What were you and your best friends listening to when you were about fifteen/sixteen

When we were around fifteen and sixteen years old, my closest friends and I had an almost obligatory playlist whenever we got together. In fact, during that chapter of our lives, we did little else other than listen to music (and smoke dope). I am not exaggerating when I say we listened to a core set of albums hundreds of times.

Here’s mine/ours:

King Crimson - In the Court of the Crimson King
To our budding existentialist ears, the lyrics, in particular, were just amazing (“Knowledge is a deadly friend when no one sets the rules. The fate of all mankind, I see, is in the hands of fools” OR “When every man is torn apart with nightmares and with dreams.”). But, the music itself was just as wonderful. To this day, thirty-five years later (ouch!!), I still find some of the melodies quite beautiful, and the arrangements lush and enveloping.

Mothers of Invention – Uncle Meat
I don’t think it was because we were, invariably, stoned when we listened to it (although that helped), but we genuinely appreciated Zappa’s social commentary and satire. In no small way, this album (along with so much of the early stuff by the Mothers) influenced us to not be captives of fashion and fad, not to be superficial, to be independent thinkers, and above all, not to become “plastic people”. It’s especially ironic, then, that we became snobs as a result and would look down on anybody we perceived as being “plastic”. We condescended not because their hair was too short or too long, but because it had been styled. Likewise, we sneered at some people not because their clothes were cheap or were not in fashion, but because of the opposite – their clothes were expensive or were “designer” type.

Deep Purple – Deep Purple in Rock
I’ve probably listened to “Child in Time” a thousand times. I still listen to it nowadays. Nothing like a breathtaking electric guitar solo to get your energy level back up. No, no deep messages or adolescent philosophy in this album - just plain old hard rock.

Pink Floyd – Ummagumma
This is the album where we discovered Pink Floyd. The beginning of a beautiful friendship.

Rolling Stones – Let it Bleed
The most “normal” album on our playlist. Actually, though, we knew even then that this was something special. Not at all normal. What other album could get us self-conscious guys to sing out loud? Enthusiastically and unashamedly at that. I remain convinced that this is the best Stones album ever.
Obviously, there were other albums on our obligate playlist – Jefferson Airplane (Bless its Pointed Little Head), Jimi Hendrix (Electric Ladyland), Uriah Heap (Salisbury), Jethro Tull (Benefit) … but the five listed above are the prototypes. The embodiment of the music of our youth.
Did you have a default, routine “playlist” at such an impressionable and important age (15/16)? Do you remember it? Please tell. But, for the sake of space (and the hamsters), please limit your response to no more than five tracks. OK? Thanks.

How about five bands? At 15/16 my friends and I were listening to -

Alice Cooper - Billion Dollar Babies, Killer, Welcome To My Nightmare and Goes To Hell, primarily. Those ones were mine, of course. Still my number one performer.

Deep Purple - Machine Head and the live in Japan album. I had Machine Head and the Japan one belonged to my friend Gary, along with the rest of their albums. Car music, on 8track, of course!

Queen - News Of The World and Shear Heart Attack

Stones - Hot Rocks - most especially “Paint It Black”, preferably with my ear plastered to the speaker of my friend Ann’s stereo.

Led Zep - the “Stairway To Heaven” album.

Weird thing about that one. I got it for Christmas and ever since I always associate it with Christmas evening. Same thing with Billion Dollar Babies - summer, Friday evening and the smell of the grass I’d just cut to get the money for the record. I can see the quality of light, just before sunset, coming through the high window above where I set up my little Seabreeze record player on the carpet. It’s especially strong on “Generation Landslide”.

There were others, of course. It’s hard to remember what came when. Some of the records were actually a couple of years old when we discovered them and some music that I consider essential to my teenage years came a bit later, at 17 or 18.

Of course there was always the radio too. On the whole, it sucked. Disco was in full, er, swing and the rest of it was pretty sappy. Even Alice was doing stuff like “Only Women Bleed” and “I Never Cry”. Cry forme, friends. Right now I’ve got David Soul’s “Don’t Give Up On Us, Baby” running through my head. (All’s not lost, though. I’ve got Alice’s radio show streaming on the 'puter speakers! :wink: :smiley: )

Iron Butterfly…“Heavy” 1st Album, succeded with 2 different Lead Singers.
“In-A-Gadda-Da-Vida” Doug Ingle Vocals, defined the sound.

LOVE…“Forever Changes” Arthur & Brian’s Masterpiece

Buffalo Springfield…“Again” West Coast Sound

The Byrds…All their Albums resonated with the sound of Jim McGuinn’s
12-String Rickenbacher guitar. Gene Clark & David Crosby gone.

My five-album playlist at 16 would have been:

The Who - Quadrophenia

Emerson, Lake & Palmer - Brain Salad Surgery

Jethro Tull - 20 Years of Jethro Tull (mainly album 2)

Yes - Yessongs

Pink Floyd - Dark Side of the Moon

My friends, on the other hand, were listening to R.E.M. and The B-52’s.

This would have been 1988.

For my at home listening I think I only owned 5 albums:

Pink Floyd Ummagumma

Stones Let It Bleed

MC5 Kick Out The Jams

Deep Purple

Easybeats Best Of

When I started regular part time work my collection grew. It never occurred to my parents, who didn’t listen to music much, how hideously expensive books and music were for an unemployed teen. I think my first fulltime job paid enough to buy 8 albums a week. Now I can earn one in less than a hour.

I told my kids when they were teens that, within reason, books and music are like food and I would subsidise all their purchases.

Oh, cripes. Let’s see, now… I have to remember back soooooo far…

All the way back to 1994-95. :smiley:

Same basic set of friends in the car, give or take a few stragglers, in heavy rotation on our road trips (which were many and frequent) there was:

Primus - Pork Soda *
Moxy Fruvos -
Bargainville * - this was mostly at the insistence of our very weird friend, founder of his own religion, Gord our God, my saviour. As I was one of two prophets, I had to listen to Moxy Fruvos or be excommunicated. And I didn’t want that.
Nine Inch Nails - sheesh, every album up to Downward Spiral * at that point. Broken, Pretty Hate Machine, b-sides, bootlegs, whatever. We <3 Trent.
I wouldn’t leave the house without a copy of Blur’s Parklife in my back pocket. Cassette form, of course, not CD, since the Tin Can O’ Death only had a tape deck.
Smashing Pumpkins ** - Siamese Dream, and Pisces Iscariot
Hole - Live Through This * - You know, these days, I’m no fan of Courtney Love, but I can’t help but feel warm fuzzies when I hear Violet to this day. I always secretly smile.
Veruca Salt - American Thighs
Green Day - Dookie
Pet Shop Boys -
Very
-* Liberation * carries some extremely, extremely fond memories with it… some of the sweetest, gentlest, and most innocent memories in the world. It came on as we were driving home very late one night… about midnight, incidentally… and there’s a line in that song that goes: “All the way back home at midnight, you were sleeping on my shoulder” - and one of my best friends in the whole world, who I loved, lustlessly, with all of my heart and soul, was most certainly sound asleep with his head on my shoulder, while a cool summer breeze blew in the windows and I contentedly watched the stars through the trees…

Damn. I didn’t realise this thread would get me all misty. My hormones are all out of whack, but still. Think I need to pay iTunes a visit. And make a few phonecalls to old friends while I’m at it. Or maybe I’ll wait. If they hear my music in the background, they’ll think I’m living in the past. :smiley:

Sisters of Mercy - Floodland and First and last and Always - we were the only Goths in our town…sad really…given that we we all coloured boys and couldn’t do “pale”

The Cure - Kiss Me³ and earlier stuff. Sure, they’re doyens of Goth now, but at the time, songs like Hot, Hot, Hot & Catch were played all the time on our weekly video show.

Depeche Mode - Music for the Masses and earlier stuff.

The Smiths - The Smiths, The Queen is Dead and Meat is Murder, but mostly a singles collection we replayed endlessly

The Stranglers - The Singles, featuring the inimitable Golden Brown, best drug song ever

The Cocteau Twins - Blue Bell Knoll and everything else. Hadn’t yet discovered Dead Can Dance.

Various - MaxiMute - several album collections of 12" maxi-singles (remember them?) by artists on Mute Records - Wire, Laibach, Frank Tovey, Nick Cave, Depeche Mode - good times!

15/16 (1979-80) was really sort of an inflection point for me. Before that, I was listening mostly to old school “hard rock” (Led Zep, Deep Purple, Uriah Heep, etc.), Pink Floyd, CCR, The Band, the Dead, and Beatles/Who/Stones stuff. My listening habits were strongly influenced by (1) the older siblings of my best friend, who had all been teenagers in the early '70s, and (2) our local AOR (album-oriented rock) FM radio station (KKEG in Fayetteville, AR).

But it was about that time that I started discovering new stuff on my own that completely shifted my tastes. I’d say the odds are good that there wasn’t a single album I listened to regularly in early 1979, just after I turned 15, that I still listened to regularly in late 1980. London Calling had become my favorite album, Never Mind the Bollocks got regular play. I grabbed stuff wherever I could find it, including a lot of stuff that I could only find as cut-out eight-tracks (The Velvet’s 1969: Velvet Underground Live and a mangled release/retitled version of White Light/White Heat, Television’s Marquee Moon and Adventure, etc.). I managed to score a copy of the first Modern Lovers LP and a couple of later Jonathan Richman releases on cassette (notably Rock ‘N’ Roll with the Modern Lovers). I’d begun listening to a good bit of reggae, and started exploring blues. Trouser Press magazine became my primary guide to what was worth checking out, though I still read Rolling Stone simply because it provided a new fix every two weeks instead of once a month. In other words, I turned into a little Lester Bangs/Cameron Crowe/Greil Marcus wannabe, except that I didn’t actually write anything myself. I probably only narrowly avoided becoming “Barry”, the Jack Black character in High Fidelity.

Back in the day, everybody I knew was into either AC/DC and/or Neil Young. That’s all there was, man.
mm

King Crimson, Kate Bush, Laurie Anderson, The Residents, Firesign Theatre, Talking Heads, Violent Femmes, The Cramps, Santana, The The, Tom Waits, Velvet Underground, T-Rex, Oingo Boingo, William Shatner, Pere Ubu, Dead Can Dance, Pink Floyd, Sugarcubes, Bob Dylan, Devo, Nick Cave, Philip Glass, Tackhead, Hüsker Dü, The Smiths, Eartha Kitt, D.O.A., X.T.C., Einstuerzende Neubauten, Toots & The Maytalls, Neil Innes, Hawkwind, The Go-go’s, Captain Beefheart, Frank Zappa, The Wailers, Yes, Blue Cheer, Negativland, The Grateful Dead, Bongwater, Nurse with Wound, Sun Ra, The Specials,The Lounge Lizards, Stompin’ Tom Connors, Gong, Donovan, The Monkees, Teen Lesbians and Animals, Emerson Lake & Palmer, Neil Young, The Mad Professor, Curtis Mayfield, Gary Newman, Mike Oldfield, Eric Burdon…

Stuff like that.

I was 15 in 1978…

The Sex Pistols Never Mind the Bollocks…
The Jam’s first 3 albums
Elvis Costello This Year’s Model
The Clash Give 'em Enough Rope and The Clash
AC/DC Powerage
Rose Tattoo Rose Tattoo
Cheap Trick’s first 3 albums
Buzzcocks Singles Going Steady
The Ramones’s first 3 albums

…that is, me and all 3 of my friends who listened to this type of music in small town Arkansas at the time…

When I was 15, I didn’t have that many albums - we had 45s (this was 1966). Most of our music listening was done via AM radio. We were listening to “Eleanor Rigby” and “Yellow Submarine” by the Beatles, "Ruby Tuesday and “Let’s Spend the Night Together” by the Stones, and an awful lot of Mamas and Papas - they were brand new, so “Monday Monday” and “California Dreaming” were in heavy rotation. “Good Vibrations” by the Beach Boys was causing a BIG stir. We listened to lots of soul music, too - James Brown, Otis Redding, Sam and Dave, Wilson Picket and the Four Tops were in the mix as well.

Black Sabbath- Paranoid
Led Zeppelin I
Rush- Moving Pictures
Motley Crue- Shout at the Devil
Iron Maiden- Powerslave

There were so many more, but these five got the most play.

There must have been more of us out there than we thought. In Fayetteville, Arkansas in 1980-81, there was actually what passed for a punk/new wave club called Colonel Smucker’s in the back room of the old UARK Theater on Dickson Street. Most of the bands were either locals playing an odd brand of stuff with a punkish veneer and a whole lot of more conventional rock stuff behind it, or were imported from larger cities like Tulsa. The owner of the club couldn’t get a liquor license, so it was effectively an all ages club; the refrigerator in the downstairs storage room behind the ladies’ lounge with self-serve generic beers for a dollar was an open secret, or you could bring your own. Same couple of dozen people there every weekend, with the occasional stray frat kid or former FFA president wandering in from time to time. It opened right about the time I turned 17, and somehow I convinced my parents that it was perfectly normal and OK for me to be there every Saturday night until 2 or 3 a.m. – “But mom, the bands don’t even start playing until 11! And they don’t serve alcohol, so it’s OK” :rolleyes: . Still can’t believe I got away with that.

At fifteen …

Nine Inch Nails - Like Anastaseon, we couldn’t get enough of it. “The Downward Spiral” came out when I was sixteen and boy, oh, boy did we freak out when it finally got released.

Depeche Mode - Loved it all. I saw them for the first time when I was 16 (SOFAD tour).

Skinny Puppy - Particularly the “Too Dark Park” and “Rabies” albums.

Ministry - A couple of friends and I saw them on Lollapalooza 92 and loved it as much as we’d hoped (I was actually still 14 when we saw that show). We listened to pretty much everything but “With Sympathy”.

There is some more, but these are the big hitters.

1977-78

Mainly listened to music by myself, rarely with friends-

but what I listened to…

Kansas LEFTOVERTURE

Styx THE GRAND ILLUSION

The original JC SUPERSTAR double album

The original GODSPELL album

The Beatles - lots of the Beatles (LET IT BE album stands out as a party favorite)

THIS IS THE MOODY BLUES (a Greatest Hits double album)

The original HAIR album (a Moog Synthisizer album ELECTRIC HAIR was my
particular favorite)

The Beatles Sgt. Pepper’s Lonely Hearts Club Band.

You can keep the other four.

I was born in 1954. In 1969 and 1970, my crowd listened to the Beatles, CSN & Y, Led Zeppelin, The Who, Creedence, Hendrix, anything involving Eric Clapton. the Moody Blues, Badfinger.

It was 1973-74, and we still listened to AM radio. This was before disco, so there was great variety. K-Tel albums were popular. But for regular albums, we listened to:

Pink Floyd - Dark Side Of The Moon - it was still new and we hadn’t heard it a million times yet.

Led Zeppelin IV - nuff said.

Alice Cooper - Billion Dollar Babies - probably his best achievement.

Cheech & Chong - Los Cochinos - and we didn’t smoke dope yet. This was funny stuff! We liked George Carlin, too.

Golden Earring - Moontan - still one of my favorite albums of the period.

The Guess Who - Artificial Paradise - Burton Cummings and Kurt Winter were geniuses.

Elton John - Don’t Shoot Me, I’m Only The Piano Player - when Elton still had something to prove and didn’t lean on camp to get his point across.

Supertramp - Crime Of The Century - also still one of my favorite albums of the period.

Frank Zappa - Apostrophe - time has shown this to be probably his most accessible album, the kind of stuff he did so he could afford to do other, more experimental albums. It was a kind of badge of honor to be able to recite all the lyrics to the Don’t Eat The Yellow Snow suite. With all the inflections in the right places.

I heard about that place, though I never went…

If you were in Fayetteville at that time, you probably know a couple of people I know from there…I went to Tech with them from 81-85.