Since you’re a real fan of silents, I thought you’d be interested in my site SILENT F&SF MOVIES ON YOUTUBE 1895 - 1929. It has links and credits to nearly 100 movies. (Some of the links have gone bad. YouTube needs tending and watching like a fragile flower garden.)
Lots of the early films are comic. Science fiction was a way to put effects, exaggerations, and wonders on screen, but a lot of slapstick - and sometimes satire - accompanied them.
Thanks, Tibby! Yes, my dad wrote many popular 50’s and 60’s sitcoms.
He was the first writer Jackie Gleason ever shook hands with when he met him.
I’m not allowed to give the Amazon link here, but my book "Sitcom Writers Talk Shop: Behind the Scenes with Carl Reiner, Norman Lear, and Other Geniuses of TV Comedy" has stories – as well as those of several other seasoned comedy writers.
All of Chaplin’s films that I’ve seen have an utterly bizarre mixture of comedy and pathos. It’s as if he was constitutionally incapable of making a movie that was light-hearted all the way through.
I always have liked humor from history when not expected. Like Al Smith talking to the heckler: “Tell 'em what you know Al. It won’t take long.” - “I’ll tell 'em what we both know. It won’t take any longer.”
Funny (heh heh) you should say that: I just watched The Gold Rush last night, and while I had seen snippets of the dance previously (The Simpsons did a parody of it: Grandpa performed it for his date, and was interrupted by two lawyers from the Chaplin estate), it was enlightening to see it in its entirety. I was especially impressed by its expressiveness. Chaplin’s facial gestures tied in perfectly with the ‘steps’.
But I never once had the urge to laugh out loud, as I do when Moe smacks Curly. Or when Homer goes to buy a gun and complains, “Five days? But I’m mad now!” Or when Fred Sanford refers to “… that artist–Pistachio!”
One of the DVD extras tells the story of two film historians who restored the original silent version of The Gold Rush. One of them describes how fans felt about Chaplin’s work during his heyday: “Charlie Chaplin would cure your depression”. That’s a good description of how I felt watching The Dance of the Rolls. Amusing and lighthearted, as opposed to laugh-out-loud.
What a fascinating book @Newtosite! It’s so high on my must-read book list, it’s practically in orbit. This gem is like a secret treasure for comedy enthusiasts like myself ( guilty as charged) with stellar reviews. I’m sold—though I can be rented for a nominal fee (or a bottle of Mad Dog 20/20).
Your father’s curriculum vitae is exemplary. I’m an unabashed sit-com and nostalgia junky from way back and many of the shows your dad wrote for are those I binge-watch and quote incessantly. I can’t wait to read the behind-the-scene stories. And I’m delighted with the inclusion of Carl Reiner and Norman Lear—these two comedic powerhouses were prime movers and shakers of American comedy.
And of course, Jackie Gleason is a TV icon who effortlessly conquered both comedy and drama. It takes some serious chops to steal a scene from Paul Newman, but Gleason did just that as Minnesota Fats in “The Hustler.” It sounds like your dad had a long professional relationship with Jackie. Tré cool! Or as Jackie would say, “How sweet it is!”
My only disappointment is that I don’t see more of your posts on these boards. C’mon gal, sharpen your quill and spill your guts (figuratively of course ).
I’m not especially familiar with his work, but for what it’s worth, even before this thread I don’t think I would have thought to refer to Charlie Chaplin as a “comedic genius.” I’d have been more likely to think of him as a “genius silent performer” or a “genius filmmaker” whose work had a strong comedic element.
Just bought it! I have a huge humor collection that includes many books about early television, but I missed that one.
That’s wit. Humor is planned.
Nothing shows the difference time makes than this post. If you said it 100 years ago, they’d send the men in the white coats with butterfly nets after you. Today it’s a perfectly reasonable opinion.
An anthropologist with a connection to embryonic television?? Surely you have much to add!
I was hoping to find your book on audible (having books read to you is easier on older eyes…and it’s like reverting to childhood when your parents read bedtime stories to you), but alas, I didn’t find it there.
You may wish to make your book available on Audible. This article explains the steps involved, if you’re interested.
Not quite so identical after Linda got buffed up for the second movie! Her twin had to play her in a flashback/ nightmare scene showing her as the waitress she was in the first movie.
Pretty true. Most of his feature films were soggy with sentimentality. The last scene from City Lights always makes me cry, though.
I just bought your book, too, @Newtosite … it doesn’t hurt that you’re a fellow Bruin.
Jackie Chan says “hold my beer”. If my link is correct, this is not to scene as shown in the movie, where Jackie hangs from a clock, slips off, and crashes down through two awnings. No, it is the the (presumably) first take, where he misses the second awning, so he had to do it again.
On the other hand, Jackie Chan might qualify as insane (or suicidal).