Me! I first saw it dubbed in Italian, and it was even funnier (unusual, I know). They threw in so much pathos and swearing in the voice acting, that it actually improved an already funny flick. Part of the reason why I liked this movie is that it was so unpretentious, yet delivered solid entertainment.
IMO, some bad yet popular films:
GLADIATOR: While Gladiator wasn’t entirely a terrible movie, the hype surrounding it is IMHO completely unjustified. Someone gave me the DVD as a present, and I have to comment on the reconstruction scenes, like the Colosseum: utter crap and fuzzy quality. Those images belong in a computer game, not on a high-budget film. No character with any depth or motivation excepting Maximus, whose only motivation is to kill the emperor. No original story material. Some nice cinematography: cool battles and interesting technique of bashing the camera around, cutting frames out, and speeding up segments of the film during seriously violent scenes, but that’s all. If you want to see an epic, 13th Warrior is more fun because you actually laugh heartily AT the movie while watching it, and you still get plenty of ass kicking for your money. “Gladiator” could have been a lot better.
BLAIR VOMIT PROJECT: good grief. As has been pointed out, the Web site was far far better than the movie. This flick will probably go down in history as an example of a cross-media audience manipulation multimedia experiment, but nothing can disguise what it actually is: cheap regurgitating agent thinly disguised as cinema verite.
TITANIC: contrived vomit. I got the feeling the movie was put together in a couple of days by a chef turned film maker: “Hm, what ingredients will I need to make my very first movie? Special effects. Popular actor to play happy-go-lucky hero. Tormented heroine with evil boyfriend. Flashback, gotta have a flashback, maybe involving a mysterious jewel. Lots of Romance with a bit of Glamorous Sex. I’ll need a dramatic event based on reality to provide frame of reference. Have to decide which hero gets sacrificed to jerk a few tears from audience. Famous shipwreck will add element of impending doom” and so on.
MISSION TO MARS: I wasn’t expecting a masterpiece, but the movie apparently did quite well and its special effects were touted as fantastic. Obviously its success was driven solely by projectile vomiting, clearly NASA’s next development in propulsion technology if they truly advised on such a bad film (can anyone confirm?). Did anyone notice that in this film about exploration we are not shown a single landing scene on Mars? How many groaned at the Martian Face? Was anyone else induced to gastric turmoil by the lengthy, unnecessary, and unwanted character development? I was ripping my hair off in the space rescue scene where one of the idiots is falling towards the planet and the others attempt a rescue. Newton’s third law and projectile vomit propulsion could easily have saved him, had he been able to view the finished movie.
I have rambled enough. I will add though that it is unfair to criticize “2001: A Space Odyssey” without fully understanding what Kubrick was doing. He purposely avoided human communication/contact and highlighted action in the movie order to focus on a sense of awe and mythos beyond the level of ordinary humanity, while at the same time trying to keep things “realistic”—the long journeys, the silence of vacuum, etc. That is something I have not seen elsewhere in a work of fiction. Certainly the camerawork, special effects, and music in that film were outstanding, but I can completely understand why a narrative technique like 2001 is not well received by everyone, especially audiences who look for action in Sci-fi movies.