Since Woman in Gold is not going to be well-remembered from a critical standpoint, I want to post a thread here saying that, in terms of the details and the basic tone, it Gets It Right.
First, Helen Mirren was an Austrian-American woman while she was playing Maria Altmann. She got the accent down perfectly. She got the mannerisms down perfectly. Every “My dear” was in place, every time she didn’t quite get American humor, every time she was a bit more brusque than someone who was raised in America would be. I had an Austrian-American grandmother, now recently deceased, who did survive the War and who did come to America soon after the War, and the accent and mannerisms and home décor were spot-on. They even got the strudel right! The only thing they didn’t show was the classic Austrian penchant for firm handshakes.
Second, they set it in 1998 and then took the time to make it look like 1998. Cars, clothing, and computers, from the lingering pastels to the big CRTs to the big tinted glasses on Maria (a decade or so out of date then, but perfect for the frugal Austrian-American War survivor), I could not find a single thing to nitpick. They even resurrected an ancient version of AltaVista to use as a prop search engine, in a scene set a few years prior to Google sweeping that space mostly clean of everything non-Google. No laptops, no cell phones more advanced than a flip-phone, and they even showed an ancient CRT TV set with an old-at-the-time VCR underneath it, reflecting the fact that people keep old shit. Yes, DVDs existed. No, they didn’t immediately make every VCR crumble to dust and blow away.
And, third, of course they got Vienna right. It’s Vienna. It’s right there. Filming there is a no-brainer if you have the budget, but you first have to care, which they obviously did. The only possible nitpick I could mention is that they didn’t show anyone having to pay to use the crapper; everything else is perfect.
So, no, the film likely won’t win awards and it will likely have a disappointing box-office. It is, however, an example of how perfectly a character can be brought to life, and how perfectly a specific scene can be set. If you want mimetic fiction, this is mimesis in action.