Tomorrow, Oct. 26, is the 40th anniversary of the first syndicated Doonesbury strip.
Slate.com is going all out on this. Rare interview with Garry Trudeau.
Doonesbury’s 200 Greatest Moments.
Real-life weirdness from Uncle Duke.
Though I can make cases for other strips, particularly Pogo at its peak, in honor of its anniversary I’ll make the temporary pronouncement that Doonesbury is the greatest strip of all time. Trudeau’s genius comes from three basics: he has the largest cast of regulars ever; he allows them to age; and his world is the real world.
The cast is maybe the most important. He can comment appropriately on anything and everything with characters who can be slotted into the stories behind the headlines. How many other strips can say this? Brenda Starr?
Aging the characters gives the strip depth. For Better or Worse was always a better strip than Family Circus or Dennis the Menace, because 50 years of jokes about kids who stay the same age runs you out of jokes. Aging has problems. I can’t really bring myself to care about daughter Doonesbury or Joanie’s idiot son. But aging makes for better possibilities for new stories. Even Charles Schulz ran out of stories for the Peanuts crew after the first 25 years, and he was the best ever at turning kids into universals. Strips like Gasoline Alley and Jump Start create better characters than those who get stuck in place like Blondie. (If you can find it, read the first year or so of Blondie, in which Dagwood’s the pampered son of wealth who falls in love with a bubbleheaded flapper. It will blow your mind.)
Taking characters out of the real world allows for wonderful imaginative exaggeration, the kind that made Calvin and Hobbes great. Peanuts doesn’t really exist in our world, especially the best Snoopy episodes. Pogo’s swamp was a garden of innocence where anything was possible. But sooner or later the strain starts to show. Everything has to become an allegory, retold in terms of your fairy world. Some episodes work better than others when pushed into a distance and reworked. The real world always is real because it has to be.
I know people will start pouring political biases all over the strip, so I left the politics out entirely. Even during the formative Nixon years, Doonesbury covered a much wider swath of American culture than just politics. The proportion of political strips is probably even less today. Doonesbury is great without even needing to go into politics. Nobody will ever do retrospectives of Mallard Fillmore, no matter how right-wing they are.
Doonesbury is today’s nominee for GOAT, Greatest of All Time. Thank you, Garry Trudeau.