[QUOTE=Jragon]
Something has been bugging me for a while, in a lot of stuff, most notably Sci-Fi, we have a tendency to refer to spacecraft and their crew in nautical terms, bonus points if they’re also military craft.
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When did this start and when did it catch on? Has anyone tried to propose unrelated terms or did we accept these as “good enough”? At first I thought it was because we’d been using the terms for other things for years and there was no reason to invent new ones, then I threw out that suggestion when I realized that’s never stopped anyone (especially the imaginative bunch that Sci-Fi writers are) before.
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There are a number of similarities between vessels traveling on water and vessels traveling through space. Each is enclosed against the medium in/through which they travel. Most vessels of either kind require crews, usually of a fairly significant size (excluding such things as the early space programs, or early seafarers on rafts or in canoes; most stories of space travel aren’t about the beginning, but about mature technology), and somebody must be in charge, absolutely - no ifs, ands or buts. Since the earliest science fiction writers who wrote about space travel lived in an era when most long distance travel was on water, the similarites were probably even more overwhelming than they might seem today.
I could give a rather long list of writers over the last ~150 years who quite automatically and naturally defaulted to nautical terms, but I should think that Verne (one of the two earliest who wrote of space travel) by himself should be suffcient. However much SF writers may like to innovate, the successful ones nearly always hate having to introduce too many strangenesses into their stories - or at least, their editors do.
Too many weird new things make a story less accessible even to the average SF reader - and therefore less likely to hold their interest.
So you can have some idea what I mean by too many strange things overwhelming the story, I offer an example: David Brin’s Uplift Universe died an untimely end when his 3rd-6th books had too many weird new species, and had them as principal protagonists. Quite unintentionally, he made them even less accessible by switching POVs too frequently and too fast. I consider it a dreadful shame, as I’m among those who were avid fans of the first three books in that universe. But he’s unlikely to write more books in that universe, as those books have never sold half as well (or been nearly as well received) as the first three - or, for that matter, nearly every other book he’s ever written. Or, for all I know, no editor is now willing to take a chance on it. It is indeed a pity, as I suspect he’s learned his lesson (the hard way). What’s an even greater pity is that he can’t do revised editions of those stories. I’ve always thought that they’d have been vastly improved just by rearranging them to stop switching POVs every other page or two.
Sooo. The nautical terminology is readily accessible to anyone who enjoys adventure stories of any kind, and has been since Homer. It helps to put a comfortable and comprehensible frame around stories that are otherwise intended to have at least one strange - or even uncomfortable - new idea, object or being in them.