Kinda in the same boat as the OP. I have this whole season on my DVR, and haven’t watched a single one. I hate to say it, since I started watching Doctor Who back in the Tom Baker years, but it’s lost something since Moffatt left. I really, really wanted Jodie to succeed, just to shut up all the incel “Waaahhh! The Doctor can’t be a girl!!!” fanbois.
But three seasons in, and she hasn’t really sold me on her version of the Doctor. To much lovey-huggy, too much “Team TARDIS”, too much Manic Pixie Dream Time Lord; she hasn’t yet shown the character’s depth. The Doctor has always had a certain core of arrogance - he knows that he’s the smartest one in any room, and every now and again, he lets it show.
Which is not by any means to say that a woman can’t do that;’ Jo Martin nailed it perfectly in “Fugitive of the Judoon”, which is why she’s my pick to replace Jodie when she leaves.
Jodie and Chibnall have had some interesting episodes - “Rosa”, for example, and “Demons of the Punjab”. But even those, I think, were carried more by Bradley Cooper and Mandip Gill.
I place most of the blame on Chibnall’s showrunning; but unfortunately, Jodie bears some responsibility, too.
I must whole-heartedly disagree with you, here. In my mind, Peter Capaldi is the finest actor I’ve ever seen in the role, and I’ve been watching the show since the Tom Baker years. I periodically go back to watch the his war monologue from “The Zygon Inversion” (and wonder why he and Jenna Coleman did not win BAFTAs for that episode"). The short “Hello, sweetie” scene opposite Alex Kingston in “The Husbands of River Song” is a master class in non-verbal acting.
It’s true some of his episodes were pure stinkers -::cough, cough:: “Kill The Moon”, “Robot of Sherlock”, cough:: - but he also had some of the most compelling, interesting, and thought-provoking stories in the canon; I’m thinking of “The Zygon Invasion/The Zygon Inversion”, “The Woman Who Lived”, “World Enough And Time/The Doctor Falls”, and especially “Heaven Sent”, a profound meditation on grief and guilt.
Not to mention that he had one of the best versions of the Master, in Michelle Gomez’ Missy., which led to one of the greatest villian scenes in the show, when John Sim’s Master engaged in snark-on-snark combat with Gomez’ Missy.