Just a general round of appreciation for one of the most overlooked bands in the canon of Western Pop Music. It’s funny how a band like Big Star can make such amazing records without becoming a household name; it’s not even like they’re weird or experimental records or anything, just completely pleasant and gorgeous early-seventies rock-n-roll.
It’s also funny how the majority of the world has heard Big Star’s “In the Street” - re-recorded by Cheap Trick and retitled as “That 70’s Song” (how’d they swing that one?) - as the theme song to That 70’s Show without knowing that it’s a real song off of an incredible album.
#1 Record and Radio City, the band’s only two real records, should be household names but strangely aren’t. I’m sure there’s some reason that those records didn’t blow up among the general populace and didn’t become billion-sellers, entering the canon and vocabulary alongside records like Dark Side of the Moon and Led Zeppelin IV - records that everyone knows - just as I’m sure that there must be some reason that “In the street,” “the ballad of El Goodo,” “Feel,” “O My Soul,” “Mod Lang,” “Back of a Car,” and “Life is White” aren’t in constant rotation on every classic rock station around the country. Likewise, there must be *some * reason that “Thirteen” isn’t the standard coming-of-age ballad for every tender adolescent moment in every movie and TV show ever, but for the life of me I can’t understand why.
The mysterious quasi-finished third album, titled either Third Album or Sister Lovers depending on who you listen to and which quasi-official version of it you pick up, is an amazing record and a very interesting mess. You can tell that what you’re hearing is unfinished and cobbled together with aural duct tape, but when it hits absolutely transcendent moments like “Kangaroo,” or the defeated despair of “Big Black Car,” and “Holocaust” - not to mention ridiculously boisterous moments like “Jesus Christ” and “Thank you, Friends!” - you know that you’re hearing the makings of one of those classic “would have been the best record of their generation” records.
Who’s with me?
