Alec Baldwin [accidentally] Kills Crew Member with Prop Gun {2021-10-21}

I heard on the news today that a safety distance of 15-20 feet is recommended for shooting blanks on a TV or movie set. Presumably, there is also a safety margin built into that.

I will, however, point out that we don’t know what sort of projectile was in the gun, whether or not said projectile was supposed to be the one in the gun (or if it was supposed to be entirely empty for rehearsal purposes), or what, exactly happened.

As a completely hypothetical pulled-out-of-my-backside, wildly speculative example: if said projectile had shattered a nearby glass window the shards of glass from said window could have inflicted fatal injury. A freakish occurrence, to be sure, but a possible one. I doubt that’s the case because if it was I would have expected to hear something about “broken glass” in the news reports, but merely an example of how Bad Stuff Can Happen In The Workplace.

I suspect that is also a part of the hyperventilating and pearl-clutching.

You need something to keep the powder collected together until it goes >POP<. The stuff that does that is what comes out the business end and, if it’s close enough to, say, your skull it can potentially kill you. See Jon-Erik Hexum if you haven’t already followed the link.

These sorts of accidents are tragic, and are avoidable in one sense, but because there are people and mechanical gadgets involved there is always the potential for things to go very wrong. Every 20-30 years there seems to be such an accident. Perhaps, with improved CGI, in the future there will be less need for props that actually go BANG! and greater safety.

Most likely this is an accident, in my opinion. (Which may change with additional information/evidence.)

Oh, hell, kiddies in mom’s basement self-editing YouTube and TikTok uploads can afford CGI these days!

Alright, alright, maybe they weren’t intending to use CGI for the bang-flash-smoke. But I find it hard to believe that any professional level production these days couldn’t afford that minimal level of effects.

Well, if it was a real bullet it might have gone through Hutchins and hit Souza “in the head” afterward - if it hit a large blood vessel in Hutchens (and there are lot of them in the abdomen) she could bleed out, and if the bullet that hit Souza in the head had already been depleted of energy by going through Hutchins, or just grazed him, that might explain his survival.

Again, wild speculation on my part subject to change with actual information.

^ This.

A professional actor can work around things like a gun going ~boop~ instead of !BANG!

My understanding is “hot gun” means “a real bullet in a gun that can really fire”.

Movies often (thought not always) are finished even when there was a death during production. Top Gun, for instance, retained the shot of Art Scholl’s fatal spin in the commercial release (by the way, Scholl’s family was OK with that, just in case anyone was wondering).

There will, of course, be an interruption in production while this is investigated. Whether or not the film is finished is up to the people involved, including backers and insurance coverage.

For sure, something went very wrong here.

Thank you, all you folks with actual professional experience, for coming here to enlighten us.

“It was an accident. I was cleaning my knife and it went off.”

Man, I hope Alec Baldwin and people who knew the DP don’t see my or others’ posts. :frowning:

My understanding is that the director of photography is the person who is in charge of the physical condition and operation of the cameras and the supervisor of the camera operators.

The director of cinematography is the person who makes decisions about what the cameras shoot. They will decide things like what kind of film and filters are used, and where the cameras will be positioned. They’re the person responsible for the “look” of the film footage.

The Crow was released and Brandon Lee died filming it. They were really close to done, though.

The LA Times has reported on it:

Alec Baldwin ‘Rust’ camera crew walked off before shooting - Los Angeles Times (latimes.com)

Does the paywalled article say anything?

That happened on Monk too - with the catch that the prop knife was replaced after the apparent death of the victim

Took 103 posts, but this one finally got me off the “Alec’s fault” path. In the real world when someone hands you a firearm, you open the action to confirm it is not loaded. But in those instances the person receiving the firearm knows they are receiving a firearm and the interaction is all about the firearm at least initially. But I can see how an actor, who might otherwise have no experience with the things, wouldn’t need to know any of that. You hand them a cat, they act. You hand them a lamp, they act. In their mind it is only a prop–which is very different from how a gun person understands them. So okay, the armorer handed him an unsafe thing (a tiger, a poorly wired lamp, an improperly maintained firearm).

I added a snip… the most interesting thing was there were 2 misfires on the prop gun before the tragic accident!

Thanks.

I’ve only worked on a couple of projects involving guns, but I was paranoid and checked and double-checked before shooting.

Are you allowed to do that? Not saying you did anything wrong, but wouldn’t they want you to not fool with it? Or am I mistaken and you were taking care of the guns not acting with them? I may have missed a post.

If the allegations in that article are true – including that there were already previous incidents of the prop gun misfiring – anyone in a position of authority over the shoot is in for a world of hurt. Potentially including Baldwin as a producer.

If that’s the case, the gun should have been taken out of action and should not have been used any more.

On a production this small and poorly staffed, I really doubt these are separate positions but given that @Cartooniverse made the distinction, I’d like to hear from him.

Good post Cartoonverse, thanks.

The films had a smaller budget than ‘low budget independent films’ spend on catering. Like, low- to mid-five figures. So in addition to being Script Supervisor one one and DP on the other one, I was also the Armourer because I have experience with firearms. (On the second one, the Director/Producer/Writer was a huge gun guy so we were co-Armourers.)

It’s also my understanding - and of course I could be wrong - that if the actor opens the firearm, it must then be handed back to the armorer to re-check it before going back again to the actor. So you’d think an actor would be discouraged from doing so. I think the protocol is to trust the armorer, for better or worse.

Welp, I guess this tragedy has already become a political hotbutton, thanks to Baldwin being outspoken against Trump. Trolls are trollin’ hard on the page for The Hilaria & Alec Baldwin Foundation and it’s absolutely sick. And most sadly of all, I only know this because my idiot ex-best-friend is one of the trolls. Sigh.

Yeah, that’s what I get from it. The actor is not to futz around with the hazardous device but trust the crew and do with the thing what the script says to do, no less, no more. Heck I would not be surprised if for rehearsal Baldwin expected to get an inert prop, that at most would just go “click”.

The bit about the labor issues does raise the questions about how well managed and organized was the whole operation. Suggests increased vulnerability to a chain-of-fuckups. Though as pointed out we only have allegations that the prop weapon had problems, as cochrane said, if that was so it should have been removed from set and replaced with one that worked right. This part of the production is NOT a candidate for cutting corners and going cheap.