Green Day has a few. The most explicit is Coming Clean.
And of course it’s hinted at in Basket Case.
I went to a shrink
To analyze my dreams
She says it’s lack of sex that’s bringing me down
I went to a whore
He said my life’s a bore
So quit my whining 'cause it’s bringing her down
Demi Lovato Cool for the Summer counts.
Wow, I never made that connection in Basket Case.
redacted
If we veer off into showtunes, then “Two Ladies” from Cabaret certainly counts:
“Two ladies, and I’m the only man
I like it…they like it
This two for one
[…]
We switch partners daily
To play as we please
Twosies beats onesies
But nothing beats threes”
Bisexuals by Phoebe Buffay.
How about I Would Die 4 U?
I am not a woman
I am not a man
I am something that you’ll never understand
Nope. Agender is also not bisexuality.
Frank Ocean’s Chanel is about his bisexuality
“It’s taking longer than we thought” indeed.
Please explain?
How about the master, Bowie?
‘John, I’m Only Dancing’ but she turns me on…
Queen’s “Don’t Stop Me Now” contains both the lyrics “I want to make a supersonic man out of you” and “I want to make a supersonic woman of you.”
Belle & Sebastian’s “Mary Jo”
Because life is never dull in your dreams
A pity that it never seems to work the way you see it
Life is never dull in your dreams
A sorry tale of action and the men you left for
Women, and the men you left for
Intrigue, and the men you left for dead
Michael Medrano, “Fluids”
I kissed this pretty girl on the dance floor
I took her boyfriend to the bar, kissed him a little more
They got me wavy like a Malibu sunset
Still taste that coconut every time I think of them
It occurs to me that very few of these suggested songs are “implicitly” about bisexuality. Most are pretty explicit.
This reminded me of another Queen song, “Now I’m Here,” which features the lyrics:
and…
On the one hand, Freddie Mercury’s bisexuality is, by now, well-documented. On the other hand, while Freddie sang it, the song was written by Brian May, and the latter lyric is, at least in part, a call-out to the band Mott the Hoople, with whom Queen had toured.
Don’t Stop Me Now dates to the time when Mercury started to exhibit his bisexuality openly, at least within the gay scenes of Berlin, New York etc. The alternating line “make a supersonic woman / man out of you” really stood out to me already as a kid, as something that a heterosexual person wouldn’t sing.
In contrast, Now I’m Here never felt like it had a “coming out” line. Knowing the backstory of Queen touring with Hoople, and with May writing, IMHO the connotation here is of a Bromance type of situation.
With “Lola” one could argue that the narrator is bi, given how unperturbed he seems about Lola’s sexuality.
I always heard the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling” as them singing to each other.
I also hear a strong gay/bi theme in Steely Dan’s “Rikki Don’t Lose That Number.”
I primarily know Rikki as a feminine name.