Hmmm, Lulu is useful. She stopped Haley from Celine-izing that song. IMHO, Lulu delivered it better than Haley, but apparently all is forgetten if you flash your legs and bounce. Personally, I hate the look of 2 inch heels and shorts. Gah.
Hooker-style or no, I want those shorts. That, and the ability to get away with no bra or stick-on bra only. I miss being…twelve. And while that song was perfect for her, can she please stop singing through her nose?
Yeah, me too. Although I like to think about it as “Editorial Approval”: when I have kids, they’ll need me to give them money to buy records*, and I’m not shelling out cash for stuff I don’t like, or at least approve of.
** = Yeah, yeah, I know. By the time I have kids, nobody will buy records any more, and we’ll all take our personal spaceships for our vacations the Moon. Whatever. I’m old, leave me alone!*
Anyway … Haley was OK. Not spectacular, but she looked cute. Lulu was right on about the staccato business, though.
Oh! This is the best Chris has sounded so far. Good on him. This arrangement is neither horrid, nor tragically unhip, I don’t think. And he really kind of does sound like Jason Mraz, whom I adore. Yay Chris R.!
Well, neither am I, and I think I may vote for him. This song is pretty whiny to begin with, I think. I agreed with Randy: that was a good arrangement, not to tricksy or melismatic (is that a word?). Good control over his instrument. While Sligh and Blake try to out-bell-and-whistle each other, Chris R. can just be cute and charming and straight-ahead talent. Or, at least, not Sanjaya – the relative merits about which enough cannot be said.
Huh. On preview – perhaps all the stress from my furnace problems has suddenly made me deaf … ?
Boy, what tough, hard-hitting questions they’re getting from these letters. “What is the hardest part of getting ready for the show?” Whoa, slow down there, Bill O’Reilly.