What’s Your Favorite Chord / Musical Moment?

First I had this as piano stuff and thought that was too limiting and so I figured let’s make it chord in general and then thought let’s just open it up all the way.

Now then, I’m not talking about favorite songs, song parts (chorus, bridge, riff, etc.) but a more narrow feature of a particular song that does it for you.

I’ll go with piano chords.

The opening punch of Steely Dan’s Aja. Such a cool chord and one that’s quite easy to play on the piano. Sometimes I can toodle around with just it but it’s such a distinct arrangement of notes that perfectly sets the tone for the rest of the song. That’s choice number one.

The other is the money chord from the piano outro of Layla. You know which one I’m talking about. The one that opens what has to be about the fifth measure. I used to play it incorrectly as a variation of a D-minor when a music teacher showed me the proper notation and then Blam-o, super chord!

I love the complete dissonance of the chord near the end of the sax solo in Traffic’s “The Low Spark Of High-Heeled Boys”

minlokwat, since you’ve played them, could you provide the layouts (lh/rh) of the chords in the two songs you mentioned?

That’s got to be the (I think) B-flat chord in there, no? Nice spot for sure.
One thing that always comes to mind is at the end of the live version of Invisible Touch off of Genesis’ album We Can’t Dance, right before the final resolution to an E chord, the band holds out a Bsus with a C in the bass. Great great sound and resolution. Stood out to me enough that the first time I heard it I went to the piano and figured it out.

The bit in the intro to “You Can’t Always Get What You Want,” when the choir stops and all you hear is a guitar brushing a few chords.

Would you spell 'em out, so the rest of us who aren’t familiar with the songs, nor
sufficiently adept to work them out from the music can punch up the chords?

I’ve always found the Potsie Chord to be the most efficacious.

Not really due to any technical considerations or any other reasonable measure, but I just like the guitar ‘twang’ that ends both the MST3K’s opening theme (‘Love Theme’, “In the not too distant future…”) and the closing theme (‘Mighty Science Theater’ - right before the ‘stinger’)

One note: The steel guitar note that begins the final solo of “Teach Your Children.” Mixed with a bit of extra reverb and it really rings out. Nice.

Jerry Garcia, may he rest in peace. :frowning:

On a guitar note, I’ve always liked the sound of the opening chord of Black Mountain Side, Led Zeppelin, as well as the basic progression of Dogs, Pink Floyd.

In both cases, there’s something about the production I really like.

Black Mountain side uses an open tuning (DADGAD) which isn’t good for much else. I don’t know what the chord in the song would be.

In Dogs, there is either some guitar re-tuning (down a full step) or some studio trickery used. The chord should be a Dmin9, but I learned to play it as an E…

I like C-minor.

Pink Floyd, “Shine On Crazy Diamond”. The intro gets quiet and suddenly four guitar notes* ring out . Not matter how many times I hear it, it makes the hair stand up on the back of my neck.

*G-F-B-E ? I used to know this.

If I had to pick one, then probably the transition at 5:34 here. :slight_smile:

My perception of you is greatly diminished.

Jesus yes! My dad calls it The Most Beautiful Four Notes Ever. Just a hint of tremolo…

runs off to play this

This impossibly-long-held-note (starts just a bit after 5:57) is one of my personal shiver moments in music. (YouTube doesn’t do it justice the way a stereo/headphones does)

I did the same! :smiley:

The unfeasibly big fat organ chord at the opening of the last section of Saint-Saens’s Symphony No. 3. Were you dozing off, dear listener? The Iron Voice (all stops out) requests your attention. :smiley:

Oooh, two moment really stick out from Stravinski’s Le Sacre du Printemps; a little over 3 minutes in, when I like to imagine is when the audience at the premiere began to really freak out, and about 6:20 in or so, when the tympani drums kick in. Oooh, chills!

Mine’s kind of silly, but in the ABBA song “Money, Money, Money”, the “beat modulation” at about 2:31 here (go to about 2:20 or so to get the full effect). I know it’s kind of cheesy to cite ABBA for musical moments, but I like 'em.

Happy to oblige. (for you too BarnOwl)

Here’s the youtube link to Aja

It’s a one of Steely Dan’s longest songs (and one of my personal favorites) but you can just listen to that opening cord to see what I’m talking about. On the piano it comes out as:
Left hand = Lower B - B played as an octave left hand.
Right hand = All the black keys. Start with your thumb on F# and progress upward with G#, Bb, C#, Eb. Easy.

For Layla (I have to go the piano downstairs for this one).

The first part in chords are: C major // C major with LH on E octave // F major - repeat - (If you’ve never played this, I’d bet you could piece together the missing melody notes).

This leads up to LH = Bb; RH = F minor with added 6 which is a D in this case --I don’t know the names of the funkier chords and am terrible at reading notation.

Someone needs to try these out to make sure I’ve written it out properly.