America's Got Talent [season 8 thread]

Actually, I learned what joke the whole thing is after reading about Michael Grimm.

He decided on the lump sum, which you think would be close to $500,000 after taxes, but it didn’t work that way.

NBC got a cut of about 50% (how effed up is that?) and then after taxes he got $200,000.

And now I can’t find where he headlined after winning the show, but I remember reading that it was difficult for him to find a place, and where he did finally end up headlining didn’t seem all that great. Although he has done better since then.

It’s not clear what NBC’s cut was. It could mean just the reduced value of the annuity. I don’t know if it’s possible, but maybe NBC hadn’t paid for the whole annuity yet so it’s cash value was even lower than typically expected. They lucked out on the Vegas show deal when they got Terry Fator.

ETA: And maybe NBC doesn’t even buy the annuity in case someone wants the lump sum.

About that headliner gig on The Strip…good luck with that as well.
I do believe they give you a one night gig as “special guest” on The Strip - (I think it is with Jubilee! in Bally’s?) and that be that.

Michael Grimm decided to hang around Las Vegas…he was performing at the Green Valley Ranch Casino (two miles from me) on Saturday nights for a $5 cover charge in a little venue. That stage venue has since closed (turned into a Bingo Room!) and he moved to the sister casino, Red Rock, and not sure if he is still there, but started the gig in January. $10 cover ($5 for locals). I think you can tell from the cover charge he is not exactly rolling in dough.

All I am saying is that it is no easy feat to find an open stage/venue in Las Vegas, let alone on The Strip. Terry Fator is the huge exception, and for him, it was a matter of timing and tragic circumstances. He sort of filled in for the empty theater when Danny Gans moved to Wynn…and Danny Gans died unexpectedly shortly afterwards. Terry was supposed to be a short term replacement, but tickets started to sell well - word of mouth spread, and he is now a fixture on The Strip. So I guess it is not impossible to make it there - but then again, it is not impossible to win the Powerball Lottery…chances are a tad slim for both, but not impossible.

So, while the “winner(s)” are dancing for joy on stage, they might want to realize they have perhaps won a one night show in a variety act on The Strip and a yearly prize that, after taxes, will be the equivalent of being a manager at McDonalds for the next 40 years.

For someone young $25,000 a year for 40 years is a good deal. And I assume they can still sell the remaining value of the annuity if they need a chunk of cash a few years down the road. But if you’re that sword swallowing acrobat guy, you may want to cash it in right away.

[Disclaimer: I’m not the one who insists on turning the channel to this. Someone’s gotta have their AGT fix and doesn’t know how to use a DVR.]

Okay…never in a hundred-hundred years did I expect that I’d be posting on this particular thread, but something about this season is really gnawing at me, and with a bunch of other things gnawing at me right now, I can’t let some silly reality TV program grab too much of my attention. So here it is:

Is there some unspoken rule that if an act comes along that is brazenly bad, or disgusting, or unentertaining, or just plain mindless, NO ONE is allowed to speak the simple truth? That everyone, from the mightiest judge to the lowliest peon on the street, has to kiss their butts and mealy-mouth and offer encouragement that makes “a nice personality” sound like the height of sincerity in comparison?

I am referring specifically to Tone the Chiefrocca, but it can apply equally to any number of other acts, especially that screamo girl, or for that matter that shrieking nutjob “judge” on So You Think You Can Dance. (“I love her enthusiasm!” “I love her energy!” “I love that she puts on a happy face!” “Love, love, love, positive, positive, positive!”) Or South Park. But I digress. Let’s take a look at what TTC brings to the table:

  • He does rap, something a child can do (and many have on AGT).
  • He has one song and openly admits that he doesn’t have the slightest interest in making another. Ever.
  • This song is earworm-inducing. For those of you who have been blessed to never have had an earworm, for the record: earworm-inducing is not a good thing.
  • This song is really just a slightly tweaked version of Baby Got Back, itself a product of a horribly overrated one hit wonder. Seriously, am I actually the first person to see this?

An act as creatively bankrupt like this, I expect to at most eke out a pity pass to Vegas, where gets crushed like the rancid grape it is. (IIRC that’s exactly what happened to Boy Shakira.) And yet not only did it make it to the semis, it came within an eyelash of going all the way to the final!

I’m…I’m baffled. Truly I am. Someone, ANYONE, at some point should have said: “Look, I’m sorry, but the simple truth is that you’re no good.” Or “This will never be a million-dollar act.” Or, to be really harsh, “You’re embracing the lazy path to fame and fortune, and frankly, I find that disgusting.” But no, it’s always “I wanna see more!” and “You really want to be a one hit wonder!” and “Ooh yeah, bee-dubba-oh-tee-wai, bee-dubba-oh-tee-wai, woo hoo, yeah baby yeah!”

Oh, and as for the screamo girl, would it have killed someone to say…plainly, without condemnation or snark: “You’re great at what you do, and there is a place for it, but sadly that place is not a Vegas act. I wish you the best of luck wherever you end up.” That’s it. That’s all that was ever required. But no, I had to hear the sounds of a jet engine on my TV for several days.

At least the sword swallower acrobat was trying to do something great and daring, even if he was too tentative at times. At least the television dancer had a genuine spark of creativity, even if his coordination was off. All TTC ever did was throw his lack of talent in our faces and demand that a nation eat it raw from beginning to end, and it very nearly did just that.

I don’t care how shallow the pool is this year. Something over nothing.

I don’t hate either act, but for the rapper, just admitting that all he wants to be is a one hit wonder should have been enough for the judges to say, “It’s a no for me.” after the audition.

And screaming girl… Not sure what they were thinking putting her through. I guess she’s unique. Maybe they thought there might be something there. But her second performance should have clued them in that there wasn’t.

We’ve now seen HALF of the acts the judges thought were good enough for the semis, and they’ve been a mangy lot.

So what I keep thinking is, migawd, how many hours did those judges have to sit though acts that were utterly terribly if THESE stood out as good??

The other thing is, I’m sure the judges have to keep in mind what they are aiming for, which is a variety show. So they want, say, four magicians. It doesn’t matter if there were 400 marvelous singers auditioning, they want four magicians to go through, no matter how lame. Same for standup comics, dances groups, instrumentalists, techo-gimmickers, dangerous acts, and on and on.

So I believe the judges themselves are certain that almost of the acts they pass through are no hopers when it comes to finally winning. I mean, there is nobody (except maybe the guy himself and his mother) who thinks that being able to flip a hat onto your head while doing some rather lame dancing is worth a million dollars. Or the escape artist. Or the bellowing kid. Or the vast majority of the acts.

But they need something to fill out the 48 slots, and what are you going to do?

I like that they have more alternative acts instead of singers/dancers because in the early seasons it was like 90+% singing and dancing. That being said for this year, there were a few acts that never should have gotten to RCMH*
Those girls that dance around like my 9 year old niece and her friends listening to Kids Bop. I wanted pedobear to show up on one of the screens behind them.
Struck Kidz.
Screamo girl
Marty Brown
Alexandria the not so Great
Kid the Wiz
Aquanuts

So out of the first half, that’s 7 acts that could have made room for better acts.

  • I’m not counting acts that choked like a chicken when in NY. These are act that should have never gotten the chance.

What I hate is when the judges act incredulous over the mundane. Holy fuck!!! You’re on nails and an ATV is on you!! Yeah that’s like 1 pound of force per nail and the way they were dulled maybe 10 psi at most. Howie M is the worst at this. I don’t think he’s ever heard of Circe du Soleil because he sees basic stuff like acrobatics on those ribbons and he acts like it doesn’t exist outside of that audition. Because of this, Howard S. is my favorite judge because he’s honest.

[del]Matt and Trey[/del]The KriStef Brother are the frontrunners for the Prince Poppycock Award this season.

Well, there kinda is. Howard Stern has bitten the bullet and said the unpopular thing, that certain people’s acts are not good. And he gets booed by the audience for it, even when it’s blatantly true. The judge’s themselves are dancing the line between telling someone “No, you really suck donkey balls” and realizing that 1) they are dashing someone’s dreams (even if they need a little dashing), and 2) they have their own public persona and fanbase to protect.

Then there’s Nick’s job, to totally chastise the judges and tell the contestants they are exceptional and whatever they do, so somebody is on their side as they get chased off the show. Dude has to make the shitting cat puppet guy feel good.

It was a fun song the auditions that really pumped up the audience. I can see why it got through selections. However, I agree with you that the desire to be a one-hit-wonder, to ride that one song to the finals, pretty much disqualifies them from completing the competition. Something like that might catch a ride on the youtube train for a glimmer of pop-culture fame, but shouldn’t expect to keep coming back around on the same song.

Basically, the guy admitted that he tried writing more rhymes and failed, this is his one creative “success”. I can certainly see why he wants to eke every last bit of fame and fortune out of it he can - he has nothing else. But I agree, the judges should have slammed down on it.

I did notice there seemed to be some acts that got a pass through Vegas without particular merit. I know there were a few acts that were good enough to not need Vegas screening. B-double O-T-Y did not seem to meet that criteria to me, but was put through rather than reviewed there. I think there were a few cases where the judges said something like “Okay, this really needs to hit the live shows to let the people vote, it won’t get anything by reviewing in Vegas. So they get a pass through.”

I don’t know, I don’t think there are any quotas. They mentioned this in one of the segments, where Howard Stern specifically said “We’re looking for talent, it doesn’t matter what type, and if we’ve got a lot of good danger acts we’ll put through a lot of danger acts.” He didn’t seemed as worried about ensuring variety as ensuring that the performers had some level of talent.

That said, what is the standard of comparison for this show? Just what qualifies as a baseline of talent, versus a huge heapin’ helpin’ of talent? Looking at the fine print on the prize suggests they aren’t looking so much for the best talents in the country, merely an adequate amount of talent to not actively suck. It’s local PBS fundraiser talent show quality, just pulled from a larger pool of contestants.

[QUOTE=Saint Cad]
That being said for this year, there were a few acts that never should have gotten to RCMH*

Marty Brown
[/QUOTE]

Now hang on, I totally agree he screwed the pooch on his live performance - horrible song choice, horrendous rendition, didn’t hit the notes at all. If that had been his audition, then he wouldn’t have made it on the show. But his audition was amazing. Just him and his guitar and it was great. I’m not a country music fan, and I liked it. He deserved to be there, he just couldn’t handle the pressure for whatever reason (getting choked up by the video is a good excuse).

But looking up this season’s contestants, I discovered that he actuallyhas released 4 studio albums in the '90s. So the show hasn’t been very forthcoming with his history. Anyway, he’s already had one stab at success and not made it

Marty Brown was OK but compared with other singers like the black cowboy and the countertenor he was just meh. I still compare him to Kevin Skinner - some talent but got by more on his story than being the best singer.

My personal opinions on tonight’s episode

Aerosphere - 5/10. I agreed with Heidi. I kept waiting for the act to start.

**Chicago Boyz **- 5/10. Hey, reminds me of being back in school on the playground. I didn’t think it was as precise as Howard said, and I don’t see it being a Vegas act.

Mitsi School of Dance - 9/10. Excellent. It left me wanting more.

**Kelsey & Baily **- 6/10. Cute, but it could have been so much better. Some props and more moves than just jumping through the hoop, high fiving, and standing on two legs would have stepped up her game from last time.

Brandon & Savannah - 7/10. Savannah did not sing well by herself, but did fine with her brother. They did pretty good, but not great.

Magicians - 4/10. Meh. Some things happened and Nick wound up in the box. I was not entertained.

Deanna -7/10. Bad start but it got better. Again, pretty good, but not great.

David “The cobra kid” - 6/10. I just spend the whole 90 seconds feeling bad for the snake, who kept trying to get away.

Johnathan Allen - 10/10. Best performance of the night in my opinion.

Kenichi Ebina - 9/10. Very entertaining. Showed diversity. I didn’t realized until Howie said it, that everyone in the video was him.

Jim Meskimen - 7/10. For me his impressions were hit and miss. For example, his George Clooney and Sting needed work, in my opinion.

American Military Spouses Choir - 9/10. I really enjoyed it and thought it was a great performance

What I found pretty amusing was that Kenichi Ebina basically just added video to “up his game” so to speak and he ended up blowing away all the other video enhanced dance competitors.

I really like Kinichi’s new act, very impressive. The only criticism I have is that he scored pretty low in his own game. Still, I was very impressed. The dancing wasn’t extreme or anything, just very well coordinated with the video, and I give him credit for the talent of designing the video and the act on top of the performance itself.

Otherwise, opera singing guy did very well. I liked the impersonator until I found out his mom was Mrs. C. Apparently he’s done quite a bit of acting already, and although his impressions were good, they’re brief, and could be the only thing he could do in each of those voices. Still better than most of the acts this year.

I mostly agree with Nobody.

[quote=“Nobody, post:151, topic:660182”]

Aerosphere - 5/10. The problem here was they spent too much time maneuvering the balloon into position without any acrobatics occurring. I realize 90 seconds is not a long time, but I think this could have been improved by “staging”. They brought out the balloon with the guy, flew him over the woman, then picked her up, then after one big spin, set her down, then moved her over the judges to the stage. Too much unnecessary floating around without accomplishing anything, and if she is supposed to be the centerpiece of the act, there was way too long when she wasn’t under the balloon. Instead, have her already hanging below the guy when they appear, perhaps not by her neck at first, but as they float overhead, put out more acrobatics, and then move to the neck spin, before the final set down on stage. More “doing” time, putting her more centerpiece for longer.

**Chicago Boyz **- 5/10. I applaud the coach for what he’s doing, for the values of the team and the goal of taking inner-city boys, many who probably don’t have fathers at home, and giving them something to strive for and be a part of besides gang life. The human jumprope is certainly freaky, and doing dives over the top upped the danger, for sure. But ultimately, most of the act was tame gymnastics, and I just don’t see this as that riveting. I’m not sure how to transform it.

Mitsi School of Dance - 8/10. It was very elegant and artistic. They were really precise with their moves and it was fantastic. May come off a little too low energy against exciting acts.

**Kelsey & Bailey **- 4/10. They’re a cute act, but ultimately it’s pretty lame. As Mel said, too repetitious, not enough tricks. Also, notice how the dog doesn’t actually jump fully through her arm ring. The dog springs up and starts through, then she opens her arms. The dog’s legs pass through where her arms were. She’s busy dancing, rather than making a full trick out of it. They’re having fun, but they’re not going anywhere.

Brandon & Savannah - 7/10. I wasn’t thrilled with the song choice, thought something might be off with the sound. Savannah’s voice at the begining was a little off, but overall they had a very strong show, worked the stage well, and it was fun.

Magicians - 5/10. The only intriguing thing about the act was Nick ending up under the table. The gimmick of showing the “back” and thus revealing the trick might have been an amusing concept for the trick, but they had too much nothing going on for the final trick to save the overall performance. It was blatantly obvious they were going to move the guy from the box, only it wasn’t the actual guy, and he stayed in the box. There was room in that box for at least 2 people, maybe three. I don’t quite know how the third guy got out from under the table, but I know there are tricks to deceive the eye, that’s what magicians do. Though if they want to do real magic, they should lengthen Nick’s pants and correspondingly shorten the girl’s. That would be entertaining. Oh wait, it’s a family show.

Deanna -7/10. Liked the song, she did pretty well, and as Howard pointed out, unlike before she was much more understated.

David “The cobra kid” - 6/10. The premise of the act was to handle the cobra as much as possible, but not get bit and die. However, it suffered because it didn’t have enough structure. Not knowing what to expect is one way of saying you couldn’t anticipate what was going to happen, there wasn’t any idea of what was coming next. Yes, the guy is freaky crazy and I would have a heart attack just being on the stage as a judge. There was some drama when he picked the cobra up and held it above his face, when it looked like the snake might drop and bite him, but it just felt disorganized. Sure, he was constrained by letting the snake do what it wanted and reacting to that.

I’ve read that snake charmers in India and whatnot condition their cobras by raising them from hatching and handling them, so the snakes are used to being held and stroked. Couple that with some understanding of cobra behavior (which I could only [del]make up[/del] guess at), and he probably wasn’t in quite as much risk as if you or I wandered into Africa and grabbed the first cobra we found. Still risky. But somehow didn’t appeal.

And I would have had to punch Howie in the face.

Johnathan Allen - 10/10. I have to agree, Best performance of the night. I did notice the shift to show tunes as well, and have to agree with Howard. I don’t know why the audience was booing him, he wasn’t offering criticism at all. That was constructive advice, basically pointing out that with two similar and very good acts in direct competition, he needs to make himself stand out as the superior, and find some way to distinguish himself. I certainly think he could send these as auditions to Broadway and get hired.

Kenichi Ebina - 9/10. I spotted the woman was a man, and then on the robot figured out it was him doing all the roles. He was very creative with the video game story, very good doing the writing, acting, and choreography. His timing was very good, his interactions with the on screen characters the best we’ve seen in any of these interactives. My one complaint is the same as TriPolar, a little more back and forth on some of the exchanges. Also, I don’t think the swimming quite worked.

Jim Meskimen - 8/10. I agree some of his impressions were a little off, but what impresses me about his act is that he’s not just doing impressions, rather he’s doing Impression improv. That, to me, takes what he does up a notch from any other comic just doing impressions. Regular impressions, you write your own material, you have the time to practice, to massage the timing and pacing and evaluate if the jokes really work. But improv is responding on the spot. So he’s doing rapidfire transitions, and coming up with some line or comment for that character to make on the spot. Sure, some of his remarks were a little lame, and some of his impressions were not quite on, but the overall impression of the act was pretty good for me. His Sting singing was bad but the concept was amusing. His George Clooney was probably worst, not quite hitting Clooney and I didn’t get the association with weight loss and the Liberty Bell. But you try to think of something unique to say for each celeb playing Ben Franklin that is funny and matches that celeb. Possibly staying on each character a bit longer would help.

American Military Spouses Choir - 7/10. I’m not fond of choirs. I do think they had a great song and they sang it well, but they are riding so hard on their story it irks me. That USA chanting from the audience annoyed me.

My picks

  1. Jonathan Allen
  2. Kenichi Ebina
  3. Mitzi School of Dance.

4 for me it a tough call between Jim Meskimen and Brandon and Savannah. I like both and want both to go on. Unfortunately, I think the American Military Spouses Choir will get picked, and 4th place will pit the Mitzi School of Dance against one of those two, with an outside shot for Deanna as the alt spot.

I think the judges would pick the Mitzi school over any of those three, but Howard would probably pick Brandon and Savannah over the dance school. He’d probably take B and S over Deanna. Hard to guess about the rest. My guess is it will be the Choir in 3 and the Mitzi school in 4.

Howard has some insane idea to get a magician in the contest, but they’re getting lame acts. The teenager has shown the most ability in this category so far. Last nights act was sub-lame. When the guy didn’t show his face getting out of the box you knew right then how the rest of the act would go. Houdini would be turning over in his grave if he hadn’t escaped from it long ago.

They were booing because the judge didn’t immediately gush about how wonderful the act was, how inspiring, how incredibly different and unusual and the best thing he has seen all season, maybe in the whole history of AGT. Anything less gets immediate boos from the audience. :rolleyes:

Ummm, not really. He gave a list of the “standard” celebrities that every impressionist probably can do, at least in some feeble way. For each one, I’m sure he had a line ready. It’s like when you go to an improv show and they tell you to name a color and an occupation. I’m pretty sure they’re ready for someone to say “blue” and “bus driver.” Or “red” and “doctor,” etc.

On the one hand, I’m kicking myself because I forgot to vote. :eek:

On the other, last week only one act that I voted for went through, so my vote probably wouldn’t have made a difference anyway.:cool:

I was going to joke about feeling psychic because of how often my guesses about who would go through were right, but now I’m too pissed off because in my opinion, Mitsi Dancing School was far superior to the Chicago Boyz :mad:. I think Howie was right that they were getting sympathy votes, and then he turned around and did it too.:dubious:

Oh well. Moving on, when they were showing who was competing next week I can’t believe the making music by slapping a fat guy act went through. Hopefully they’ll surprise everybody and really step up their game. But I’m doubting it.

I’m interested to see what Irishman thought, but in the meantime, my short opinions on each act. (Names cut and pasted from here)

3Penny Chorus & Orchestra - 5/10 - I just can’t get into it.

Chloe Channell - 7/10 - Good singing, but she sounded her age (too young).

Champions Forever - 6/10 - Danger of falling was there, but I wanted more action.

SensEtion - 5/10 - I agreed with Heidi, the seemed like an opening act, and I agreed with Howard that they needed a story.

The Robotix - 6/10 - Good music, mediocre singing.

Timber Brown - 8/10 - I got dizzy watching him.

Cami Bradley - 9/10 - I didn’t recognize the song until the chorus. This is a rare case where I liked someone taking an upbeat song and making it easy listening.

Tummy Talk - 4/10 - I don’t know why they were put through the first time, and this time seemed actually worse.

Taylor Williamson - 6/10- I agreed with Mel, it was hit and miss. His last performance was better.

Aerial Ice - 8/10 - Nice solid performance.

David Ferman - 4/10 - I should have been impressed, but I was bored.

Jimmy Rose - 7/10 - A pretty solid and decent performance, but it lacked something that I can’t put my finger on.

Somehow I failed to return after results last week. I see I called Kenichi and Jonathan correctly, no surprise. The American Military Spouses choir made it through, as I feared, and that left only one slot for three acts I liked. And then somehow Chicago Boyz got through. WTF? I guess if you break your ankle, that gets you a pass?

So, you’re saying he was fully prepared with a line for every celebrity he can somewhat do for every conceivable topic? They pulled American Revolution out of a hat, but it could have been VietNam war, could have been Hannibal crossing the Alps, could have been landing on the moon.

Okay, the rundown from this week:

3Penny Chorus & Orchestra - 5/10 - They sounded good, and I didn’t have a problem with the song choice per se, but we’re seeing lots of “sing pop songs in classical style” acts, so there just isn’t novelty there. I don’t think I’d go see this.

Chloe Channell - 6/10 - I agree, she sang well for a child, and I didn’t see the “glitch” the judges seemed to think she had. She’s young for the lyrics of that song.

Champions Forever - 4/10 - There just wasn’t much act there. They all ride huge unicycles, okay. They came out spinning basketballs, but then ditched those. Then they just rode around. Near the end they did one trick where 5 of them hold up three of them, and those three ditch their unicycles. That was pretty neat, but other than that, there wasn’t an act. Just a huge family.

SensEtion - 6/10 - We’ve seen similar concepts. They were very well timed with the motions and synched to the visuals. The light-suit failure didn’t help, but I can look past that. Mostly I agree with the judges it was a confusing mess that didn’t have a clear idea of what was going on. I mean, they were throwing the light ball around, and it busted something, and then water spilled over the stage, which they sucked up into the box. But it wasn’t really a coherent thing. And they really should spell it correctly.

The Robotix - 7/10 - The musicians played well. To me, it seemed the problem with the singing was a tech problem, the guy on the sound board needed to crank her mic more. They did good with the stage, and outperformed the American Hitmen (ex-marine band). Energetic and fun.

Timber Brown - 11/10 - I absolutely love everything he does. This wasn’t just a step up, it was a leap up from what he’s been doing. I wouldn’t just say it was his best act yet, I wouldn’t just say it’s the best act of the night, I might be willing to say it’s the best act I’ve seen on the show. Hanging by his neck? That’s just… what word can I use that measures up? I want to be Timber Brown.

Cami Bradley - 9/10 - I knew the words right away but then recognized the song (Cher) on the chorus. It was excellent. I agree with Howard, she took a song that is well-known and recast it in a way to make us really connect with the lyrics, to actually make it meaningful. Cher’s light pop rendition never really got to me, especially with the wierd autotune thing. This was heartfelt.

Tummy Talk - 2/10 - I hated this act when they auditioned, I hated that the judges put them through, I hated that they were bypassed in the Vegas rounds and forwarded. I liked the ring girls, but we didn’t see enough of them. I didn’t like the addition of real drums and I didn’t like the gimmick with the big guy trying to play his own drum. Him getting to smack the guys smacking him was cute in a “well, that was stupid” way. Only reason they don’t get a 1 is they did make recognizable music. Meh, I’ll be glad to see them go.

Taylor Williamson - 7/10 - He started well with the Spice Girls entrance, had some good jokes. I didn’t like him explain the newspaper blanket joke, and when he pulled out his notes on a scrap of paper to remember his act, that kinda bugged me. A couple of his jokes bugged Heidi for being too adult, I didn’t have that problem, but it was a little uncomfortable in one spot. I was entertained.

Aerial Ice - 7/10 - If you like figure skating shows, this was really good and innovative with the aerial integration. If you don’t like figure skating shows, this was boring.

David Ferman - 6/10 - I had the same reaction as everyone else. He’s doing this incredibly dangerous act. He’s hanging upside down and juggling upside down (I’ve never seen that), he’s juggling “burning balls”, and he’s suspended over a 55 gallon drum of fuel that if he drops the ball it will ignite and torch him, and the barrel is slowly rising closer and closer. He’s got to make 50 catches to complete the act. He’s got a big number counter and everything. And yet, it just fell flat. Why?

Here’s where I’d really like someone to help. What specifically could he have done differently to add the “showmanship”? Because I’m looking and I don’t know what to do differently. Is there something about his attitude? Something he could do with the props? Nick helped him slightly by telling him to throw the burning ball into the drum so we saw it ignite. I’d really like to see a concrete suggestion.

Jimmy Rose - 7/10 - song I like, he was a quiet rendition that had a country feel, his twang was modulated a bit in the song. It was good. As Howie said, better than Marty Brown did.

I would vote
Timber Brown
Cami Bradley
The Robotix
Taylor Williamson

Mostly because I’m not a huge country fan. Chloe Channell and Jimmy Rose may make a bid for the judge’s selection slot. America proved hard to anticipate last week. I’m solid on the top 2 and think the 3 and 4 slot could go a number of ways.