After a long nightmare, man woke up. For one thousand years, since the fall of the Roman Empire, Europe had been living through the Dark Ages. A time of ignorance, savagery, and suffering that followed in the anarchy of Rome’s collapse. The re-discovery of the writings of the ancient Greeks and Romans sparked a revival in thought and art that quickly outstripped the cultural achievements of all previous civilization. It was the Renaissance, the rebirth, and with it came the most important change of all, the birth of Humanism. Something that had not really been found anywhere outside of ancient Greece, humanism is, at its heart, the belief in rationality. It is the belief that we live in a rational world not a random nightmare controlled by an unseen, unaccountable, capricious God, or gods who act in mysterious ways. It is instead the universe of Newton’s clockmaker. It was a world in which man, while no longer a slave to his old superstitions and dogmas, was now responsible to discover truth, beauty, and the path to salvation for himself, not to simply follow what has been told for a millennia, but to earn his own soul, to follow his own path, wherever it may lead. It was a world of Leonardo da Vinci and the workshop in Milan, of Dante and the Divine Comedy, of Mirandola and his Oration on the dignity of man. It was a world of Shakespeare. It was a world of Hamlet.
Hamlet is in many ways the embodiment of the Renaissance man. He is an accomplished swordsman, he is a good playwright and knows the workings of acts on the stage, he has had an extensive education in foreign lands, and most importantly (and ultimately, most tragically) Hamlet thinks and questions about the world around him. Shakespeare wrote Hamlet, whether consciously or not, to be a true man of the Renaissance, one who did not necessarily take what truth was given him, but instead tried to reason and discover on his own. Even if he personally failed in his pursuits, it was still possible for truth to be discovered once reason was properly applied. Nothing could be held back from the light of knowledge forever in an objective universe. A man from the Dark Ages would never have asked “To be, or not to be?”. His answer would have been, “as the LORD wills it”.
This faith in a definite, objective truth has not survived in popularity since then. For with the Greeks came Plato and his rejection of empirical truth, which would lead to the most influential philosopher of the last 500 years Immanuel Kant, and his rejection of certainty in any objective truth at all. The popular ideology of today is a type of multiculturalism, wherein, each group, each race, people etc has their own reality, their own rules for existence that are separate and unrelated to any others. Your reality is not my reality. If you believe that Mozart sounds sweet, or that ice cream tastes good, it is not because they do in any objective sense, you only believe that they are good because that is what you have been brought up to believe. This is antithetical to a man like Hamlet.
So, is human nature the same for all men; are our fundamental dispositions and traits identical to those of our brothers? The debate that is illustrated anew in “Shakespeare in the Bush” by Laura Bohannon. Initially believing that human nature is the same in all people she goes to Africa and tells a tribe the story of Hamlet, believing that they, as fellow humans, will understand the play. She fails. However I hold that she does so not for the reasons she implies. The ideas of Hamlet are, indeed, universal; Bohannon failed because she failed to clearly define the particulars, thus clouding the universal. Almost every time she introduced a new plot point or important idea in the play it was lost on the tribesmen. All were lost because of misunderstandings, not because of fundamental differences between the thinking of the different people. The ideas of Hamlet were understandable by all, they were just presented poorly.
Bohannon immediately causes confusion when she speaks about the ghost of King Hamlet. The tribesmen do not believe or understand Bohannon when she tries to explain what a ghost is to these people who have no concept of it.
The idea of a ghost itself is not an essential part to the idea’s uncertainty in evidence, believing your senses and sources, and mind itself. So for the Tiv to not know what a ghost is does not mean that they are incapable of understanding the nature of epistemological uncertainty. They are only ignorant of the method by which Shakespeare used to convey it. She falls into a trap of telling the story as if it really happened, and thus limits herself in how she can explain it to the Tiv. In the end she falls into a “they do in my country” trap. As if saying that what is real for you is real for you and what is real for me is real for me.
Hamlet and Ophelia
In the play, Hamlet could not marry his true love, Ophelia, primarily because he was royalty and she a commoner. The Tiv disagreed with this as well. They felt that the marriage should be permitted because since Hamlet was royalty, then he could shower Ophelia’s father, Polonius, with gifts and money. Bohanon describes only particulars. Blunt facts of how life is lived here and not there. It becomes as a matter of fashion for not marrying Ophelia. She needed to discuss the morality governing the decision. And show how it is explains how in Hamlets situation, marriage would be a no-no, but would be allowed for the Tiv.
Hamlets madness
The Tiv felt that Hamlet’s madness was attributed to witchcraft. They feel that witches cause madness, and that this was the only reason as to why Hamlet went mad.
Again, she seems not only afraid to criticize the Tiv, but seems to have not even have the idea occur. When speaking to them she finds that she cannot breakout of the trap she set for herself by telling the story as if it is true. However, even that would not have been necessary. She could have explained that there are different kinds of madness. Or, that she was simply talking about something different from what the tribesmen thought. Or, simplest of all, she could have explained that Hamlet was faking it all along. All would have held true to the plot and theme of the story.
Polonius’ death
When Hamlet discovered that Claudius killed his father, he attempted to kill him while in his mother’s quarters. He thought that Claudius was hiding behind a curtain, and so he plunged his sword into the curtain. It was not Claudius, but rather Ophelia’s father, Polonius, behind the curtain. The Tiv believe that one cannot kill or attempt to kill his elders. They felt that Hamlet should have contacted his father’s friends to avenge the murder of King Hamlet. The Tiv thought that Hamlet was wrong to try and avenge the murder himself.
The Tiv believed that was horribly wrong for Hamlet to attempt to kill the king himself. This event could have been the easiest of all to explain. She could have easily told them how hers, and all other people basically agree here, but that the matter was so extreme as to warrant the direct action of Hamlet. And in her land this is allowed. That in fact there are no strict rules for familial relationships.
Ophelia’s drowning
Ophelia, Hamlet’s love, was so distraught after hearing about how Hamlet killed her father, she committed suicide by drowning herself. The Tiv were strongly opposed to this. They felt that only witches can make someone drown because water alone cannot hurt someone. They felt that Ophelia’s brother, Laertes, killed her to sell her to the witches because he ran out of money. Also, at Ophelia’s funeral, Laertes jumped into her grave to say his last goodbye. Hamlet then jumped into the grave to say his last goodbye, also. The Tiv thought that Laertes was trying to steal the body so he could sell it to the witches. Since Hamlet jumped in, then he saved Ophelia’s body from being sold. They felt that Laertes wanted to kill Hamlet because he prevented him from selling Ophelia’s body.
This is the point where her hand should have been forced to confront the Tiv about their ideas about madness and water. This is not a matter of their opinions, or their world view. They are simply wrong about a demonstrable fact.
The final duel with the Poison blades
This was only misunderstood because of the previous misunderstandings. Its meaning could only be cleared when the mistakes made before were corrected.
In the end all of the mistakes of understanding by the Tiv were those of an incidental nature. No ideas were really inaccessible to them. But does any of this matter? Even if they had understood every word of Bohanon’s story, it would not have been Hamlet. It would have just been a simple story. From the begining we see that she is only trying to make sure that they understand the plot. That is all the article itself is concerned with. But misunderstanding the story and the motives are not what was important. Whey Hamlet, and all great literature, and all great things, have survived because they discuss, enlighten and expose the universal in all of us. The thoughts themes and ideas that can never grow antiquated because they discuss what each of us are, our nature as concious rational beings. “Shakespeare in the bush” was never concerned, if even aware of it. The auther never looked beyond the facts of the plot, never saw the forest for the trees. The underlying theme of the impossibility of certainty was therefore lost to the Tiv, no matter how well she explained the story. Because Bohanon would have never explained the ideas.