On most of the listed albums I might agree with you. But with several of them, you are calling into question your self-description as an “audiophile.”
For example, what’s your objection to this one?
I see three hits that still get regular airplay.
On most of the listed albums I might agree with you. But with several of them, you are calling into question your self-description as an “audiophile.”
For example, what’s your objection to this one?
I see three hits that still get regular airplay.
I’ll see both your albums, and raise you Sticky Fingers: Brown Sugar, Wild Horses, Can’t You Hear Me Knockin, Bitch.
I picked Selling England by the Pound because those three songs have continued to be played by Genesis in their most recent tours.
The Invisible Touch (1987) tour had the instrumental section of Cinema Show included.
The We Can’t Dance (1992) tour had Firth of Fifth and I Know What I Like.
Also, the three songs have been influential on prog rock. One could also include Dancing with the Moonlit Knight as well.
Meatloaf Bat Out of Hell : “Paradise by the Dashboard Light”, “Bat Out of Hell”, “You Took the Words Right Out of My Mouth”, “Two Out of Three Ain’t Bad”, & “All Revved Up With No Place to Go”.
Well, I would join featherlou on quite a few of those. How many votes do you need before you decide that it’s less about our credibility and more about the possibility that maybe there aren’t three undeniably classic tracks on those albums?
Without really debating the issue too much, I have to say that I’m surprised that featherlou had objections to two of the albums on my list… and neither of them was Ringo. Finally, some respect for Mr. Starkey!
This is going to be debated.
I think however, in terms of “GREAT” songs, on the same disc, that have potential to be classic in the future, a certain disc must show up.
Destiny’s Child “The Writings on the Wall”:
Say My Name
Jumpin Jumpin
Bills, Bills, Bills
And yes, I know this genre is perhaps not what the OP was going for. However, I own the disc, and I never thought I would be the “type” to like it. That should prove that the disc belongs on the list. For the genre it belongs to, these gongs are great.
Carole King, Tapestry: I Feel The Earth Move, So Far Away, It’s Too Late, You’ve Got A Friend, Will You Love Me Tomorrow, Smackwater Jack, (You Make Me Feel Like) A Natural Woman
Okay, several have already pointed out the obviousness of this, but I can’t resist. The Beatles (and I’ll just try to stay with most obvious classics / hits):
Please, Please Me: I Saw Her Standing There, Please Please Me, Love Me Do, P.S. I Love You, Do You Want To Know A Secret, Twist and Shout
Meet The Beatles: I Want To Hold Your Hand, I Saw Her Standing There, All My Loving, I Wanna Be Your Man
A Hard Day’s Night: Hard Day’s Night, I Should Have Known Better, If I Fell, And I Love Her, Can’t Buy Me Love, Things We Said Today, You Can’t Do That
Beatles For Sale: No Reply, I’m A Loser, I’ll Follow The Sun, Eight Days A Week
Help!: Help!, The Night Before, You’ve Got To Hide Your Love Away, Another Girl, Ticket To Ride, I’ve Just Seen a Face, Yesterday
Rubber Soul: Drive My Car, Norwegian Wood (This Bird Has Flown), Nowhere Man, Michelle, Girl, In My Life
Revolver: Taxman; Eleanor Rigby; Here, There and Everywhere; Yellow Submarine; Got To Get You Into My Life
Sgt. Pepper’s Lonely Hearts Club Band: Sgt. Pepper’s Lonely Hearts Club Band, With A Little Help From My Friends, Lucy In The Sky With Diamonds, When I’m Sixty Four, A Day In The Life
Magical Mystery Tour: Magical Mystery Tour; The Fool On The Hill; I Am The Walrus; Hello, Goodbye; Strawberry Fields Forever; Penny Lane; All You Need Is Love
The Beatles (a.k.a. The White Album): Back In The U.S.S.R., Ob-La-Di, Ob-La-Da, While My Guitar Gently Weeps, Blackbird, Birthday, Helter Skelter
Abbey Road: Come Together, Something, Octopus’s Garden, Here Comes The Sun, She Came In Through The Bathroom Window
Let It Be: Across The Universe, Let It Be, The Long And Winding Road, Get Back
And, of course, I left out lots of stuff quite arguably “classic.” I’m beginning to think these guys were pretty good.
Willie Nelson’s 1975 album Red Headed Stranger is, in my view, a classic in its entirety. If I had to pick “three undeniably classic tracks,” I’d go with “Red Headed Stranger,” “Blue Eyes Crying in the Rain,” and “Remember Me.”
Dangit, I make it all the way to the back page without seeing Tapestry mentioned, and was going to get to gloat. “Beat you all, folks!”.
whitetho left out the tracks “Home Again”, “Beautiful”, and “Way Over Yonder”, also on that album. Oddly enough the only track on the whole album I don’t regard as a total classic is the eponymous one “Tapestry”.
From More of The Monkees:
(I’m Not Your) Steppin’ Stone
Look Out (Here Comes Tomorrow)
I’m a Believer
How about The Band – The Band
The Night They Drove Old Dixie Down
Up on Cripple Creek
Rag Mama Rag
Unfaithful Servant
I’ll chip in with a classic three-play from Siamese Dream:
“Cherub Rock”
“Today”
“Disarm”
(and posisbly “Rocket”)
Agreed, Selling England by the Pound was extremely influential on the genre. It’s possible that featherlou hasn’t heard of it – and I say she should get it and give it a spin – but it doesn’t change the fact that it certainly deserves to be in this list; the three songs you mentioned are legitimate classics.
Nevertheless, I’ll agree with featherlou that Invisible Touch also belongs on this list. For, let’s say, Invisible Touch, Land of Confusion and In Too Deep.
That was one of my criteria for calling the question on an album - an album doesn’t have to meet all four criteria, just one of them. And no, you don’t have to have heard every band in the world to be an audiophile. I don’t know if you’re Canadian or not, but I have probably heard five thousand more Canadian songs than you have if you aren’t; that doesn’t mean YOU aren’t an audiophile.
look!ninjas, Ringo passed all four of my criteria. I might think he was the weakest link in the Beatles, but all of the songs you listed have passed into rock and roll history (and I kinda missed it on the first go round. )
I put Weezer on the list because I only know two of the songs listed, and they still do get play here. The other songs listed might have been the biggest thing ever in the U.S., but they weren’t played here and I don’t know them. And Weezer kinda sucks, so I made no particular effort to get to know them better.
I’m not saying my list is canon or something; you don’t agree with it, make your own list. There are any number of albums on my list that I’m not married to keeping there; for example, probably any album by the Beach Boys belongs in a thread like this. My list was mostly a reaction to the posters that always come into threads like this that are asking for broad appeal musical selections and post their most obscure favourites as if everyone in the world listens to them (or, more likely, they want to show off just how wordly and knowledgeable they are that they listen to a band that has a following of four). I’m a fan of Nash the Slash, but I’m not putting any of his albums on this list, cause that isn’t what this thread is looking for.
I won’t dispute you too much, if you say it truly belongs here. I’ve never been a big fan of Genesis (too fiddly for my taste). And I would never argue with the place of Genesis in the (prog) rock pantheon. They are certainly a legitimate a super-group, with Phil Collins, Peter Gabriel, and Mike Rutherford as alumni.
Oh, as for my status as an audiophile, I’ll willingly amend that to a mostly audiophile. I’m not hardcore - I just really like music and discussions of music, listen to it whenever I’m awake, and try to listen to many different bands and styles.
Ok, I got ya. That doesn’t sound quite as bad, but I still don’t know how that negates the possibility of them being classics in the genre. I’m certain that you know much more about the Canadian scene than I do. I listen to a lot of “alternative” and hip hop, and several of the albums listed on your chart meet the muster for me. (Some I agree with.)
If the definition of classic is “broad commercial appeal,” that’s going to narrow what we come up with. For example, Pixies might not be known broadly, and I’m sure Doolittle never charted high on the pop charts, but if you are an alternative music maven, those songs are classics without a doubt.
I don’t think most of us know enough about every genre out there to be able to discern classic or not from our sometimes cursory knowledge and/or exposure. Maybe we should have posters explain why the tracks are considered classics - high chart position, influenced a slew of other songs, etc. It would make for a shorter thread, but then we could reasonable agree or disagree that a song or album is a classic.
Deep Purple: Machinehead - Smoke on the Water, Highway Star, Lazy, Space Trucking
Primus is somewhat obscure, I grant you. However, there are tons of bassists out there who wish they were 1/100th as good as Les Claypool. If he was as good on guitar as he is on bass, he would easily be considered a legend. As for Soundgarden, when I think of grunge I think of them before Nirvana, but maybe that’s just me. Some of the tracks I listed for either band aren’t even my favorite ones, but I thought they were good examples of their unique sounds, and were the most well known.