Color/Fuzzy Camera in "Minority Report"

I realize it’s been out for a while but I was reflecting on this recently and was wondering, what’s up withe fuzzy camera and funky colors in “Minority Report”? I didn’t see the flick in theaters, but saw it on DVD for the first time. The technique was so unusual, I actually thought something was wrong with my DVD player for a few minutes!
I guess it was there for “effect” but to me, at least for the first half-hour, I just found it “annoying” until I got used to it.
Did it affect anyone else this way?

  • Dirk

I remember Speilberg’s director of photography (Janus Kaminsky? I think his name is) saying that he wanted to do something different; and since lush, overlit, colorful photography is one of Speilberg’s most common visual traits, they decided to go against the grain and make a harsh, monochromatic film.

Janusz Kaminski. He has 2 Oscars, both from Spielberg films. A quote:

Janusz was also the director of the unfortunate film Lost Souls, a very poor movie (the climactic scene is absolutely inspid


Heroine & hero are sitting in car, waiting for the moment when the hero is supposed to turn into the devil incarnate. Moment passes…
Hero: I’m alive! Yay!
Heroine glances at dashboard clock and (gasp!) realizes it reads 6:66. Shoots hero.
Gaaaaah.
but with the same remarkable look.

Well, there are few (if any) DPs that have made the successful transition to quality Director. Jack Clayton & Barry Sonnenfeld come closest to mind, but their directorial careers are still pretty spotty at best.