exactly, uh, unknown, my favorite version is pretty obscure: the first recording of the song, shortly after he wrote it, on a little-known 1965 solo album. He sounds pissed off. A lot of the other stuff on that album (Kathy’s Song, I Am a Rock) are stripped down, more personal versions of well known songs.
Also, maybe not quite as deep, but the entirety of Hearts and Bones. It was the first Paul Simon album my dad ever played for me, so I grew up thinking it was this incredibly well-known magnum opus of his. But it actually sold pretty badly, and still isn’t quite mainstream. “Song About the Moon” “Rene and Georgette Magritte with Their Dog After the War” “Think Too Much (b)” - it’s just a great collection of songs, quite lyrically distinct from his other work.
Last one, I promise: Obvious Child. I don’t like most of Rhythm of the Saints, but the opening track is gold.
I believe these were the highest-charting American singles of their respective albums, which in turn were Simon’s two best-selling albums, apart from Bridge Over Troubled Water with Garfunkel.
I wouldn’t call anything that’s included on a Greatest Hits album a “deep cut.” But “Was a Sunny Day” from that album is one of my favorite mellow feel-good songs.
Great song – it’s the OTHER one from that approximate time using Peruvian pan flutes (the other being S and G’s “El Condor Pasa”). Love the line “the couple in the next room are bound to win a prize…they’ve been goin’ at it all night long.”
My pick: “Look at That,” from Simon’s under-appreciated 2000 album “You’re the One.” A gentle but incisive tune – it incldes the observation that “to ask somebody to love you takes a lot of nerve.”