I’m gonna rank 'em by personal favorite, but I have to say that IMO there is not one truly bad Coen Bros. film; not a one. Anyway, here goes.
Miller’s Crossing
The Big Lebowski
O Brother, Where Art Thou?
Fargo
Raising Arizona
Blood Simple
The Man Who Wasn’t There
The Hudsucker Proxy
Barton Fink
Miller’s Crossing
Barton Fink
Fargo
The Big Lebowski
Blood Simple
O Brother Where Art Thou?
Raising Arizona
The Man Who Wasn’t There
The Hudsucker Proxy
The Coen Bros are my favorite filmmakers, so I’ll just cut it short and say:Raising Arizona, because that was the point they changed everything, and set the tone for steadycam zooms and odd characters. Amen.
I can’t pick. They’re all so brilliant*. And they never seem to repeat themselves.
*Except for one. Lump me in with those who dislike Hudsucker. I find it unwatchable because of Jennifer Jason Leigh’s accent. Whenever she does accents, she drives me crazy.
Well, Miller’s Crossing gets my vote as the best movie ever made, for many of the same reasons as thermalribbon mentioned. I can still vividly remember seeing it for the first time, my jaw hanging open pretty much from start to finish.
But for the others, it’s close. To rank them: Raising Arizona Blood Simple The Big Lebowski O Brother, Where Art Thou? Fargo
then
The Man Who Wasn’t There – didn’t do a whole lot for me, but it was well-made.
and then the ones I really don’t like:
The Hudsucker Proxy – I really appreciate what they were trying to do, and there are some great moments. But the movie feels like a premise stretched way too far; they’ve done the screwball comedy homage much better as elements of other movies. And I hated Jennifer Jason Leigh – her performance was straight out of a high school drama club’s production of His Girl Friday. How she got to be so over-rated as an actress is beyond me.
Barton Fink – again, I appreciate what they were trying to do but hate the movie.
And vibrotronica, I know what you’re saying about Coen-bashers. A friend of mine is always saying the same thing, how they’re cold and condescending to their characters. The thing is, she says it’s especially true in Fargo, which is I think the first movie they’ve done with truly sympathetic characters!
To those of you with little love for Hudsucker, I must point out that it contains Bruce Campbell, which automatically adds several points to its coolness rating. You know, just in case you forgot.
Re: the OP. I like Miller’s Crossing best, but The Man Who Wasn’t There has such a great look that it scores high based on cinematography alone.
(“I didn’t know it would cause this much hoopla!”)
This is what makes the SDMB different, you see so many #1 votes for The Big Lebowski and Miller’s Crossing. Put them tied for first on my list, followed by:
Blood Simple
The Man Who Wasn’t There
Fargo
Barton Fink
The Hudsucker Proxy
Oh Brother Whre Art Thou?
Raising Arizona
List subject to radical change as viewer tastes mature. The Coens have never made a dud, rating them seems a bit like rating your children.
It’s about a writer who is having an unusually hard time writing for “the common man”.
To clarify a statement I made above, the movie was written while the CBs were having a severe bout of writer’s block for Miller’s Crossing. Notice that Tom Reagen’s apartment is located in “Barton Arms”.
Stylistically, it is the polar opposite of O Brother. Bleak, spooky and very allegorical. Symbolism up the wazoo. It’s well acted but I think it’s the least accessible CB movie.
Chalk me up as another Big Lebowski fan. You can call me “Dude” or “Duder” or “Duderino” or “His Royal Dudeness” if you’re not into the whole brevity thing.
I also liked Hudsucker and O Brother, but as for Fargo, I just didn’t get it.
That was a great encapsulation of Barton Fink. Whenever I’m asked what it is about, I can only blink and stutter. I classify it as a dark dark dark dark comedy. I love it. It is one of my favorite movies period.