So the UK has Shakespeare - the grandest author in all the land. At least, the most famous author native to the British isles.
Iceland has Laxness, who doesn’t reach Sakespearean heights by hardly any norms, but he’s still the best we’ve got. With Sweden, I’d say Strindberg, since everyone has to read him when in school.
But what about you Americans, Canadians, Dutchmen, Germans, Aussies and members of all other nationalities here on the Dope.
Argentina has great poets and writers but our Shakespeare is a guy called José Hernandez (1834-1886).
He wrote an epic poem about a Gaucho called Martín Fierro that is a touchstone about argentinian identity. It’s funny because the poem is about a different Argentina, the one that existed before the massive inmigration of the late 19 century and early 20 century transformed my country into a different one: open plains, gauchos and indians were replaced by europeans and cities.
But just like americans and the far west, we treasure those bygones years as the years when our identity was formed (even though its mostly untrue).
For the Netherlands: Anne Frank. Hands-down the most well known work ever that was originally written in Dutch is ‘Het Achterhuis’ - Anne Frank’s diary.
For fiction, though, I’m not quite so sure. I don’t think there’s any Dutch author, classic or modern, who’s actually widely read abroad. Maybe Mulisch, or Nooteboom. The former is the perennial Dutch Nobel Prize candidate (or so he thinks); the latter is widely translated and well regarded in a bunch of countries (esp. Germany) but not so much so in The Netherlands. The greatest post-war Dutch author, Gerard Reve, on the other hand, has hardly been translated. Similarly, Hermans, who (along with Reve and Mulisch) is considered one of the Big Three, is not well read beyond our borders.
Czech literature, of course, is translated much more often. Well known authors include Milan Kundera and Václav Havel, and then there’s Jaroslav Seifert, who won the Nobel Prize in literature in 1984. Also, there’s Karel Čapek, one of the Čapek brothers, who wrote magnificent books and is known for inventing the phrase and the concept of the robot. Traditionally though, the most well-known Czech author, I feel compelled to add, is Jaroslav Hášek, the author of ‘The Adventures of the Good Soldier Švejk’, which is a book well worth reading, to say the least.
Hmmm, interesting question. I’m not sure I could answer it for my own country. I can certainly give you a list of French authors the French zeigeist deems “The best French writers evah !”, but I have no idea whether or not they are known as such, or even known at all outside of France and French culture.
For example, in terms of playwrights, if you’re not Corneille, Racine or Molière, you’re nobody. For novels, it’s Victor Hugo and Emile Zola. Poets ? That’s easy : Baudelaire, Raimbaud, Verlaine and maybe La Fontaine (although he shamelessly cribbed Aesop). Modern stuff : Sartre, Camus, Proust.
I don’t know about anybody else, but this american is familiar with Corneille, Racine, Moliere, Hugo, Zola, Sartre, Camus, and Proust. The poets, not so much.
Yep, Strindberg is probably our Shakespeare in this sense, but there’s no particular writer everyone in Sweden has to read when in school – for good or for bad.
It’s hard to answer the question because Shakespeare isn’t just the most famous author native to Britain. I think it’s a little strong to claim that the last 350 years of English literature have been a response to Shakespeare’s work, but it’s not too far off. Kafka’s the only figure I know of who comes close, and I don’t think we have anyone in America–Mark Twain is our most famous author, but American literature students take classes in Shakespeare, not Twain.
We’ve had some excellent writers in the USA, but I don’t know that we’ve had “our Shakespeare” yet. (Actually, all of us Anglophones have a special link with Willy Boy.)
Would Miguel de Cervantes Saavedra (Shakespeare’s contemporary) stand for Spain?
I don’t think Henry James is a good match for the US Shakespeare, mostly because he’s tedious as hell and doesn’t have the range I associate with Shakespeare’s works. Twain would be close - his later stuff especially is more tragedy than comedy, and he tackled all the major literary themes.