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#1
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Why so many Sarah Brightman detractors?
I enjoy much of Sarah Brightman's singing, but realize many can't stomach her. Since her "Phantom of the Opera" debut, Brightman has been on the receiving end of blistering criticism from stalwarts in the theater (and, later, operatic) world.
Some critics alleged she was a success only because husband Andrew Lloyd Webber foisted her on the public. And, yes, her speaking voice is rather girlish and she's become increasingly flamboyant. Last, I will admit she's no Bartolli, Netrebko or Fleming, but then she's not an opera singer. All that said, she's easy on the ears, begging the question: Why all the smirking and sharp criticism? |
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#2
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Because artsy people are snobs, and that's very hard on artists who try to cross genres.
Sarah Brightman has a voice that is way too good for popular music, but not quite good enough for opera. So the devotees of these respective genres heap scorn upon her when she tries either one. |
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#3
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There are detractors? Man, people are picky. I don't think she's bad at all...as the OP says, she is easy on the ears and I love her "Contempo partiro"...we (the SO and I) find her voice rather charming.
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#4
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She has a beautifully expressive voice that flows wonderfully from pop, like Deliver Me from the Brokedown Palace soundtrack; to broadway, where she gained most of her fame; to opera standards like Nessun Dorma. As far as I'm concerned the detractors are more than welcome to take a flying leap.
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#5
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IMO it's all been downhill for Sarah sinceI Lost My Heart To a Starship Trooper
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#6
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Isn't a lot of it just a continuation of the anti-Andrew Lloyd Webber hatred?
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#7
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I'm a fan. That gal can sing!
She's on my list of the best 5 female vocalists in my lifetime. |
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#8
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The trouble with Sarah B isn't so much her voice — lots of pop singers really don't sing all that well — but the irredeemable cheesiness of her music and her stage shows. From what I've heard of her music, it's hollow and bombastic, with little real feeling to it; in a previous thread, someone compared her to John Tesh, and that's spot-on.
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#9
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But Tesh is cool. How can you not like a guy that says, of his own concerts, "Some of them are dragged there by their wives or girlfriends but then they'll come backstage and say, 'Wow, this was far less boring than I thought it would be.'"
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#10
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BTW, it's pretty self-evident that Sarah Brightman is flamboyant because flaboyance lands prime media spots, gets people talking, and sells CDs and $150 concert tickets. Talent takes you only so far. Clever packaging does the rest. |
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#11
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Sarah Brightman is the Michael Flatley of cheesey popera.
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#12
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Her normal voice is a bit too girly for me, but not really a turn-off. When she does opera, her voice is kind of brittle (I can't really describe what I mean here; it's just the word that comes to mind). Also, she has an annoying tendency to scoop notes. She may have gotten better.
That said, I credit her with getting me into opera. I was watching her special on PBS four years ago or so, and I thought it was cool the way she'd go from her normal voice into operatic mode in some of her songs. Something sort of clicked in me, and I suddenly decided I liked operatic singing, which I never had before. So I have a real soft spot for her, since I've gotten a lot of enjoyment out of opera since that time. I don't mind her show. It's bombastic and silly, but she's awful purty, so she can get away with a lot in my book. |
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#13
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Perhaps, Lord Lissener but much of opera is liberally sprinkled with cheese and saccharine, drenched with flamboyance, accented with silliness, and crowned with middlebrow production values. All that's missing is, well, Michael Flatley. |
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#14
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I think for many of us "artsy snobs" it has more to do with her artistic choices than her voice. To begin with, someone who is "not quite good enough" for opera should therefore not sing opera. That's a pretty basic tenet in the industry. Beyond that, when she tries to sing opera, there is a considerable something missing. When she sings Nessun Dorma , the problem is less that she's singing a tenor aria (although it is considerably less effective as a soprano aria), it's that she doesn't appear to have the least clue what it's about. It's very "nicely" sung (except for the B, which is pretty weak), but it's not a nice aria. There is more to singing, especially opera, than making pretty sounds. There is no passion in her interpretation. It's a failure to understand the entirety of the art, and those of us who appreciate and even live that art find it offputting, even insulting. On the other hand, we all appreciate the need and desire to make a buck, so really, as long as people pay her, what is there to complain about? I don't have to listen to her.
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#15
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#16
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Which is, of course, an opinion, so I don't have a problem with your disagreeing with it. But pointing out the obvious, that there are some Great Operas (although 'opera' itself is plural, so 'operas' always looks wrong to me) with major elements of camp. Nonetheless, Sarah Brightman is the Michael Flatley of cheesey popera. |
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#17
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#18
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#19
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Opening act is the cast of "High School Musical." |
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#20
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#21
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For reference: Forum Rules and please note Post #3. |
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#22
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Huh? You gotta be kidding. I wrote that post with complete tongue in cheek, knowing that anyone as savvy as Lissener would discern my invisible winking eye. I had no beef with him whatsoever. Must I really dumb down my responses so that they are evident to everyone? |
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#23
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#24
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#25
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Much as Mrs. Polekitty loves Sarah B., she destroyed Whiter Shade of Pale and Dust in the Wind for me. Her lack of anything resembling talent and reliance on what has in previous posts been described as cheese makes her wholly unremarkable. She comes off as a discount-bin Bernadette Peters to me.
Plus she's apparently married to Andrew Lloyd Webber, a man who could be nailed to any number of things and I would simply laugh. If I may, I'd lik to turn the question around and as why there is such LOVE for Sarah? |
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#27
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I don't mind her. I actually like her "Pie Jesu" from Lloyd Webber's Requiem.
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#28
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The 70's have been redeemed!
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#29
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#30
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#31
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That video, hilarious as it is, points to one of the many reasons SB gives me the icks: she's stolen as much from Kate Bush as Tori Amos ever has. Witness. Last edited by C K Dexter Haven; 10-05-2006 at 03:26 PM. Reason: Fixed link at request of poster -- CKDH |
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#32
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#33
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Oh come on. How can you watch this performance and not want to kill yourself just to have it end?
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#34
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#35
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#36
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That and the glitter. |
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#37
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Ze goggles! Ze do nozzing!!!
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#38
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I wasn't aware that Sarah Brightman was a zombie.
I'm looking forward to her next double CD release, "Brains" and "Brains." |
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