What is the difference between poetry and prose? I’m asking because it is hard to distinguish. I know the format is different. But other than that it is at times difficult to tell. Prose has rhythm too. So what is there to distinguish it from poetry?
May be the toughest question concerning language and writing.
There will be violations of any rule you hear, but as a general statement, prose appeals more or less directly to your understanding of the meanings of words and their ability to express opinions, facts, and intellectual explorations. Poetry is more likely to rely on feelings and emotional appeals than outright meanings. It will take no real effort to find counter-examples of both of these generalities.
There is poetry that’s almost totally there to present facts and intellectual content just as there is prose with very image-oriented word choices and “flowery” expressions.
If you believel the writer is trying to affect your thoughts, it’s most likely prose. If the writer is after getting you to feel a certain way, it’s probably poetry.
I would expand the facetious response a little more and substitute “is concerned more with the sounds and rhythms of language” for “rhymes,” but that’s not a satisfying answer, either, as your second sentence would also apply, and there’s plenty of prose that is “poetic” in this sense. But, generally, I think of poetry like that, also having a more compact and compressed nature, and being more concerned with imagery, impressions, and the “feel” of words to their literal meaning. A bit like representational art vs abstract art, I suppose. But that’s not quite it, either.
Because You Asked about the Line between Prose and Poetry
by Howard Nemerov
Sparrows were feeding in a freezing drizzle
That while you watched turned into pieces of snow
Riding a gradient invisible
From silver aslant to random, white, and slow.
There came a moment that you couldn't tell.
And then they clearly flew instead of fell.
The definition I use is that poetry is writing which is constrained by something other than the meanings of the words. Many forms of constraint are possible, such as rhyme, alliteration, or a particular meter. Even those paragraphs written entirely without the letter E, or the like, are a form of poetry.
For me, prose is writing that is, at heart, trying to convey a meaning through the use of the meanings of words. Poetry is writing that is, at heart, trying to convey a meaning through the use of the meanings of words plus something else.
It’s an imperfect definition because prose does much more than just rely on the meanings of words. When we find good pieces of rhetoric and look closely at them, we see that they are more than the sum of their word-meanings. There is connotation and rhythm and repetition and the alliteration and every poetic trick in the book being used in prose. Including rhyme. Including short lines. Including image-filled language that drops meaning into your head by the sheer wonder of the words and the sounds.
But usually, there will be something about a poem that identifies it as a poem: some sense of structure or image or wordplay that makes you think “This is not an attempt to convey the plain meaning of these words.” And that’s a poem.
I don’t think it really matters. Anything well-written usually has elements of poetry in it or parts of it, and long poems usually aren’t the same quality all the way through.
If I had to nail down a definition though, I would say poetry has recognizable examples of rhyme, meter, rhythm, enjambment, etc. that are known poetic conceits. Prose may also use them, but not in a consistent pattern.
I recently read “The Vane Sisters” by Vladimir Nabokov. Most of it is clearly prose – but toward the end, he starts playing games with acrostics, encoding meaning in the first letters of consecutive words. That is starting to move in the direction of poetry.
I would say that judging by a lot of poetry I come across today (of the non-rhyming variety) the only differences between it and prose seems to be 1. syntactical (You can’t write prose like poetry and appeal to the reader’s intellect for long. There are exceptions: read Robert Hugh’s “Rome”…quite florid prose in places )and written in too terse a style to be suitable for prose.
davidmich