Well, Townsend smashed Ricks and Gibsons. At the most, Charming Guy was playing a $35.00 nylon string POS they use to lure you into a making a buy. It probably had an 1.25" action at the 12th fret.
At least it didn’t start with that fiddle and banjo crap. It started with Seamen’s Chantys.
He got there in 1959, I think, when the cool music was black r&b, just like in England. There are stories about the brothers visiting road houses for the real thing. Bluto would have contempt for the 50s folk scene as a matter of principle; a treacly folk song would set him off.
As you might expect, Miller glorifies the frat’s behavior and it’s worse than the movie. Both look a lot uglier today than they might when you’re young.
That was something thrown in by Bruce McGill and John Landis. Landis wanted all the major characters to have a little gimmick so he asked his stars what odd physical thing they can do. McGill’s was playing the Overture on his throat.
Exactly. When I was 9-10 years old, it was hilarious. Now, I really don’t see why those guys should be glorified. They really had no redeeming qualities at all.
Bluto spying on Mandy and the rest of the girls, Otter seducing the 13 year old, everybody looking up the togas of the girls during the Gator, Boone and Otter talking about conquests before the party, faking a relationship to get dates at Emily Dickenson College, Bluto kidnapping Mandy after destroying the town, etc.
Stephen Fry says that the difference between American and British comedy is that, in that scene, a British comedian would play the part of the guy with the guitar.