This episode scared me. Like, hesitating to turn out the lights! :eek: So I ask you, fellow dopers, did this episode scare you, too?
There seemed to be a set of shocks, like beats throughout the show. The episode starts with the scalping, and the pig-roast execution shortly thereafter. The discovery of the “this goes way beyond burning a cross on someone’s lawn” flaming pig head pike thing. The ghost-nurse murder. Lee’s visitation by the ghost nurses, and her horror visions. The sighting of the ghost child. The discovery of the the word Murde. The ghost on the tape. Flora’s sighting of the ghost child. And finally, Flora’s sweatshirt 100 feet up a tree. That’s a lot of surprises.
The ‘surprises’ were handled in a kind of classic horror movie fashion: zooming cameras, discordant musical crescendos, the sudden appearance of something ghastly or woefully significant, the horrified reaction. This occurred repeatedly from beginning to end, but most of them zinged me anyway- some more than others. Between these beats the atmosphere was creepy or filled with suspense or dread. It still isn’t clear what forces are at work, driving all this horror.
Anyway, the scenes were divided by cuts to the narrators, sort of the counterpoints to the beats. Back and forth, so it gave the story a kind of pulse. The narrators take us away from the creepy action, but always in a way that drives the story forward, tons of lines. On this point, I bet the script for E2 has at least twice the sheer volume of text as an episode of, say, Fear the Walking Dead. Compared to most shows, there is just more there there. Anyway, the show has a way of rotating a lot of narrators, not just the main characters but the cops, the bank dude, the professor on the tape, there was a bank or lawyer lady in there for a second, their little monologues piecing the story together, which always seems to whirlpool down to the next shock.
I am impressed. It is possibly the scariest and most lurid of all the AHS installments. The camp was fun in the previous seasons, but this one isn’t funny. The professor laughs at odd moments, and I laughed later because, ha ha, I’m actually scared, ha ha, but that’s about it. I’m glad Sarah Paulson gets to act across from Cuba Gooding Jr., she deserves it. I wonder if the “real” characters are going to go back to that house to do some ghost hunting or something, if all of this is just a prelude, a backstory within a backstory. And I like some of the little effects, like the ghost child always being blurred like an 1800’s black-and-white photograph, or the detailing of the couple’s financial motives and prejudices.
Oddly meaty horror show, no?