Oh, also forgot to add: “The Thunder Rolls”, by Garth Brooks. It’s not so much a great song, it’s what’s -not- in the song that I love. Y’see, the first time I heard it, I heard the live version. Liked it. Then I heard the radio edit… There’s an entire verse missing. The final verse. The reaction of the cheated-upon-wife. It drives such an image into my head I find it a pity it’s not on the radio edit… But given what it is, I can understand why radio stations might be a tad jittery about playing it.
(talk about a world-class visual from a song that’s really more allegory than tale: Jethro Tull’s Mother Goose with the line “Walked down by the bathing pond to try and catch some sun–Saw at least a hundred school girls sobbing into handkerchiefs as one–” Can you picture a sun-dappled hillside slopng gently to a small lake with 100 schoolgirls in plaid skirts & white kneesocks milling about on the slope, all sobbing into handkerchiefs simultaneously? Just squicks me, in a surreal way, every time. Can’t imagine why I thought of that…)
There used to be this ban called the Beatles. They had a song called “Rocky Raccoon” you may have heard of.
On a more obscure note, Bill Monroe recorded a couple of songs that I think fall into the Traditional category.
“Midnight on the Stormy Deep” which either he or Doc Watson ironically introduced as a Love Ballad. (The estranged lover intones: I’d rather make my home upon some icy lake – Where the southern sun refuses to shine than to trust a love so false as thine.)
Also “Banks of the Ohio” which carries the important message to prospective brides to wait to turn down a proposal until you’re at least twenty yards away from a major body of water.
I have a few, several already mentioned but also practically anything by Red Sovine. Teddy Bear and Giddy-up Go are the sort to bring a tear to my eye, as does Daddy’s Girl. Another excellent one by him is Phantom 309.
I like The Bold Pedlar and Robin Hood. Robin Hood accosts a travelling salesman, who shows defiance despite Robin’s reputation. They duel, and during the duel realise they are cousins, so they put their weapons away and go and get drunk instead. It dates from 1684, but the version I know is a rousing but haunting one Steeleye Span did in the 1970s.
Some of my traditional favorites have been mentioned (also “Kilkelly”, which I really did not like). Some more:
Springhill Mining Disaster (Seeger & MacColl) (not the U2 version; they cut out so many verses it hardly remains a story)
Hey Johnny Cope (trad.)
The Haughs of Cromdale (trad.)
Little Musgrave (trad.)
Whiskey in the Jar (trad.)
If you haven’t heard Tom Smith’s “Seven Drunken Nights in Space”, you should. He not only updates the old tune, he gives it an ending, making it a story song as well as a joke song.