Why is Samuel Barber's Adagio for Strings so moving?

I knew the Adagio was played at JFK’s funeral but was astonished to learn that it had also been played at FDR’s and Princess Grace’s.
**
panache45**, if you find that TTBB arrangement, let me know, please.

I haven’t heard Alina, but I know Cantus was used to heartbreaking effect in Michael Moore’s Fahrenheit 9/11 during the otherwise silent visuals of the horrifying aftermath when the WTC buildings fell.

I’d never heard the piece before, and my first thought was that it reminded me a great deal of Barber’s Adagio (though I knew it wasn’t Barber’s piece). Both pieces share a similar melodic sensibility … a string section’s slow journey up and down the scale that winds its way around lengthy sustained notes.

For me, it opens the taps and how! I can’t help but associate it with the thick gray clouds of dust and shocked, agonized faces of 9/11.

And yes, the Adagietto from Mahler’s Fifth is intensely moving as well. Actually I don’t think I’ve heard it used in a film score, just in live performance at the New York Philharmonic. Oh and an amazing recording with Bernstein conducting the NYP.

Here’s how removed I am- I’ve only heard the Agnus Dei/Adagio once on the Mormon Tabernacle Choir’s weekly radio show about a year ago, and did not realize that was a well-known Barber-done arrangement. I thought it might have been just a MTC project! :smack:

A pop piece I’m kinda finding moving- the piano accompaniment to Coldplay’s Trouble, ABC & MTV both utilized it a lot in 9-11 related spots at the time.

Oh- to the OP, my first exposure to Adagio that I can recall was that it seemed to be the music of choice for Holocaust documentaries for a long while.

I popped into this thread to make a smartass comment about its danceability. The Ferry Corsten mix is a classic trance track.