I just LOVE the opening of the episode. From Angel’s abortive ‘hard-boiled gumshoe’ voiceover in the very first few seconds, which quickly segued into his fake drunk act at the bar… showing off DB’s comic flair, and foreshadowing such memorable gambits as 'Herb Saunders from Baltimore. You know, come to think of it, when did Angel stop using goofy disguises and silly characters to throw his enemies off track? I can’t think of an example after ‘the Shroud of Rahmohn.’
Doyle! Glenn Quinn in the credits, how I’ve missed him.
List of major canon points first mentioned in this episode: Atoning for past sins. Champions. The mysterious ‘powers that be.’ Painful visions. Wolfram and Hart, the defenders of evil.
So many little moments I loved. “Now I feel underdressed.” Oliver the manager trying to recruit Angel. Tina commenting on the weapons on Angel’s wall. Angel refusing to claim ‘droit de comfortador.’ The segue from Angel saying ‘there’s nobody left I care about’ to Cordelia meditating on her bed with relatively lame affirmations.
Cordelia’s first reunion with Angel in the party. Been a long time since I’ve seen this, I guess. It immediately strikes me that she’s not only pretending that she’s doing well with the acting… she’s pretending she doesn’t care much about it. Which I guess is supposed to be her assuming the ‘LA cool’ vibe. Of course, the “Are you still, um, Grrr!?” line is hilarious, especially with Angel’s deadpan response.
Some relatively big surprises in the second half of the episode, compared with what we viewers might have expected… Angel blundering with Tina and driving her into Russell’s arms to be killed. (Learning experience!) Killing Russell at the end of the episode, where it might arguably have looked like he was going to survive and be ‘the big bad’ of the first season, with Wolfram and Hart’s lackeys behind him.
Best power shots of the episode: When Angel left the bar at the beginning. Coming back into his base-ops with Doyle after Tina died, determined to take Russell on direct. Angel looking down from the rooftop at the end.
Good intro to Lindsay, in Russell’s mansion, kissing some butt.
The bit with Doyle and Angel trading wisecracks as he gets ready to go was full of little laughs. ‘Not counting Vietnam - they never declared it.’ “You’re driving.” The messenger and the message. Cordy had some great lines in Russell’s place too. “Not afraid to emphasize the curtains.” 'I finally get invited to a nice place with no mirrors, and lots of curtains… Hey, you’re a vampire! I’m from Sunnydale, we had our own hellmouth. I think I know a vampire when I’m alone with him, in his fortress-like home…" “You don’t know who he is, do you? Oh, boy, you’re about to get your ass kicked!” And then, the little squeaking sound that Cordelia made when she realized that the fight wasn’t going that well on Angel’s side.
You know… I almost expected a grappling hook gag that wasn’t there. Angel throws the grappling hook up at Russell’s house - it doesn’t catch, or it breaks off on something not nearly strong enough to hold his weight… or it catches on a patrolling security guard.
Just love the boardroom scene at the end all over. The ‘I believe we’ve located him’ gag, Lindsay’s spiel about how Russell has never been accused of a crime. Russell’s ‘the way we do things’ speeches… and Angel’s best comeback line ever!
So, there’s my initial contribution. What does anybody else have to say about ‘City of…’??