I’m talking about the book, obviously, not the movie.
It was published in 1932, and the author includes a Note before the Foreward that the action takes place in the near future. But she doesn’t really do anything with this. At one point she mentions that due to convenient and cheap air travel and automobiles, the railroad lines were fast becoming obsolete. Later on two characters are talking with telephones equipped with “television cameras”. One of the characters is a veteran of the “Anglo-Nicaraguan Wars of '46”. But it really adds nothing to the story. Why not just set it in 1932?
And while I’m on the subject, Aunt Ada Doom married Fig Starkadder. Her daughter, Judith, married Amos, who apparently was a Starkadder, too. Can anyone help me figure out the bizarre, bent, and twisted family tree we’ve got going on here? Was Amos Judith’s half-brother or a cousin or what?
Oh, yeah, and what does “I saw something nasty in the woodshed” mean? I thought it was just something Stella Gibbons made up, until I saw Douglas Adams use it in The Long Dark Teatime of the Soul. I feel I’m missing something there!
I really cannot understand why she set it in the future and put in camera-phones and such; you’re right that it doesn’t add anything–except that everyone can run around in little planes. Maybe that’s why. I really can’t figure out any other reason though; otherwise it’s pretty much England in 1932.
I don’t understand the family tree any better than you do. They all seem to be cousins. Anyone have a diagram?
(And hey, doesn’t the Higher common sense have to be one of the great imaginary books? I wish it existed!)
That helps a little. I guess what’s really confusing me is, Judith’s maiden name is Starkadder, and she married a Starkadder; I always wondered if Amos was a cousin or a half-brother or uncle or what.
And I agree; The Higer Common Senseshould be a book. I think we should get some Dopers together to collaborate on it.
I’ve noticed, too, some of the family seem to be contortionists:
As far as I know, Stella Gibbons did make it up. It’s such a mysterious and evocative phrase that it became something of a catchphrase – hence, presumably, Douglas Adams’ use of it.