The ability to draw progresses from simply being able to make a mark on paper to lines to circles and then to the beginnings of stick figures.
From the beginning, kids draw what is important to them. They have that circle figured out, so then they add eyes and a mouth. Limbs come next, and for a while they’re drawn sprouting out of the head. After limbs come the torso, and the limbs are attached in the appropriate places. Hair usually starts appearing about this time as well. After the torso, the belly button. Boy, belly buttons are REALLY important for a while. Once a child has mastered the belly button, they start including hands, and later, feet.
Hands and feet start off as lopsided ovals. After a while, fingers get drawn just as marks coming out of the oval. Number isn’t quite important at this point, and you can get kids drawing two or three or sometimes twelve fingers on one hand. Then the child makes “fat” fingers by drawing them as elongated "U"s coming off the hand. Once the artist gets to this point, they usually start drawing limbs as elongated ovals as well. Ears show up about now as well. Noses come very, very late, if ever.
Kids’ art is incredibly symbolic. They draw the stuff that matters. Size of people indicates they’re importance and a little bit of perception. Give a kid a piece of paper, ask him or her to draw their family, and they’ll start with themself - usually about 1/3 to 1/2 the heighth of the paper. Older siblings are a little bigger, younger siblings are smaller (not in realistic proportions, usually they look pretty similar in form). Moms are noticeably larger, and Dads are just huge.
Getting more specifically North American, ask a child to draw a house, and you’ll get an A frame dwelling with front door in the middle, windows on either side, a chimney above the roof, and a tree in the yard. An ambitious artist will add a doorknob, curtains, smoke for the chimney, apples to the tree, M birds in the sky, and daisies or tulips for flowers. Front doors, if they have color, are always red. The sun is almost always in the upper right corner. Sometimes the sky is just a blue line at the top of the page, but pretty soon, it’s everything above the grass line.
The archetype is incredibly consistent.
As children develop psychologically, they face challenges in their drawings. Transparency occurs when they try to draw overlapping objects (person in car, child holding hot dog), but haven’t figured out how. So, they draw both things, one on top of the other. Perspective is non-existant, and the picture plane gets more distorted than Cezanne or Picasso ever dreamt of as the child tries to fit in everything he or she deems important.
Pretty much, all of these changes tie into Piaget’s stages of psychological development, growth in perception, and ability to master symbolic and abstract thinking. Unfortunately, there comes a time (usually in late elementary school) where children’s drawing ability cannot keep up with their psychological development. Unable to accurately draw what they perceive, most kids give up drawing what matters to them and stick to copying cartoons and other things they feel comfortable with.
[sub]Um . . . can you tell I’m an art teacher?[/sub]