My weak wordplay attempt in combining “song” and “homonym”.
Basically, two songs that share the same title.
And then trying to decide which one of them is “better”.
For instance, there’s Pink Floyd’s “The Wall” and John Cougar Death Camp’s “The Wall”. Despite the difference in styles, I find I like the two in equal measure.
An even awesomer pairing, by a country longshot - “The Good Thing”* by the Talking Heads and “The Good Thing”** by the Jesus Lizard, gets the same result - a split preference.
Any other songonyms, and are they, to you, of equal liking?
* Odd number, that one - initially sounding innocuously motivational, there’s something about that chorus…the way it sounds totally uplifiting, yet (to me, anyway) there’s this almost menacing sort of “cultish” feel to it. Or I could be “listening too much into it”. Heh.
**Your basic “this-awesome-scorcher’s-way-too-short” number.
I discovered by accident a few weeks ago while searching for Elvis Costello’s “Pump it Up” that there is a hip hop song by Joe Budden with the same name. While I don’t dislike hip hop, that song doesn’t really do it for me. In other words, I definitely like the Elvis Costello song better.
There’s Good Vibrations, the title of songs by the Beach Boys and Marky Mark and the Funky Bunch. I prefer the Beach Boys song but I don’t mind the other one.
There’s also Learning to Fly which both Tom Petty and Pink Floyd used as a song title. I like Petty’s song but don’t think I’ve heard PF’s tune.
Heh, your (K364) title reminding me of a UK song I liked called “Night After Night”, and seeing, in google, there’s way, waaaay too many other recording artists who had a song with that title.
“Tangerine” is a song by Led Zeppelin, and there’s an old jazz standard that shares the title, in this recording here, with keyboards that remind me of the Residents:
As well as a Glass Animals number, with a very cray video:
I Want You - Bob Dylan
I Want You (She’s So Heavy) - The Beatles
I Want You - Elvis Costello And The Attractions
All three are outstanding songs. The latter two are sometimes hard to listen to, you have to be in the mood, because they are intense testaments of obsession. The first is maybe the musically poppiest song Dylan ever recorded, though the lyrics are definitely not.