Your Writing - How, When and Where?

I’ve always been fascinated as much by the *process *of writing as the finished product, so I’m keen to hear about how all our our resident aspiring authors (or *published *authors!) go about the “how”, the “where” and the “when” of it.

When do you make time? Early mornings? Late at night when everyone’s asleep? Whenever you manage to grab a few spare minutes? When are you at your best?

Where do you write? Are you lucky enough to have a study of your own, or do you have to share the kitchen table with the leftovers from dinner and your kid’s latest art project?

How do you write? Do you scribble away with a legal pad and a pencil, bang out your work on a typewriter or would you be lost without your MacBook? Do you take copious notes and work to an outline or do you just hurl yourself into the thick of it?

I’ve tried waking up at five in the morning to get an hour’s writing done before the regular daily routine starts, but found I was usually too groggy to focus on what I was doing. I’ve tried writing in the evening after dinner and after the kids are in bed, but found I was usually too exhausted to keep my eyes open.

Now I’ve found a happy medium, taking my laptop to work with me, booking a meeting room during my lunch break and shutting the door so that I can work uninterrupted for a solid hour each day, every day. Five hours of writing a week isn’t much, but at least it’s consistent.

So how about you?

Early morning, with laptop, fast food restaurants (for the diet soda). People think I’m weird, but I don’t like coffee, and cafés don’t have soda fountains.

I only write for fun, though some of my stuff is “published” on a free website. But I write in the evenings or weekends, with music playing, and I usually get really lost in it. I only write on the computer and would fail miserably if I had to write on a notepad. I hate writing by hand.

I haven’t been writing much over the past couple of years, but before that I used to write RPG novels that I posted on a website, and freelance stuff for the RPG company. In both cases, my writing usually took place during lunch hours on my real job, mid-evenings (usually around 7-10pm was my best writing time) and mornings on weekends. I found that most of the time I needed at least 2-3 hours to really get into it (especially for the freelance stuff–I could slip little chunks of fiction writing in whenever I had the time).

As for how I write–always on my computer. When I was a kid I used to use my old IBM Selectric typewriter and was thrilled to death when my parents got me a computerized self-correcting one, but as soon as I got my first computer I never looked back. I can write longhand if forced, but I hate doing it.

And the where part: I have my own office room where I can shut the door and shut out all the distractions, so I would go in there, turn up the music (can’t write in silence–in fact, when I read over my stories years later, I can often hear the music that was playing while I wrote a particular section playing in my head, especially if I was obsessed with a particular CD at the time) and just lose myself in the writing.

Oh, and I pretty much can’t write effectively with other people around. School stuff, sure, but not fiction. Not sure why. I think it’s because I’ve always got this feeling in the back of my mind that they’re going to say something and interrupt me, so I’m always subconsciously waiting for it to happen.

When do you make time? Early mornings? Late at night when everyone’s asleep? Whenever you manage to grab a few spare minutes? When are you at your best?

I write in the evenings or on weekends, and only when the spirit moves me. I want to pursue a more disciplined writing schedule, but life keeps getting in the way.

Where do you write? Are you lucky enough to have a study of your own, or do you have to share the kitchen table with the leftovers from dinner and your kid’s latest art project?

I write at my desk, in my home office, on my laptop. I’m single, so I can write for as long as I want with few distractions.

How do you write? Do you scribble away with a legal pad and a pencil, bang out your work on a typewriter or would you be lost without your MacBook? Do you take copious notes and work to an outline or do you just hurl yourself into the thick of it?

I draft and review and finalize on a computer, in Word. I still haul pads and pens around for research if I’m in a library, but then I transfer notes to the computer when I get home. I only write short mystery stories (so far), so I work with a very short outline (basically just a list of crime, cast, clues, solution). If and when I tackle a longer project, I will work from a more detailed outline. I outline pretty exhaustively for longer work projects already. I do always outline.

I have had three stories published, but writing is just a hobby for me at this point. I enjoy it but I also enjoy my “real job” which pays me much better at this point than writing probably ever would. So I struggle with whether I really want to put in the disciplined effort it would take to be a “real writer.” I suspect the answer is no, that I will settle for being a “real lawyer.” That said, I always seem to come back to writing. I’ll get an idea in my head, worry it around a while, and end up back at the computer . . . .

My most productive writing recently was when I used to be able to take an hour for lunch and go sit at a busy cafe. I could put my head down and just scribble away in my notebook. Then I would go back to my office and type it in to my computer (usually after work each day). By writing/typing - I found myself scribbling more at lunch without worrying about editing - so i could keep the flow of thought going. And by typing it out each night, I had a chance to flesh things out a little more and spot any potential inconsistencies or possible plot additions I could adjust for.

I really want to get back to that.

I usually write drafts on notepaper and then do my later versions on a computer. I tend to write scenes out of order and bring them together on my PC, because I’ll often really feel like doing on part over the other and trying to write from beginning to end is annoying. My dream is to get a book published and make $500 from two years work.

When I was young I wanted to be a writer. I also wanted to be a musician. I ended up becoming an engineer, but I kept writing and music as hobbies. I don’t think that I am a very good writer, but I do enjoy writing. My wife thinks that one of my books is good enough to publish, but she’s my wife so her opinion is bound to be a bit biased. I’m going to start shopping it around soon, so we’ll see.

When do you make time? Early mornings? Late at night when everyone’s asleep? Whenever you manage to grab a few spare minutes? When are you at your best?

I suffer from insomnia, and writing is one of the things I do when I can’t sleep. Most of my writing is done late at night, and unfortunately not when I’m at my best.

I’ve discovered that writing and engineering do opposite things to my brain. If I do a lot of difficult engineering, I find it difficult to write. If I do a lot of writing, I have a harder time concentrating on my work. I have tried to write at lunch time, but my mind can’t switch gears fast enough. Anything I write during my lunch break usually ends up being garbage.

Where do you write? Are you lucky enough to have a study of your own, or do you have to share the kitchen table with the leftovers from dinner and your kid’s latest art project?

I have my “man cave”, a room in our basement where I have all of my computers, music junk, books, soldering stuff, etc. Sometimes I will bring the laptop upstairs, but usually there are too many distractions if I’m in the living room and I can’t concentrate enough to write.

How do you write? Do you scribble away with a legal pad and a pencil, bang out your work on a typewriter or would you be lost without your MacBook? Do you take copious notes and work to an outline or do you just hurl yourself into the thick of it?

I write on a PC using microsoft word. I do a lot of backspacing, cutting out entire paragraphs, and rearranging stuff. I wouldn’t function well on an old fashioned typewriter, and my handwriting is almost illegible, even to me. I find a typewriter or writing things by hand to be cumbersome and painfully slow. I’m a lot faster typing on a computer. In fact, a former secretary once told me I typed amazingly fast considering how wrong I did it.

For fiction writing, I start with a rough idea of the story and I expand that into a rough outline. I don’t get too detailed with the outline, but I need it to be detailed enough that I won’t write myself into a corner. I try to fully develop characters before I do any serious writing about them. I found that when I was creating random people that the “random” characteristics I chose weren’t all that random, so I wrote a computer program that would create a truly random person. The program spits out a bunch of characteristics about a person, such as their height, weight, hair color, eye color, how well they see, how well they hear, how athletic they are, etc. I originally intended to use the program to spit out random minor characters so that those short lived characters that come in and out of the story wouldn’t be so flat and featureless. I’ve ended up using the program for most of my main characters as well, though. If I have an idea for what a character should be like physically, I just generate random characters until one matches the idea I had. This usually gives me a few extra random things I wouldn’t have thought about the character, and adds a little more detail.

From there, I flush out the main characters, from their birth all the way up until their appearance in the story. A lot of this detail won’t make it into the story, but it really helps to give the character depth. Once all of the characters are flushed out, then I start writing.

Lessee - at my desk, at work, from 7:30 AM to ~4:30 PM. It’s not creative writing, at all, but it pays fairly well (and much more reliably!). I’m a technical writer, and I’m currently writing about laser processing systems, involving both hardware and software.

Whenever I have a hard time getting started (which is most of the time), I switch to writing about whatever part is the most complete or defined. After I get that down, I find I can switch back to getting the intro completed, because now I know how all the parts fit together.

When and where Usually in the evening. I go downstairs to my computer to write.

How – I touch type on my computer. Used to print out a draft and edit by hand, but now I do it all on computer. I’ve started using the Word “mark-up” function lately to keep track of changes.

As for writing fiction, I start out with a kernel of an idea and start to write about it. Sometimes it’s a starting point, sometimes it’s the end point, sometimes it’s just a scene in the middle. As I write, I pay attention to what I’m saying and follow it to wherever it seems to go. Characters develop by talking – I listen and begin to get a good idea of what they are about.

I do not outline. Outlines kill my creativity and once I know where the story is going or even the description of a character, I’m much less interested in writing, since there are no surprises for me. (A month or so ago, another writer told me I had to outline, so I tried it. I got sick of it and picked a good opening sentence and just kept writing. The result was very good.)

I may have a general conclusion in mind (which comes to me as I write the story), but that’s just a goal, and I often drop it (again, in that story, I was heading for a particular ending when all of a sudden my character did something I never would have expected – and the story was stronger for it). I discover what my characters are like by watching them behave, then edit to create a consistent character.

Dialog is key. Give me two people talking in a situation and I will quickly discover their personalities.

It works for me – I’ve had a novel (two, if you count an e-book that sold in the low two figures – I don’t) and over 40 short stories published. Once of my most successful stories was completely spontaneous: I remember getting halfway through with it and thinking, “I wonder what happens next” the entire weekend. I do have one rule: if I think to myself “my character would never do that,” then the character mustdo it.

(If you want to read a few of my stories, I’ve put together an e-book of a few of them.

My column is only about 550 words, so I usually write that in the evenings. When I have a good idea it goes very quickly. My record is an hour and a quarter for one my editor hardly made any changes to, but that was when the person who was supposed to do it for an issue dropped out, so I was under helpful deadline pressure.

Papers I often do in the evening also, usually mail it to myself at work and do some sections there. I have better access to reference material at work also.

Once when I had accumulated a lot of vacation time I took 3 weeks off and worked on my novel, revising mostly. I could go to the library to research some things I needed to check on - this was pre-Google, so it wouldn’t be required today. I can see how full time writers can get so much done. After I retire …

Just tell me that you don’t have some deep long psychological explanation for each of these actions. Novels that make each character too overtly idiosyncratic aren’t necessarily always bad, but do seem completely artificial if the speaker tries to always justify it by some pop psychology.

Usually in the conservatory, with the candlestick. Sometime after dinner, when the lights go out with all the other party guests present.

They’ll never guess my identity!

No pop psychology. For instance, one of the points in one of my stories is that the main character can’t imagine how he could ever kill someone. But he does – with no overt explanation (though the explanation is there if you look for it).

And, when you think a character would never do a particular action, it means that subconsciously you as a writer know he would. Another story of mine was about a vampire and I suddenly had the idea that he should eat his victim’s beating heart. It struck me as too gross an idea, but I followed a variation of the rule and wrote it. It made the story work.

I don’t like to explain psychology (especially in short stories). It should be obviously from how the character behaves.

Me too. I’m a scientist, but I love writing. On the one hand, I need to write and do science because if all I do is one or the other, my brain feels like it’s withering away. Otoh, I need to keep the writing and science somewhat separated because one side of the brain needs to take over, and then it takes time to switch to the other side.

When do you make time? Early mornings? Late at night when everyone’s asleep? Whenever you manage to grab a few spare minutes? When are you at your best?

I write on weekends usually, although occasionally in the evenings when I get home from work.

Where do you write? Are you lucky enough to have a study of your own, or do you have to share the kitchen table with the leftovers from dinner and your kid’s latest art project?

I really like to write in cafes. The ambient noise makes it easier for my brain to swirl ideas around without being pressured to make linear progress.

How do you write? Do you scribble away with a legal pad and a pencil, bang out your work on a typewriter or would you be lost without your MacBook? Do you take copious notes and work to an outline or do you just hurl yourself into the thick of it?

It’s funny, I’ve found that while I can write things like lab reports and science papers on the computer, any type of creative writing requires a paper and pen/pencil. I think it’s because writing things out takes longer and gives me time to think of the right way to say something. I usually have a general idea of the beginning and end of my story before I start writing. The plot becomes more specific as I start writing. My writing is the best (I think) when I have a movie of the next scene in my head. If I start planning words before I actually have a pen and paper, I tend to lose the words before I get a chance to put them down, and I find outlining to be stifling, so my plotting is entirely visual.

I paid my dues as a writer as a reporter on an afternoon daily so I got in the habit of writing in the morning. Knocking out 1,000s of words every morning will do that. My first piece of published fiction (if you don’t count some of my more questionable journalistic contributions) was knocked out on an old manual Remington between 5 and 7 a.m. every weekday morning.

I still write and am still being published, and I still do it in the morning. Now it falls between 6 and 9 a.m. (or 8) however. I do virtually all my editing and additions in the afternoon and evening. I use an old desktop computer (still using Windows 98). I have a pretty new laptop and when on the road I email the stuff to myself and put it together on the desktop. I have an office/library at home in the lowest level of our home (a tri-level) which I share with my wife. That way all resource materials are within reach of me and my wife’s cats.

I make myself write at least 750 words every weekday. Usually it is closer to 2,000 or 3,000 (sometimes more). Sometimes it is crap, but I would rather be able to toss the crap when I get to the editing stage and save the good stuff than not write any good stuff, which is what I find I do when I wait for my muse to arrive.

The best training in the world was that afternoon daily.

I usually do my writing on pads of notebook paper, in the evenings at home while watching TV, or during meetings at work if they’re very boring. I type up my notes over the weekends, then if there’s anything that still needs work, print those sections out and revise them in the evenings, with more notebook writing to supplement if need be.